• "Cherubs" - Terracotta sculpture. Tests with thermoluminescence performed to establish exact dating. Following the purchase, documents attesting the dating back to the second half of the 18th century are released. Period: Second half of the 18th century Measurements: H 77 x W 57 x D 36 cm
  • "Chierichetti" (Altar boys) - Oil on canvas by Nino Salvadori Esposito. Beautiful painting by Nino Salvadori Esposito, born in 1918. Oil on canvas with beautiful gilded frame. Period: 1960s Measurements: In frame H 71 x W 80.5 x D 6.5 / Canvas H 50 x W 60 cm
  • Splendid bronze sculpture signed by Guido Cacciapuoti (Naples 1892 - Milan 1953), depicting a young boy. In perfect condition.
    Period: Early 1900s Measurements: H 40 L 29.5 x P 15 cm
  • "Child" - Oil on canvas by Kevin Whitney, signed and dated 1971 on the lower right corner
    Period: 1971 Measurements: H 91 x L 147.5 cm
  • Out of stock
    "Child", bronze by Claudio Botta, 1929, bears the signature of the famous Brescian sculptor. The sculpture is a detail of the Monument to Edmondo de Amicis - First prize at the National Competition of Oneglia (Imperia). The bronze is prensent in the Catalog "Claudio Botta, artista bresciano" at page 29, published in a special edition printed in 500 copies in 1959.
  • Oil on canvas by Giancarlo Cori (Pesaro, 1933 - Biella, 1985) depicting Christ. Signed and dated by the author in the center on the left.
    Period: 1978 Measurements: In frame H 90 x L 71.5 cm / Canvas H 70.5 x L 50.5 cm
  • "Cristo", oil on canvas of the XVIII century, restored, in a beautiful gilded frame.
    Period: 18th century Measurements: In frame H 60 x L 47.5 / Canvas H 32 x L 22 cm
  • Ancient wooden statue representing Christ crucified in carved and lacquered wood.
    Period: Late '700 / early' 800 Measurements: H 130 x L 98 x P 16 cm
  • Mario Sironi - Church and Figure - Tempera on paper signed lower right, 1944. Authentication 10/11/1982 confirmed by la Bussola gallery. Period: 1944 Measurements: Framed H 48 x W 60 x D 5 cm/ Tempera H 18.5 x W 29.5 cm
  • "Circumcision of Jesus" - Oil painting on canvas from the first half of the 18th century, painting rich in characters, excellent quality, beautiful contrast of colors of the characters' clothes, it needs restoration.
    Period: first half of the 18th century Measurements: H 100 x W 75 x D 2 cm
  • "Composition" by Umberto Mastroianni (Fontana Liri 1910 - Marino 1998), mixed technique / cardboard signed on the lower right, work number 0019. Authentication of the artist on photo. Umberto Mastroianni was born in Fontana Liri, in the province of Frosinone, on 21 September 1910. After his studies at the Academy of San Marcello in Rome, he moved with his family to Turin, continuing his training under the guidance of the master Guerrisi. His first works have a futurist imprinting; in particular he will be influenced by the works of Boccioni which Mastroianni tinges with neo-Cubism. The artist will be the founder of the Turin Prize in 1947 and, during his life, will receive important awards such as the International Grand Prize for Sculpture (Venice Biennale 1958) and the Tokyo Imperial Prize (1989). World famous artist, Umberto Mastroianni died on February 25, 1998 in his house-museum in Marino (Rome), leaving many masterpieces to posterity. Measurements: In frame H 77.5 x W 93.5 cm x D 5.5 / Canvas H 48.5 x W 65.5 cm
  • Drawing by Pietro Morando (Alessandria, 1889 - Alessandria, September 24, 1980) entitled "Conference" and signed on the bottom left. Authentication of the artist on photo.
