Prints and books

  • "Lady" - Color lithograph, Print-Multiple by Arturo Carmassi (1925-2015), 1/150 copy, dating back to around 1980
    Period: around 1980 Measurements: H 70 x L 50 / Lithograph H 57 x L 45 c
  • Color lithograph, copy 9 on a print run of 50, made in 2001 by Emilio Vedova (Venice, August 9, 1919 - Venice, October 25, 2006) was an Italian painter and engraver. "Now I will no longer worry about cutting clear profiles, exact angles of light and shadow, but light and shadow will come directly from my intimate, concerned only with transmitting the image without any a priori revisionism, which I had felt for many years." (Cit. Widow)
    Period: 2001 Measurements: In frame H 123 x L 92 cm / Paper H 97 x L 73 cm
  • Photograph by Vittorio Sella Lyskamm and Lys glacier from Unterlicht 3350 m Monte Rosa Gelatin silver salt print. Period: Early 20th century Measurements: H 30 x W 40 cm
  • Out of stock
    Photograph by Vittorio Sella. Mount Dongusorun 4468 m from the Kogutai Glacier Central Caucasus Gelatin silver salt print. Period: Early 20th century Measurements: H 30 x W 40 cm
  • Multiple print on Lafuma paper entitled "Nature Morte au Pigeon" by Gino Severini (Cortona 1883 - Paris 1966) Thirteenth table in the folder "Fleures et Masques" by G. Severini published in London in 1930. "Fleurs et masques" is made up of 16 engraved and colored plates "au pochoirs", it has a unique edition of 125 copies. The author was among the signatories in 1909 of the Manifesto of Futurism written by Filippo Tommaso Marinetti. In Paris he was in contact with Pablo Picasso, Georges Braque, Juan Gris and Guillaume Apollinaire, and participated in the birth and development of Cubism. Technique: Pouchoir
    Period: 1930 Measurements: In frame H 56 x L 44 cm / Print H 35 x L 21.5 cm
  • Etching by Ennio Morlotti (Lecco, 21 September 1910 - Milan, 15 December 1992), copy 4/10. Signed on the lower right corner.
    Period: 1981 Measurements: In frame H 54 x L 40 cm Slab H 23.2 x L 15.3 cm Sheet H 40 x L 30 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1655 on the Algerian coast of North Africa. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer. Period: 1655 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Three volumes entitled "Romantic pictorial journey of the western provinces of ancient and modern Italy" by the lawyer Modesto Paroletti, a work adorned with lithographic perspective views drawn from life. Turin Felice Festa printing factory.
    Period: Early 19th century Measurements: L 31.5 x H 46 cm
  • Lithograph by Giuseppe Biasi (Sassari 1885 - Andorno M. 1945) Italian painter, engraver and illustrator. The leading figure of Sardinian work and painting was an important author of the twentieth century.
    Period: 1920s / 30s Measurements: In frame H 94 x L 55 / Paper H 91.5 x L 52.5 cm
  • "Silenzio in montagna" - Aquatint / Puntasecca by Placido Castaldi, 1/125 specimen, dating back to 1985
    Period: 1985 Measurements: H 50 x L 70 cm
  • Wonderful collection numbered 129 out of 150 copies, of images by great Italian artists including A. Pomodoro, E. Baj, A. Bueno and many others 43 plates with images of the fabric manufacturing over the centuries, enclosed in a leather folder in excellent condition.
    Period: 20th century Measurements: H 50 x L 35 cm
  • The birth of Venus, work of 1923, signed and dated 1924 in the lower right and numbered in the lower left 13/25 by the author Carlo Dalmazio Carrà (Quargnento, 11 February 1881 - Milan, 13 April 1966), Italian painter and teacher , professor at the Brera Academy from 1939 to 1951. This work is part of the "transcendent period" of the painter who since 1922 abandoned metaphysics, driven by the desire to "be only himself". Painting must grasp that relationship which includes the need to identify with things and the need for abstraction "and the contemplation of the landscape is then resolved in the" construction "of a painting, both mountain and marine. He also knows the Milanese painter-poet Cesare Breveglieri (who portrayed him while he was painting).
    Period: 1924 Measurements: In frame H 53.5 x L 41.5 / Paper H 31 x L 20.6 cm
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