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Extendable walnut table 1700s

€9,900.00

Rare and elegant Venetian table in walnut, extendable, in Louis XVI style, dating back to the end of the 18th century, suitable for up to 10/12 people.

Period: Late 18th century Measurements: H 81 x L 151.5 x P 115 (Open L 277) cm

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“Oremo torrent, Biella” – Oil on Lorenzo Delleani’s stick

€9,720.00

Original work by the artist, Lorenzo Delleani, depicting the Oremo stream near Biella. Dated on the lower center 4.9.84. Stamp and signature on the back of Leonardo Bistolfi, reproduction on the Dragone catalog at No. 425. Lorenzo Delleani (Pollone, 17 January 1840 - Turin, 13 November 1908) was an Italian painter.

Period: September 4, 1884 Measurements: In frame H 48.5 x L 61.5 cm / Tablet H 25 x L 37 cm

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“Matisse at the Museum “- Acrylic / wood painting by Ugo Nespolo

€9,600.00

Splendid acrylic / wood painting by Ugo Nespolo (Mosso 29/08/1941), entitled "Matisse al Museo" of 1984. Signed by the author at the top right. With authentic. Very good condition Period: 1984 Measurements: H 70 x L 100 cm

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Inlaid Louis XVI style chest of drawers

€9,600.00

Louis XVI chest of drawers, finely veneered and inlaid in various woods, pink perlino marble top. Lombard origin.

Period: Second half of the 19th century Measurements: H 92 x L 123.5 x P 61 cm

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“The prayer” – Oil on canvas by Félix Auguste Clément

€9,500.00

"The prayer" - Félix Auguste Clément (20 May 1826, Donzère - 2 February 1888, Algiers), oil on canvas from the second half of the 19th century, signed on the lower left. The painter known for his orientalist scenes, dedicates this painting to the love of a mother for her sick child, the attention to detail is very clear, such as the light that gives three-dimensionality hitting the main subjects in great prominence on the dark background. His first studies were at the École nationale des beaux-arts de Lyon with Jean-Claude Bonnefond. In 1848 he entered the École des Beaux-Arts in Paris, where he studied with Michel Martin Drolling and François-Édouard Picot. He was awarded the Prix de Rome in 1856 for his painting of the return of the young Tobias. He remained in Rome for several years, followed by a visit to Egypt in 1862, where he painted scenes of princely activities, made decorative works for palaces and sketched monuments; some of them quite remote. Many works were made at the request of the Khedive. In 1868 he returned to France. Four years later, he was commissioned by the government to copy Andrea Mantegna's paintings in Padua, but was forced to return due to illness. He was a professor at the École Nationale in Lyon from 1874 to 1877, then he retired. He participated in the Second Annual International Exhibition in London (1872), the Expo Vienna 1873 and the Exposition Universelle (1878). It is reported that Henri Rousseau enlisted the help of Clément in obtaining permission to copy paintings in the Louvre; privilege reserved for students of recognized institutions. He died in Algiers, where he had spent the winter trying to recover.

Period: Mid 19th century Measurements: In frame H 140 x W 115 x D 10 / Canvas H 118 x W 90 cm

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Majolica vase by Galileo Chini

€9,500.00

Vase with dragons and flowers by Galileo Chini (1873/1956), in polychrome luster majolica. At the base brand with Chini & C. Mugello Italia writing, dating back to around 1919-1925

Period: From around 1919 to 1925 Measurements: H 36.5 x Ø 30.5 cm

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“Woman” – Bronze sculpture by Francesco Messina

€9,500.00

"Donna", unique bronze work by the master Francesco Messina (1900-1995), in dark patina and burgundy shades, authentic from 1990 by the CSD (Milan art center). The master and his art: The artist, Sicilian by birth, trained in Genoa and Milanese by adoption, who was able to experience all the artistic seasons of the 1900s. He has been able to filter and summarize in his works the feeling of time and its passing year after year, work after work, with an always original and coherent look at the poetics of the material. Cocteau said of Messina that "he does not strive to run faster than beauty (...) he walks leaving large footprints on the sand, without the subsequent waves of fashion erasing them". (Cit) Period: 20th century Measurements: H 60 x L 12 x P 8 cm

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Carriage clock with rococo case and panels Sèvres, Drocourt