    Period: 1950 Measurements: In frame H 85 x L 106 cm / Paper H 66 x L 74 cm
  • Out of stock
    Conversation in the woods, Venanzio Zolla (Colchester, 18 March 1880 - Turin, 10 August 1961). Oil painting on cardboard dating back to the early 1900s, signed on the lower left.
    Period: Early 19th century Measurements: In frame H 40 X L 35.5 / Table H 26.5 X L 22 cm
  • Country scene by Aldo Affortunati (1906 - 1991), oil on plywood dating back to the 40s / 50s.
    Period: 1940s / 50s Measurements: In frame H 58 x L 67 / Table H 40 x L 50 cm
  • Country scene by Aldo Affortunati (1906 - 1991), oil on plywood dating back to the 40s / 50s.
    Period: 1940s / 50s Measurements: In frame H 58 x L 67 / Table H 40 x L 50 cm
  • Photography by Vittorio Sella Courmayeur, 1929 With date and dedication on the back. Gelatin silver gelatin print. Period: 1929 Measurements: H 30 x W 40 cm
  • "Court scene" oil on canvas from the early 20th century. Signed at lower right by an unknown painter. In need of cleaning. Period: Beginning of '900 Measurements: Framed H 92.5 x W 127 x D 4.5 cm / Canvas H 75 x W 110 cm
  • "Crucifixion" oil on canvas of the '600 /' 700. The canvas depicts the moment of Christ's Crucifixion, who is enveloped in the darkness of the solar eclipse. The body that emerges from the darkness, wrapped in such brightness that contrasts with the darkness of the background contributes to the highly dramatic rendering of the whole scene. "It was about noon, when the sun went out and darkened all over the earth until three in the afternoon. The veil of the temple was torn in the middle. Jesus, shouting in a loud voice, said:" Father, into your hands I deliver thee my spirit. '' (Luke 23, 44-45). Period: '600 /' 700 Measurements: H 81.5 x W 57.5 x D 2 cm
  • "Cyrano de bergerac" - Bronze sculpture from the first half of the 1900s
    Period: First half of the 1900s Measures: H 38.5 x L 15.5 x D 14 cm
  • Out of stock
    "Dali - De Draeger" catalogue by Max Gérard, 1968. The catalogue has a drawing of Don Quixote, with a dedication on the guard paper, a gift from the Catalan artist Salvador Dali (Figueras 1904 - 1989) "Every morning, as I wake up, I experience a supreme pleasure that I am discovering today for the first time: that of being Salvador Dali, and I wonder, filled with wonder, what this Salvador Dali will do again today that is so prodigious. And every day it is more difficult for me to understand how others can live without being Gala or Salvador Dali. A Catalan with a thirst for gold and glory, Dali painted a lot and talked a lot. His favourite subject: how to become a genius. His conclusion: 'Oh, Salvador, now you know, if you play at being a genius, you will become one! Salvador Dali's taste for provocation, excessive character, pursuit of paradox and exaggerated egocentricity have made him a well-known figure to the general public. These elements have helped to turn a great artist - endowed with a fervid creative intelligence and a profound knowledge of the history of the arts, the masters of the past and the literary research of his time - into a myth, which still arouses great curiosity today. However, his continuous exposure as an absolute 'genius' of art, to critics and to the judgement of the public, has given the impression of being able to fully understand his work and easily enter into his thought. In reality, his entire oeuvre reveals a very complex personality. Like his compatriot Picasso, Dali experimented with different expressive languages during his long career, moving away from painting towards cinema, theatre, photography and even performance. "At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been steadily growing ever since". Dali's life and work are inextricably intertwined, in fact many events in the artist's life were reflected in his creations, and many paintings can only be understood on the basis of the events that marked his life. At the age of six he painted his first canvas. Then, at the age of ten, he received his first drawing lesson, under the guidance of the famous Impressionist painter Ramón Pichot (1872 - 1925). He would later say that he was influenced by Pichot's works, which represented his first contact with a non-academic artistic current, focused on the reality of his time. At the age of fourteen he discovered the pompiers, at twenty-two cubism and at twenty-four he was already Dali, convinced that he had been called Salvador because he was destined to be the "saviour" of painting threatened with death by abstract art, academic surrealism, Dadaism in general and all the anarchic isms. At the age of 25, he was already winning over critics, doing business with gallery owners and collecting scandals. Period: 1968 Measurements: Page size with drawing and dedication H 30 x W 27.5 cm
