• Out of stock
    "The prayer" - Félix Auguste Clément (20 May 1826, Donzère - 2 February 1888, Algiers), oil on canvas from the second half of the 19th century, signed on the lower left. The painter known for his orientalist scenes, dedicates this painting to the love of a mother for her sick child, the attention to detail is very clear, such as the light that gives three-dimensionality hitting the main subjects in great prominence on the dark background. His first studies were at the École nationale des beaux-arts de Lyon with Jean-Claude Bonnefond. In 1848 he entered the École des Beaux-Arts in Paris, where he studied with Michel Martin Drolling and François-Édouard Picot. He was awarded the Prix de Rome in 1856 for his painting of the return of the young Tobias. He remained in Rome for several years, followed by a visit to Egypt in 1862, where he painted scenes of princely activities, made decorative works for palaces and sketched monuments; some of them quite remote. Many works were made at the request of the Khedive. In 1868 he returned to France. Four years later, he was commissioned by the government to copy Andrea Mantegna's paintings in Padua, but was forced to return due to illness. He was a professor at the École Nationale in Lyon from 1874 to 1877, then he retired. He participated in the Second Annual International Exhibition in London (1872), the Expo Vienna 1873 and the Exposition Universelle (1878). It is reported that Henri Rousseau enlisted the help of Clément in obtaining permission to copy paintings in the Louvre; privilege reserved for students of recognized institutions. He died in Algiers, where he had spent the winter trying to recover.
    Period: Mid 19th century Measurements: In frame H 140 x W 115 x D 10 / Canvas H 118 x W 90 cm
  • Out of stock
    "The rhododendrons of Burcina" - Oil on canvas by Enzo Gazzone from Vercelli (San Germano Vercellese 1894 - Vercelli 1970), dating back to the 1940s. On the back, scrolls: Galleria Perazzone, Galleria Dante and Galleria Fogliato. ENZO GAZZONE Born in San Germano Vercellese on 23 March 1894. Having learned the first elements of painting from his father Luigi Gazzone, a good amateur, he studied at the Albertina Academy of Turin, a pupil first of Andrea Marchisio and then of Giacomo Grosso. In addition to portraiture and landscape, he dedicates himself to etching and several successful prints attest to this attitude. She made her debut at the Vercelli Exhibition in 1922 and later took part in the 1st Female Portrait Exhibition in Monza: at the Promoter and Amici dell'Arte in Turin; then in Novara, in Bolzano, in Domodossola. His main works: "Sul lago di Como" and "Decadenza", etchings that had good success at the Black and White Exhibition in Melbourne; "March snow"; "The portrait of the Archbishop of Vercelli Mons. Giovanni Gamberoni", preserved in the archbishopric itself; "Portrait of Mrs. Berlese". They remain from Vercelli, good for the resemblance and harmony of colors. "The rice sower", owned by the Vercelli Farmers' Federation ";" The wind ";" Melancholy ";" Riflessi ";" The castle of Fénis ".
    Period: 1940s Measurements: In frame H 76.5 x W 93.5 x D 6 cm / Canvas H 57.5 x W 75 cm
  • Painting signed lower right by Giuseppe Gheduzzi (Bologna 1889 - Turin 1957). In excellent condition. With frame. Period: First half of the 1900s Measurements: Frame L 61.5 x H 52 cm / Canvas L 41 x H 31 cm
  • Painting signed and dated on the lower right by the artist Edoardo De Lucia, born in Milan in 1938, who is a modern figurative. He paints the peasant world and the humble with great sensitivity, scenes of everyday life immersed in landscapes, the line is clear, the colors are soft on the backgrounds and bright for the figures. In excellent condition. With authentic. Period: 1990 Measurements: In frame H 86 x L 108 cm / Canvas H 68 x L 90 cm  
  • Large ceramic plate depicting the taking of Constantinople, painted by Bruno Brolli, manufactured by Carlo Morelli. The manufacture for the production of artistic ceramics "Studio Ceramico Morelli" was founded in Faenza, by Mario Morelli in 1934. The manufacture, in which numerous young artists collaboratde including Antonio Albonetti, the plasticizer Domenico Matteucci, and even if only occasionally, Emilio Casadio, Battista Casanova, Bruno Innocenti and Angelo Biancini, participates in all the exhibitions of decorative art and ceramics obtaining numerous awards. In 1950 it was sold. Ceramics from the factory are kept in the Ceramics Museum of Faenza.
