Prints and books

  • Screen printing and collage on paper by Lucio Del Pezzo, limited edition of only 20 copies. In excellent condition. Lucio Del Pezzo (Naples 1933 - Milan 2020) was an Italian artist, painter and sculptor. He is one of the founders of “Gruppo 58”, which has always been very close to other avant-gardes, such as Enrico Baj's Nuclear Movement, the Spoor Movement of Monaco, Phases of Paris and Boa of Buenos Aires. His works from the period 1958-1960 featured assemblages of various objects, including fragments of popular prints and images. In 1960 he moved to Paris, then to Milan, where several monographic exhibitions have been dedicated to him. The first one dates back to 1974. Starting from 1962 Del Pezzo has created his typical repertoire of "paintings" or "sculptures", made of monochrome geometric panels, on which shelves or hollowed out concavities are inserted, which support regular geometric objects, sometimes very colorful. Lucio del Pezzo's production focuses on the use of common objects that, enriched with different materials, cross the boundary between painting and sculpture. His style is also characterized by a rapprochement with metaphysical atmospheres, while the playful sense and irony behind each work is inspired by the Dadaist movement. Period: 1970s Measurements: In frame H 73 x W 103 x D 3.5 / Serigraphy H 70 x W 100 cm
  • Large original screenprint by Aligi Sassu (1912-2000). SASSU ALIGI. Born on July 17, 1912 in Milan. For his father's Sardinian origins, he spent several years of his childhood in Thiesi (Sassari). His first essays are from 1926. He participated in the futurist movement until 1930; then he broke away. He had contacts in Milan with Edoardo Persico and Raffaele Carrieri; around 1931 he was in opposition to the Italian twentieth century, with Birolli, Manzù, Grosso, Tomea. He exhibited for the first time at the Venetian Biennale in 1928; his first personal is in 1930, at the Galleria del Milione. In 1934 he was in Paris, where he obtained success at the Galerie des Quatre Chemins. Since 1935, after returning to Milan, he has taken part in numerous artistic events. He participated in the first two editions of the Bergamo Prize; at the Sacred Art Exhibition in Bergamo he received the first prize with the work Deposition. He is an etching, lithographer, ceramist; he created works of sculpture, frescoes, stained glass, scenography. In 1957 he created a large cycle of mosaics in the apse of the Chiesa del Carmine in Cagliari; His works have been presented in numerous cities, including abroad: in the U.S.A. in 1933; in London in 1935; in Buenos Aires in 1947; and in Paris, Boston, Lisbon, Bucharest (where an anthology of paintings and graphic works was set up in 1966). Among the major solo shows in Italy, we mention: the one concerning graphics and sculpture carried out in the Galleria Civica di Monza in 1965; that of 1966 in Palermo presented by Salvatore Quasimodo; Period: 20th century Measures: H 163 x L 159 x P 4.5 / Canvas H 151 x L 146 cm
  • "The Lion" - Multiple print by Francesco Musante (Genoa, 17 February 1950), edition n. 3 out of 50. The work bears the inscription "The Lion carried by Trieste's ships around the world". Signature of the author on the lower center.
    Measurements: In frame H 73 x L 58 / Cardboard H 48 x L 34 cm
  • Lithograph by Giuseppe Biasi (Sassari 1885 - Andorno M. 1945) Italian painter, engraver and illustrator. The leading figure of Sardinian work and painting was an important author of the twentieth century.
    Period: 1920s / 30s Measurements: In frame H 94 x L 55 / Paper H 91.5 x L 52.5 cm
  • "Silenzio in montagna" - Aquatint / Puntasecca by Placido Castaldi, 1/125 specimen, dating back to 1985
    Period: 1985 Measurements: H 50 x L 70 cm
  • "Casorati's fairy tales", serigraphy by Francesco Casorati Pavarolo (1934-2013). Signed and numbered 1/125 in pencil.
    Period: 80s Measurements: H 70 x L 50 / Serigraphy H 56 x L 36.5 cm
  • "Lady" - Color lithograph, Print-Multiple by Arturo Carmassi (1925-2015), 1/150 copy, dating back to around 1980
    Period: around 1980 Measurements: H 70 x L 50 / Lithograph H 57 x L 45 c
  • Wonderful collection numbered 129 out of 150 copies, of images by great Italian artists including A. Pomodoro, E. Baj, A. Bueno and many others 43 plates with images of the fabric manufacturing over the centuries, enclosed in a leather folder in excellent condition.
    Period: 20th century Measurements: H 50 x L 35 cm
  • Three volumes entitled "Romantic pictorial journey of the western provinces of ancient and modern Italy" by the lawyer Modesto Paroletti, a work adorned with lithographic perspective views drawn from life. Turin Felice Festa printing factory.
    Period: Early 19th century Measurements: L 31.5 x H 46 cm
  • The birth of Venus, work of 1923, signed and dated 1924 in the lower right and numbered in the lower left 13/25 by the author Carlo Dalmazio Carrà (Quargnento, 11 February 1881 - Milan, 13 April 1966), Italian painter and teacher , professor at the Brera Academy from 1939 to 1951. This work is part of the "transcendent period" of the painter who since 1922 abandoned metaphysics, driven by the desire to "be only himself". Painting must grasp that relationship which includes the need to identify with things and the need for abstraction "and the contemplation of the landscape is then resolved in the" construction "of a painting, both mountain and marine. He also knows the Milanese painter-poet Cesare Breveglieri (who portrayed him while he was painting).
    Period: 1924 Measurements: In frame H 53.5 x L 41.5 / Paper H 31 x L 20.6 cm
  • Etching by Ennio Morlotti (Lecco, 21 September 1910 - Milan, 15 December 1992), copy 4/10. Signed on the lower right corner.
    Period: 1981 Measurements: In frame H 54 x L 40 cm Slab H 23.2 x L 15.3 cm Sheet H 40 x L 30 cm
  • Group of 6 prints depicting the carnival in Rome by Bartolomeo Pinelli (Rome, 20 November 1781 - Rome, 1 April 1835). He was an Italian engraver, painter and ceramist. Extremely prolific graphic artist, it has recently been estimated that he produced about four thousand engravings and ten thousand drawings. In his prints he illustrated the customs of the Italian peoples, the great masterpieces of literature: Virgil, Dante, Tasso, Ariosto, Cervantes, Manzoni, and subjects of Roman, Greek, Napoleonic history etc. The most common theme in general is Rome, its inhabitants, its monuments, the ancient city and the one that is contemporary to him. The well-known portrait painter Giuseppe Tominz from Gorizia had among his students. In addition to its intrinsic artistic value, his illustrator work has significant documentary significance for the ethnography of Rome, Italy and Switzerland.
    Period: 1940s Measurements: In frame H 49 x L 60 / Prints H 40 x L 51 cm
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