  • "Dancing Afternoon" oil on cardboard by Leonardo Roda. The work dates back to the beginning of the 20th century and is signed at the bottom right. Period: early '900 Measurements: Framed H 44 x W 53 x D 4 / Board H 21 x W 30,5 cm
  • Pair of polychrome ceramic dancers by Robert Micheau-Vernez (1907-1989), created for the Henriot factory. The ceramic on the base is inscribed "Danseurs de Pont Aven", and underneath is written "145/Henriot Quimper". Robert Micheau-Vernez created this model in 1934. Period: 1930s Measurements: H 33 x W 16,5 x D 16,5 cm
  • Beautiful oil painting on canvas by a very young Francesco Tabusso (27 June 1930, Sesto San Giovanni - 29 January 2012, Turin), Dated 1951, signed by the author and titled "Delft" (Netherlands) On the lower left corner.
    Period: 1951 Measurements: In cornice H 63 x L 51,5 / Tela H 40 x L 30 cm
  • Plaster statue representing a female nude (Diana with the horn) by Giuseppe Siccardi (Albino, 18 July 1883 - Libya, 1911), Italian sculptor. The work is mentioned in the book entitled "Siccardi" by Silvana Milesi, Corponove Editrice. Period: Late 1800s / early 1900s Measurements: H 46 x L 56 x P 37 cm
  • Out of stock
    "Woman lying with blue vase" by Armando Spadini, oil on canvas signed on the lower right and dated 1902 on the back. The painting, although in excellent condition, needs cleaning. Armando Spadini (Poggio Caiano 1883 - Rome 1925) studied at the Institute of Fine Arts in Florence for a short time, visiting museums and exhibitions on his own, and assimilating, with his sensitivity, the joyfullness of colours, which is expressed personally, but not too far from the Venetian and French painters. Precisely this great love for the festive colours, for the transparent clarity, for the solar luminosity is showed in all his works, without the tormenting research that often characterized the work of the Impressionists. He is a painter superior to his time, to his environment; Emilio Cecchi considers him, like Antonio Mancini, the strongest pictorial temperament that arose in Italy after the end of the 18th century. Having won the competition for national retirement for painting in Florence in 1910, he settled in Rome, where he remained until his death, keeping on painting. He participated, but not so often, in various Roman and Florentine exhibitions, and in 1918 he held a solo show at the Casina Valadier in Rome. In 1924 at the Venice Biennale he had a room, where only his works had been displayed. Many of his works are in public and private galleries in Italy, in Paris, in Buenos Aires, in Lima. At the VI Quadriennale in Rome, in 1952, a commemorative exhibition took place with eighteen works. His works were also present at the 1956 edition of the same event. Period: 1902 Measurements: In frame H 80 x W 94 x D 12 / Canvas H 53.5 x W 70.5 cm
  • Out of stock
    "Ecstasy of St. Francis" oil on canvas from the 17th century, in a coeval frame. Work in excellent condition. The scene of the painting refers to the famous episode in the life of Saint Francis that took place on the Verna mountain in the summer of 1224, when the Saint received the stigmata. Period: 17th century Measurements: Framed H 84.5 x W 66.5 x D 4.5 cm / Canvas H 68 x W 51 cm
  • Out of stock
    "Ed ecco un cavallo bianco (And finally a white horse)", a not numbered litograph, signed on the lower right by Giorgio De Chirico. This artwork is included in the "Apocalypse" volume, curated by R. Carrieri, Edizioni della Chimera, Milano. The founder of the metaphysical school, Giorgio de Chirico is mostly known for his metaphysical paintings, created from 1909 to 1919. These nostalgic representations have deeply influenced the Surrealist movement and its artists, among which André Breton, Salvador Dalì and René Magritte. De Chirico's artworks explore various themes, among which alientation; nostalgia and the myth. De Chirico refused, later in his career, his previous metaphysical style and focused his research on traditional painting techniques, preferring the neo-Classic and neo-Baroque style, influenced by Raffaello, Luca Signorelli and Peter Paul Rubens. The surrealists publicly criticised this further anti-moidernist development in De Chirico's work and for that the artist ceased his participation and belonging to the group. Measurements: In frame H53 x W45,5 x D1,5 cm / Litograph H32 x W25 cm.
