Prints and books

  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1650. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer.
    Period: 1650 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1655 on the Algerian coast of North Africa. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer. Period: 1655 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Group of 6 prints depicting the carnival in Rome by Bartolomeo Pinelli (Rome, 20 November 1781 - Rome, 1 April 1835). He was an Italian engraver, painter and ceramist. Extremely prolific graphic artist, it has recently been estimated that he produced about four thousand engravings and ten thousand drawings. In his prints he illustrated the customs of the Italian peoples, the great masterpieces of literature: Virgil, Dante, Tasso, Ariosto, Cervantes, Manzoni, and subjects of Roman, Greek, Napoleonic history etc. The most common theme in general is Rome, its inhabitants, its monuments, the ancient city and the one that is contemporary to him. The well-known portrait painter Giuseppe Tominz from Gorizia had among his students. In addition to its intrinsic artistic value, his illustrator work has significant documentary significance for the ethnography of Rome, Italy and Switzerland.
    Period: 1940s Measurements: In frame H 49 x L 60 / Prints H 40 x L 51 cm
  • ON THE ANCIENT CONDITION OF THE VERCELLI AREA AND THE ANCIENT VILLAGE OF SANTIA'.
    DISSERTATION BY JACOPO DURANDI DEDICATED TO HIS ROYAL HIGHNESS BENEDETTO MARIA MAURIZIO DI SAVOJA DUKE OF CHABLAIS. IN TURIN, 1766.
    Rare first edition. Very well preserved.

    Period: 1766

    Measurements: H 25,5 x 19,5 x 2,5 cm

  • Wonderful collection numbered 129 out of 150 copies, of images by great Italian artists including A. Pomodoro, E. Baj, A. Bueno and many others 43 plates with images of the fabric manufacturing over the centuries, enclosed in a leather folder in excellent condition.
    Period: 20th century Measurements: H 50 x L 35 cm
  • Color lithograph, copy 9 on a print run of 50, made in 2001 by Emilio Vedova (Venice, August 9, 1919 - Venice, October 25, 2006) was an Italian painter and engraver. "Now I will no longer worry about cutting clear profiles, exact angles of light and shadow, but light and shadow will come directly from my intimate, concerned only with transmitting the image without any a priori revisionism, which I had felt for many years." (Cit. Widow)
    Period: 2001 Measurements: In frame H 123 x L 92 cm / Paper H 97 x L 73 cm
  • "Duendecitos" etching / aquatint by Francisco Goya y Lucientes (Fuentedos, Spain 1746 - Bordeaux 1828). Original etching - Plate 49 of the "Los caprichos" series - V edition on XII. Bibliography: Harris 84; Delteil 86. Provenance Vianzone, Turin. Dimensions in mm: 190 x 130 "Miren que grabes!" etching / aquatint by Francisco Goya y Lucientes (Fuentedos, Spain 1746 - Bordeaux 1828). Original etching - Plate 63 of the "Los caprichos" series - V edition on XII. Bibliography: Harris 98; Delteil 100. Provenance Vianzone, Turin. Dimensions in mm: 187 x 122 The Capricci represent the most famous series of engravings by the Spanish master: 80 plates including etchings and aquatints of large format, made in 1799. These are plates that give rise to imaginative, pungent and grotesque representations that are affected, on a stylistic level, by an Italian influence due to the long stay in Rome in 1770. The main theme is the description of the evils of the world, from deceptions to prejudices, up to the lies of the Spanish society of the years in which Goya himself lived, in a heated controversy towards the clergy and the nobility. At the time of their publication, the drawings caused a sensation, precisely due to the fact that numerous notables of the time were recognized in them. So much was the clamor that even the Holy Inquisition had to intervene, to avoid the publication of those prints deemed excessive and blasphemous. This was probably what determined the poor success of I Capricci, so that the painter was forced to sell the entire first print run to King Charles IV, in exchange for a scholarship for his son Javier. The success of the series increased with the second edition of 1855, until it became one of the most important and celebrated graphic works in the history of art. Period: Second half of the 19th century Measurements: In frame H 45 x W 33 x D 2.5 cm / H 19 x W 13 cm // In frame H 44 x W 32.5 x D 2.5 cm / H 18.7 x W 12.2 cm
  • "La Vertu de Lucrèce", Etching, aquatint by Jean-François Janinet (1752-1814), dating back to 1789
    Period: 1789 Measurements: In frame H 34 x L 62 cm / Etching H 28 x L 55 cm
  • Photograph by Vittorio Sella. Camp on the moraine of Zemu after the snowfall of September 1899. Himalaya. Gelatin silver salt print. Period: 1899 Measurements: H 30 x W 40 cm
  • Out of stock
    Photograph by Vittorio Sella. Mount Dongusorun 4468 m from the Kogutai Glacier Central Caucasus Gelatin silver salt print. Period: Early 20th century Measurements: H 30 x W 40 cm
  • Photograph by Vittorio Sella. Allalinhorn at sunrise from the Alphubel yoke Zermatt Gelatin silver salt print. Period: Early 20th century Measurements: H 30 x W 40 cm
  • Photograph by Vittorio Sella Lyskamm and Lys glacier from Unterlicht 3350 m Monte Rosa Gelatin silver salt print. Period: Early 20th century Measurements: H 30 x W 40 cm
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