€9,000.00

"Musy Père et Fils", King's Watchmaker in Turin/Drocourt à Paris, Movement No. 12780, Height 21 cm, circa 1880 Rare carriage clock with rococo case and Sèvres panels, Drocourt, circa 1880. Hour and half-hour repeater, alarm clock. The gilt bronze case is entirely ornamented: putti, volutes and foliage decoration, porcelain panels with beautiful polychrome gallant scenes. Dial with Roman numerals for the hours, small dial with Arabic numerals for the alarm clock. 8-day movement, anchor escapement. On the back oval stamp with a carriage clock flanked by the letters "D" and "C". Pierre and his son Alfred Drocourt are highly regarded by enthusiasts for the quality of their work. In working order, to be overhauled and the gilding revived. Period: circa 1880 Measurements: H 21 x W 14,5 x D 13 cm

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“Donna stesa con vaso blu” – Oil on canvas

€8,900.00

"Woman lying with blue vase" by Armando Spadini, oil on canvas signed on the lower right and dated 1902 on the back. The painting, although in excellent condition, needs cleaning. Armando Spadini (Poggio Caiano 1883 - Rome 1925) studied at the Institute of Fine Arts in Florence for a short time, visiting museums and exhibitions on his own, and assimilating, with his sensitivity, the joyfullness of colours, which is expressed personally, but not too far from the Venetian and French painters. Precisely this great love for the festive colours, for the transparent clarity, for the solar luminosity is showed in all his works, without the tormenting research that often characterized the work of the Impressionists. He is a painter superior to his time, to his environment; Emilio Cecchi considers him, like Antonio Mancini, the strongest pictorial temperament that arose in Italy after the end of the 18th century. Having won the competition for national retirement for painting in Florence in 1910, he settled in Rome, where he remained until his death, keeping on painting. He participated, but not so often, in various Roman and Florentine exhibitions, and in 1918 he held a solo show at the Casina Valadier in Rome. In 1924 at the Venice Biennale he had a room, where only his works had been displayed. Many of his works are in public and private galleries in Italy, in Paris, in Buenos Aires, in Lima. At the VI Quadriennale in Rome, in 1952, a commemorative exhibition took place with eighteen works. His works were also present at the 1956 edition of the same event. Period: 1902 Measurements: In frame H 80 x W 94 x D 12 / Canvas H 53.5 x W 70.5 cm

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“Florentine noble lady “- Ancient Italian marble of the 19th century

€8,800.00

"Florentine noble lady " - Ancient Italian marble from the second half of the 19th century. Tuscan half-bust of exquisite workmanship depicting a noble Florentine lady. Perfectly finished in detail. It bears the inscription"Decus Augusta Coenobili". In good state of conservation and beautiful patina.

Period: Second half of the 19th century Measurements: H 66 x W 78 x D 30 cm

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Expulsion of the Merchants from the Temple, oil on canvas from the first half of the 18th century

€8,500.00

Expulsion of the Merchants from the Temple, oil on canvas from the first half of the 18th century. Splendid scenography, the painter was able to give "movement" to the many characters. Definitely an interesting work that deserves in-depth study. The conditions are excellent, it has not undergone to any loss of colour or restoration over time, just a light cleaning. Period: first half of the 18th century Measurements: Canvas H 73 x W 56 x 2 cm

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“Mountain landscape, Aosta Valley” – Oil on tablet by Lorenzo Delleani

€8,500.00

"Mountain landscape, Aosta Valley" - Oil on tablet by Lorenzo Delleani, dated lower right 3.7.97, on the authentic back of Bistolfi. Authenticated by the Piedmontese figurative painters and sculptors archive. DELLEANI LORENZO. Born in Pollone (Biella) on 17 January 1840, died in Turin on 13 November 1908. He studied at the Albertina Academy, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut as Promoter of Fine Arts in 1855 and established itself in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to painting of historical re-enactment, to achieve more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the national exhibition in Turin in 1880 the Ministry of Grace and Justice purchased the vast canvas Caterina Grimani Dogaressa, while critics showed that they preferred In the garden. The following year, in Milan, alongside Sebastiano Veniero who presented the prisoners of Lepanto, he exhibited Quies, who earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for his genuineness and brightness. In addition to the large canvases destined for numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things in the Italian landscape of that age » (Lavagnino). Among his disciples we mention: Giuseppe Bozzalla, Sofia of Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the reasons that nature and the environment could suggest to him during his periodic stays in the Biella area, in Venice, in Rome, on the Riviera , in the Monferrato. Period: 07/07/97 Measures: In frame H 67 x L 53 x P 6.5 / Table H 45 x L 31 cm

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