  • Oil painting on canvas by Edmondo Maneglia (1925-2003) depicting a female figure in erotic attitudes. Signed by the author on the lower left corner.
    Period: 20th century Measurements: In frame H 53.5 x L 53.5 / Canvas H 30 x L 30 cm
  • Out of stock
    "Escape to Egypt" oil on canvas from the 18th century, in a contemporary gilded frame. The episode of the Flight into Egypt is an episode from the childhood of Jesus linked to the Massacre of the Innocents, narrated in the Gospel of Matthew (2.13-23), in which Joseph, with Mary and the infant Jesus, flees to Egypt. The iconography of the Flight has been a popular subject in art and shows Mary with the child on a donkey led by Joseph proceeding on foot, or the Holy Family encamped for a short rest. In this work there is a perfect fusion between the landscape and the fleeing Family, which is guided by an angel on its way to salvation. Period: 18th century Measurements: Framed H 78.5 x W 64 x D 7 / Canvas H 64.5 x W 50.5 cm
  • Painting depicting a fairytale landscape with a castle and characters, probably of French origin, mixed media on paper, watercolor and tempera. Dating from the late 1800s
    Period: Late 19th century Measurements: H 103.5 x L 74 x P 3.5 / Dipinto H 96 x L 66 cm
  • "Faunes et Flore d'Antibes" - Edition 46/175 - "Au Pont des Arts". Original album from 1960, containing 7 colour lithographs. Printed by Daniel Jacomet under the supervision of Picasso, Paris. Introduction by Jaime Sabartes, New York Graphic Society - Au Pont Des Arts, Paris, 1960. The Portfolio reproduces 7 paintings on paper by Pablo Picasso, from the series: "La joie de vivre", Antibes August/September 1946, plus the frontispiece that was specially designed by Picasso for this edition. Printed on paper marked Arches and preserved in the original linen folder. The prints are reproduced in the original format of the paintings, and the dimensions of the folder are: H 65 x W 50 cm. The linen folder and the prints are in very good condition. One hundred and seventy-five numbered copies, this being 46 of 175. Period: 1960 Measurements: H 65 x W 50 cm
  • Beautiful painting in mixed technique representing an abstract female figure by Piero Ruggeri (1930 - 2009).
    Period: 70s Measures: In frame H 70 x L 55.2 cm / Sheet H 47 x L 32 cm
  • "Female figure", serigraph by Giuseppe Migneco (1908-1997), numbered on the bottom left 2/200.
    Period: 1964 Measurements: In frame H 83 x L 67 / Paper H 75 x L 60 cm
  • Out of stock
    Nice charcoal on paper applied on canvas by Oreste Pizio (1879, Turin - 1938, Nole) representing a female nude. Signed and dated 1918 by the author. In a golden frame with ovalized fillets from the end of the 19th century.
    Period: 1918 Measurements: In frame H 90 x L 65 / Canvas H 61 x L 43 cm
  • Chinese carved and ebonized wood sculpture depicting a phoenix, dating back to the end of the 19th century
    Period: Late 19th century Measurements: H 197 x Ø 55 cm
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