    Period: 1940s Measurements: Ø 44.5 x P 7 cm
  • "The water bearer" oil on canvas by Domenicone Dedo (1928 - 2002), a painter from Gattinara.
    Period: 70s Measurements: In frame H 102 x L 83 / Canvas H 100 x L 80 cm
  • Oil painting on canvas by Giovan Battista De Andreis entitled "The wave" of 1980. Signed on the lower right.
    Period: 1980 Measurements: H 66.5 x W 212 cm
  • Out of stock
    "This Arno with slow waters" - Oil on panel by Galileo Chini, signed on the lower right, bears the dedication on the back to his friend Giuseppe Orsi and the date 14 September 1943. CHINI GALILEO. Born on December 2, 1873 in Florence, died on August 23, 1956, then blind. As a boy he was a simple painter; at twenty he decided to study the ancient and modern masters. In 1899 with some friends he created "The Art of Ceramics", managing to give this feat a new physiognomy to Italian majolica. He has participated in numerous and important exhibitions in Paris, Leningrad, Barcelona, ​​Saint-Louis, Brussels and in Italian exhibitions, including the Venice Biennials from IV to XVII. Among the various decoration works, those of the buildings of the Cassa di Risparmio of Pistoia, Arezzo and Florence, as well as those of the Throne Palace in Bangkok (Siam), and among the easel works: Quiete; The triumph; The Baptist; Icarus; The game and the fat tempera painting depicting The Last Supper, in which it reaffirms its qualities as a strong symbolist decorator of daring conceptions and a lovable coloring, which achieves remarkable effects with simplicity of means and with natural spontaneity. In 1932 he held a personal exhibition in Milan, at the Pesaro Gallery, with still life paintings, flowers, figures and Parisian landscapes or on the banks of the Arno. He was a teacher of decoration at the Academy of Florence.
    Period: September 14, 1943 Measurements: In frame H 52 x L 60 / Table H 33.5 x L 42 cm
  • Oil painting on wood by Giuseppe Gheduzzi (1889-1957) depicting two players surrounded by various farm animals.
    Period: 1930s / 1940s   Measurements: In frame H 57 x L 69 cm / Table H 33 x L 45 cm
  • Oil painting on canvas depicting Umberto I of Savoy dating from the second half of the 1800s. In good condition. Period: Second half of the 19th century Measurements: In frame: H 56.5 x L 45.5 / Canvas H 35 x L 25
  • "Val d'Ayas" oil on canvas by Silvio Allason (1843-1912), signed and dated S.Allason 1909 lower left, in excellent condition. Silvio Allason (Turin 1845 - 1912), was first employed in the Ministry of War, but from around 1867 he devoted himself only to painting. After a stay in Florence, he was a pupil in Turin, at the Accademia Albertina, of E. Gamba and A. Gastaldi for the figure, studying however, at the same time, landscape with his cousin Ernesto and, upon his death, with E. Perotti . He began exhibiting at the Turin Promoter in 1869; in 1873 he had a notable success with the painting "In ambuato"; in 1876 he exhibited "The rescue". He made a specialty of the effects of moonshine with figures. He also exhibited in Milan, Naples, Paris (Salon of 1878), Nice, where one of his paintings "Among the rocks" was purchased for the Chéret Museum. Other works of his are in the Civic Museum of Turin. But an unknown title of Allison in landscape art is given by an infinity of studies from life, which he almost never showed, rich in superior elements, such as the wisdom and taste of composition, heroically patient drawing, simply effective technique and excellent color. Period: 1909 Measurements: In frame H 68 x W 128.5 x D 5.5 / Canvas H 52 x W 112.5 cm
