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Dipinto olio su tavola di Cipriano Mannucci (Nizza 1882 - Firenze 1970). Compì gli studi a Firenze alla scuola d'Arte di S. Croce. Nel 1908 vinse un premio in una mostra alla Societa' Fiorentina di Belle Arti. Visse alcuni anni a Parigi, esponendovi più volte; partecipò a mostre in Italia e in America Meridionale, ottenendo numerosi riconoscimenti. Il dipinto è una veduta di Boccadasse (GE), è firmato dall'autore nell'angolo in alto a destra. Period: 1930/40 Measurements: In frame H 50 x L 60 cm / Table H 30 x L 40 cm -
Plaster statue representing a female nude (Diana with the horn) by Giuseppe Siccardi (Albino, 18 July 1883 - Libya, 1911), Italian sculptor. The work is mentioned in the book entitled "Siccardi" by Silvana Milesi, Corponove Editrice. Period: Late 1800s / early 1900s Measurements: H 46 x L 56 x P 37 cm -
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"Head of Satyr" - Bronze sculpture by Vincenzo Gemito (Naples, 16 July 1852 - Naples, 1 March 1929), Italian sculptor, designer and goldsmith. In Naples he was known as "’ o crazy sculptor " because he was tormented and marked by profound psychic imbalances; in reality his name was Vincenzo Gemito (Naples 1852 - 1929), a goldsmith and sculptor who, due to his condition, was often forced to take long breaks from his creative activity. His life was not simple right from the start: he was abandoned to his fate by his parents after being deposited in the wheel of exposures of the Annunziata plant. In fact, his real surname was Genito - "generated" - usually associated with orphans, but due to a mistake by a scribe the N became an M. Adopted and raised in a very poor family, from an early age Gemito proved to be gifted with immense talent for the plastic arts. His watchful eye loved to dwell above all on the scenes of the Neapolitan slums and his favorite subjects were children dressed in rags, commoners and players. The Gallerie d’Italia in Naples houses one of the most important nucleus of the artist's works, coming from the collection of the lawyer Gabriele Consolazio: terracotta, bronzes and drawings produced between the 1870s and the 1920s of the following century. The young heads modeled in terracotta - such as the impressive "Scugnizzo", "Fiociniere" and "Moretto" - testify to his tendency towards naturalism. Much more sophisticated are the bronze portraits of famous people, such as that of the Spanish painter Mariano Fortuny and his contemporary Domenico Morelli. His tireless plastic research is represented in particular by the "Philosopher's head" and the later "Neapolitan girl's bust", characterized by a sensual classicism that recalls the seductions and virtuosity of ancient Hellenistic sculpture. The drawings made with different materials and procedures are no less splendid: Gemito, in fact, knew how to master pencil, charcoal, ink, watercolor, sanguine and white tempera with the same skill. The engaging self-portraits are exhibited at Palazzo Zevallos Stigliano, merciless evidence of the painful changes in his physiognomy over the years; another important series on display consists of the figures of women where it is possible to observe the style research inspired by seventeenth-century models that made Vincenzo Gemito the last follower of Neapolitan naturalism.Period: '900 Measurements: H 42 x W 23 x D 23 cm -
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Original lithograph (III / XXX) by Joan Mirò (1893-1983). Edition of 30 copies, Roman numerals, this is 3rd out of 30. Signed on the lower right. Period: Twentieth century Measurements: Print H 38.5 x L 29.5 / Paper H 66 x L 50 cm -
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Antique original Poltrona Frau from the early 1900s, in good condition. Period: Early 20th century Measurements: H 90 x W 80 x D 105.5 cm -
1960s brass mirror, attributed to Luciano Frigerio (1928-1999). Stunning design that hs always a fresh and contemporary look, composed by glass and brass, in very good condition, slight defects in the mirror Period: 1960s Measurements: H 99 x W 90 x D 2 cm / Mirror H 60 x L 60 cm -
Out of stock
"Pompeian Madonna', Andrea Bologna. Matt polychrome glazed ceramic with gilding. Lenci Factory, Turin, 1936. Signature on the reverse "Lenci Made in Italy Torino". In excellent condition, only a defect on the back. Period: 1936 Measurements: H 28,5 x W 21 x D 7,5 cm -