  • Out of stock
    "Valle d'Aosta landscape with huts" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, a pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty consecutive years (awarded with a gold medal) and in the circle of artists in Turin. Solo exhibitions were held at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: about 1920 Measurements: In frame H 83 x L 102 x P 7 / Table H 61 x L 80.5 cm
  • Vase with golden wattles, oil on canvas attributed to Alfio Paolo Graziani (1900-1981)
    Period: 1950s Measurements: In frame H 70 x L 90 x P 6 / Canvas H 47 x L 68 cm
  • Out of stock
    Elegant oil painting on canvas by Alfio Paolo Graziani (Mantua 1900 - Gavirate 1981), Mantua by birth, after the last war he moved to Gavirate, where he died in 1981. He is one of the most qualified artists of the 1900s, he does not get involved by the easy enthusiasm of the time, thus he tried managing to maintain his freedom of expression and to create works of great quality. His still lifes, his landscapes and his portraits are restful and quiet carriers of inner peace. The work is signed by the author on the lower left corner. Period: 1940s Measurements: In frame H 82.5 x L 112.5 cm / Canvas H 70 x L 100 cm
  • "Venice" - Lithographs by Filippo Vasconi (1687 - 1730) for Domenico Lovisa (1690 - 1750), dating back to 1717. The four lithographs represent:
    • "View of the Court of the Doge's Palace in Venice" from The Gran Teatro di Venezia
    • "View of the Rialto Island with the Famous Bridge" from The Gran Teatro di Venezia
    • "View of Health and Public Granaries" from The Gran Teatro di Venezia
    • "Other View of the Rialto Bridge" from The Gran Teatro di Venezia
    Period: 1717 Measurements: In frame H 53 x L 67 / Paper H 48 x L 61 cm
  • Beautiful pair of watercolors depicting "Canale a Venezia" and "Rialto Bridge" by Gino Scalatelli (1870-1920). Signed, dated and titled on the bottom left.
    Period: Second half of the 19th century Measurements: In frame H 62 x L 48.5 / Paper H 48 x L 35 cm
  • "Via delle Scalette in Orvieto" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He dealt with the figure, the landscape, the flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only effects of color and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a personal exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections of New York and England. Period: 1930s / 40s Measurements: H 28 X L 33 cm  
  • Out of stock
    Dipinto olio su tavola di Cipriano Mannucci (Nizza 1882 - Firenze 1970). Compì gli studi a Firenze alla scuola d'Arte di S. Croce. Nel 1908 vinse un premio in una mostra alla Societa' Fiorentina di Belle Arti. Visse alcuni anni a Parigi, esponendovi più volte; partecipò a mostre in Italia e in America Meridionale, ottenendo numerosi riconoscimenti. Il dipinto è una veduta di Boccadasse (GE), è firmato dall'autore nell'angolo in alto a destra. Period: 1930/40 Measurements: In frame H 50 x L 60 cm / Table H 30 x L 40 cm
  • Lithograph by Carlo Bossoli representing the perspective view of the Palazzo di Città and the current via Milano (Turin) in which, in a blaze of cheering crowds, the Piedmontese cavalry leaving for the war parades on 17 April 1859. Signed by the author .
    Period: 1859 Measurements: H 22.5 x L 15.3 cmPeriod: 1859
  • "Village with bridge "- Oil on cardboard by Luigi Zago (1894-1952) dating back to the 1930s
    Period: 1930s Measurements: In frame H 61 x L 71 / Painting H 50 x L 61 cm
  • Water bearer with child, terracotta sculpture dating back to the early 1900s. At the base stamp of the Lazzaro Manufacture of Treviso
    Period: Early 1900s Measurements: H 63 x L 25 x Ø 23,5 cm
  • Water carrier, terracotta sculpture dating back to the early 1900s. At the base stamp of the Lazzaro Manufacture of Treviso
    Period: Early 1900s Measurements: H 68 x L 25,5 x Ø 26,5 cm
  • Out of stock
    "Woman with veil" oil on paper by Gino Parin. The painting is from the 20s / 30s of the twentieth century, has a beautiful coeval gilded wood frame. The picture and the frame need some cleaning. It comes from a private collection from Biella. Gino Parin was born in Trieste in 1876. His real name was Federico Gino Pollack. He began his artistic education in the studio of the Trieste painter Eugenio Scomparini and then continued at the Venetian Girolamo Navarra's one. At 19 he went to Munich to attend the Academy where he attended the courses of Karl Raupp and became acquainted with the painting of the Pre-Raphaelites, Lenbach, von Marées and von Stuck. Having become a member of the Münchener Künstler Genossenschaft, he often exhibited at the Glaspalast. He traveled extensively in Europe, visiting Switzerland, France and England. From 1910 he began to participate in the collective exhibitions of the Trieste Artistic Circle. Here he settled permanently at the outbreak of the First World War. He participated to the Biennials of 1921, 1924, 1928 and 1932. In 1923 he received the gold medal at the Turin Quadrennial. During this period his style, from the original German academic setting, evolved towards a personal reworking of the taste of the Deco years. His production, mainly focused on female portraits and interior painting, earned him the definition of "painter of beautiful women". Deported by the Germans in 1944, he died in the Bergen Belsen camp. Period: 1920s / 30s Measurements: In frame H 102 x W 82 x D 7.5 / Canvas H 79 x W 59 cm
  • Out of stock
    "Donna", unique bronze work by the master Francesco Messina (1900-1995), in dark patina and burgundy shades, authentic from 1990 by the CSD (Milan art center). The master and his art: The artist, Sicilian by birth, trained in Genoa and Milanese by adoption, who was able to experience all the artistic seasons of the 1900s. He has been able to filter and summarize in his works the feeling of time and its passing year after year, work after work, with an always original and coherent look at the poetics of the material. Cocteau said of Messina that "he does not strive to run faster than beauty (...) he walks leaving large footprints on the sand, without the subsequent waves of fashion erasing them". (Cit) Period: 20th century Measurements: H 60 x L 12 x P 8 cm
  • Out of stock
    "Woman' bronze sculpture by Titta Ratti. Titta Ratti, real name Battista Ratti (Milan 1896 - Malvaglia 1992). Period: mid 20th century Measurements: H 54 x W 18 x D 18 cm
  • "Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
  • 12 Piedmontese oak and chestnut chairs dating back to the early 1900s
    Period: Early 1900s Measurements: H 93 x L 44 x P 39 / seat H 48 cm
  • Out of stock
    Group of 16 cherry chairs, dating back to the end of the 19th century, in excellent structural condition, need coloring of the lightened parts and finishing. A chair has a broken seat.
    Period: Late 19th century Measurements: H 86 x L 41.5 x P 37.5 / H seat 48 cm
  • 1950s cabinet

    1,170.00
    1950s cabinet with red glass top and doors with resin bas-relief. Very good condition.
    Period: 1950s Measurements: H 64.5 x L 101 x P 34 cm
  • Out of stock
    1950s sideboard in chestnut veneer composed of 4 doors.
    Period: 1950s Measurements: H 88 x L 200.5 x P 48.5 cm
  • 1960s brass mirror, attributed to Luciano Frigerio (1928-1999). Stunning design that hs always a fresh and contemporary look, composed by glass and brass, in very good condition, slight defects in the mirror Period: 1960s Measurements: H 99 x W 90 x D 2 cm / Mirror H 60 x L 60 cm
  • Out of stock
    Large chest of drawers from the 19th century, in pine wood, made up of 8 large drawers. To be restored.
    Period: 19th century Measurements: H 110 x L 185 x P 71,5 cm
  • Pine wood table / desk dating back to the mid-1800s, suitable for use as a dining room table or as an office desk.
    Period: Mid 19th century Measurements: H 79 x W 160.5 x D 72 cm
  • Group of 4 Thonet branded chairs, in curved beech, dating back to the end of the 19th century. The seat is in original Vienna straw. In fair condition
    Period: Late 19th century Measurements: H 90 x L 38 x P 44 / H seat 47 cm
  • Group of 4 Thonet style chairs, brand of Wackerlin & c., Dating back to the end of the 19th century, in curved beech and seat in Vienna straw, to be restored.
    Period: Late 19th century Measurements: H 92 x L 40 x P 50 / H seat 46,5 cm
  • Out of stock
    50's hourglass floor lamp, in opaline
    Period: 1950s Measurements: H 121 x Ø 40 cm
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