Napoleon III sideboard, early 20th century. The sideboard is in Boulle style, with fine inlay on ebonised wood, curved glass sides and onion feet. The piece of furniture is complete and sound in its wholeness, however it needs restoration on the central panel (see photographs). Original red fabric inside. Period: Early 20th century Measurements: H 106 X W 148 X D 37 cm -
"Portrait of a woman" Mixed media on masonite by Massimo Angeleri. Work of the 80s, by the Biella artist Massimo Angeleri, which depicts a woman holding a black cat. Period: 80's Measurements: Framed H 132 x W 102,5 x D 4,5 / Masonite H 100 x W 70,5 cm -
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Aedicule frame in Florentine Renaissance style, first half of the 20th century. Made of green and gold lacquered wood in architectural form, upper band moulded and carved with various orders of decoration and surmounted by a carved coat of arms, Two pilasters with carved leaves and Corinthian capitals. Rich apron with carved and gilded leaves. Period: first half '900 Measurements: H 135 x W 78 x D 12 cm / Inside dimensions H 60 x W 50 cm -
Out of stock
"Madonna and Child" Oil on canvas. Original painting from the 17th/Eighteenth century, northern Italy, re-tinting and cleaning carried out. The painted surface has remained in excellent condition over time. Period: '600/'700 Measurements: Framed H 76, 5 x W 65 x D 4 / Canvas H 73 x W 62 cm -
"Nude of a Woman" bronze, by Antonio Zucconi, 1959. Signed and dated at the bottom of the front. Antonio Zucconi (Macerata, 1894 - Turin, 1967) was a pupil of Edoardo Rubino at the Accademia Albertina in Turin. From the beginning of the 1920s he exhibited at the group shows of the Promotrice in Turin with works of Symbolist inspiration. From the 1930s onwards, his sculptures took on a more 'twentieth-century' tone, as a result of many influences, in particular Arturo Martini and Ernesto De Fiori. The vision of Vincenzo Gemito's sculptures at the Venice Biennale in 1932 was more decisive for the development of his work. Present at the Venice Biennials of 1934 and 1936, he exhibited with Piedmontese artists at the Rome Gallery in 1938. In 1932, in collaboration with the architect Nicola Mosso and the sculptors Pavesi and Terracini, he created the Mysteries of Joy for the Sanctuary of Oropa. In the second half of the 1930s he again devoted himself to decorative sculpture in the Unione Industriali building in Biella. Period: 1959 Measurements: H 61 x W 18 x D 25 cm -
Oil painting on canvas depicting Umberto I of Savoy dating from the second half of the 1800s. In good condition. Period: Second half of the 19th century Measurements: In frame: H 56.5 x L 45.5 / Canvas H 35 x L 25 -
Period: 1930s Measurements: H 193 x L 138 x P 33 cmDecò chestnut bookcase, with three flush doors, dating back to the 1930s -
Period: 1920s / 30s Measurements: In frame H 94 x L 55 / Paper H 91.5 x L 52.5 cmLithograph by Giuseppe Biasi (Sassari 1885 - Andorno M. 1945) Italian painter, engraver and illustrator. The leading figure of Sardinian work and painting was an important author of the twentieth century. -
Large 18th century style frame in hand-carved wood, wood-colored finish with gilding. Late 19th century. Period: End of the 19th century Measurements: Internal measurements H 133 x L 184.5 cm / External dimensions H 148.5 x W 199 x D 8.5 cm -
Large sideboard, rosewood, Italian production of the 1950s. The sideboard has six side drawers and the two central doors concealing the mirrored bar area, with crystal top. Period: 1950 Measurements: H 128 x W 179,5 x D 43 cm -
"Serene Hours" pastel on cardboard by Gigi Chessa. Work produced between 1914 and 1915, on the back there is a cartouche of the Galleria D'Arte Fogliato. It is a very youthful work dating from the only year Gigi Chessa spent as a student at the Accademia Albertina in Turin. In February 1984 it was exhibited at the "Piemonte Artistico e Culturale" (Exhibition: Chessa, Da Milano, Levi, Menzio). The painting was published in "Rassegna Pittorica, Ottocento - Novecento" of the Galleria Inarte Alassio (April 2003), page 19, TAV IX Gigi CHESSA (1898-1935). Meeting Art auction of June 2000, not sold with estimate 2600 € Lot n° 155. Period: 1914/15 Measurements: Framed H 61 x W 45,5 x D 2 / Pastel H 41 x W 57,5 cm -
"Court scene" oil on canvas from the early 20th century. Signed at lower right by an unknown painter. In need of cleaning. Period: Beginning of '900 Measurements: Framed H 92.5 x W 127 x D 4.5 cm / Canvas H 75 x W 110 cm
