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Large original screenprint by Aligi Sassu (1912-2000). SASSU ALIGI. Born on July 17, 1912 in Milan. For his father's Sardinian origins, he spent several years of his childhood in Thiesi (Sassari). His first essays are from 1926. He participated in the futurist movement until 1930; then he broke away. He had contacts in Milan with Edoardo Persico and Raffaele Carrieri; around 1931 he was in opposition to the Italian twentieth century, with Birolli, Manzù, Grosso, Tomea. He exhibited for the first time at the Venetian Biennale in 1928; his first personal is in 1930, at the Galleria del Milione. In 1934 he was in Paris, where he obtained success at the Galerie des Quatre Chemins. Since 1935, after returning to Milan, he has taken part in numerous artistic events. He participated in the first two editions of the Bergamo Prize; at the Sacred Art Exhibition in Bergamo he received the first prize with the work Deposition. He is an etching, lithographer, ceramist; he created works of sculpture, frescoes, stained glass, scenography. In 1957 he created a large cycle of mosaics in the apse of the Chiesa del Carmine in Cagliari; His works have been presented in numerous cities, including abroad: in the U.S.A. in 1933; in London in 1935; in Buenos Aires in 1947; and in Paris, Boston, Lisbon, Bucharest (where an anthology of paintings and graphic works was set up in 1966). Among the major solo shows in Italy, we mention: the one concerning graphics and sculpture carried out in the Galleria Civica di Monza in 1965; that of 1966 in Palermo presented by Salvatore Quasimodo; Period: 20th century Measures: H 163 x L 159 x P 4.5 / Canvas H 151 x L 146 cm -
Period: around 1880 Measurements: H 183 x L 213 x P 9.5 closed / P 3 cm openSeparé / Screen late nineteenth century, in walnut, panels composed of turned inserts embedded together to create a fascinating geometric motif dating back to around 1880, has some shortcomings. -
Epoca: Fine '800 Misure: In cornice H 38 x L 46 / Tavola H 16 x L 26,8 cm"The challenge" - Oil on cardboard by Francesco Bosso (1864-1933) BOSSO FRANCESCO. Born in Vercelli on December 27, 1864, died in Turin in 1933. He studied at the Institute of Fine Arts in his city with Bonino and Costa. At the beginning of his artistic career he devoted himself to decoration and scenography, performing several works in palaces, churches and theaters of Italy, France and Switzerland. For the Colonial Exhibition in Genoa he composed a large Diorama of the Panama Canal, appreciated and praised. He especially dedicated himself to the paintings of flowers, fruit and still lifes, which brought him wide fame. In 1922 forty-seven of his paintings were exhibited at the Vercelli Art Exhibition, including: Sun from the glass windows; Rustic rooms in Tournier; Among the rocks; Autumn melancholy; Fontanesian landscape and still lives. -
Period: 80s Measures: H 16.5 x L 9.5 x P 6.5 cmSmall bronze by Edmondo Cirillo, Neapolitan sculptor born in 1931, dating back to the 80s -
Period: Early 1900s Measures: H 43 x L 34.5 x P 34.5 x Ø pot 32.5 cmCachepot vase with French Gothic style frieze, with mosaic gilding applications, original Manifattura di Signa, dating back to the early 1900s, code 1063, see catalog image. It has some flaws. -
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Period: 1876 Measures: H 93 x L 71 / Canvas H 82 x L 59.5 cm"Still life with woodcock, pheasant and partridge" - Oil on canvas by Michelangelo Meucci (1840-1909), background painted to simulate light ashwood, signed and dated on the lower right "M.Meucci Firenze 1876" -
Period: First half of the 1900s Measures: H 38.5 x L 15.5 x D 14 cm"Cyrano de bergerac" - Bronze sculpture from the first half of the 1900s -
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Period: 1940s Measures: In frame H 45 x W 56.5 x D 6 / Painting H 27.5 x L 37 cm"Landscape" - Oil on tablet by Telesforo Franchino (Treviso 1885 - 1968 Turin), dating back to the 1940s. There is no particular biographical information on the painter, however his pictorial testimony remains. He used to paint mountain or simple countryside landscapes. His brush is distinctive and very suggestive. -
Period: Early 1900s Measures: H 33 x L 35.5 x P 26.5 cm"Old woman with basket "- Bronze dating back to the early 1900s -
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Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm"Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition. -
Period: 30s / 40s Measures: H 44 x L 55 x P 6 / Tablet H 26 x L 35 cm"Landscape" - Oil on tablet by Giorgio Kienerk (1869-1948). Signed on the lower right. The work was already sold in Martini auction in December 2011. KIENERK GIORGIO. He was born in Florence, in an ancient Tuscan family, on May 5, 1869. He studied with Adriano Cecioni, then, recommended by Telemaco Signorini, he dedicated himself not only to sculpture but also to painting. He formed, therefore, alongside Macchiaioli and made his debut very early, exhibiting six small landscapes at the Promotrice of Florence in 1888. He continued annually to present paintings and statues there. From 1891 to 1895 he followed the Divisionist school and painted, among other things, In riva all'Arno and Mattino sul mare. In 1897 he exhibited two large pastel female portraits at the Internationale of art and flowers in Florence and then oriented himself towards large figures, often with an allegorical meaning. In 1898 he appeared in Turin with Dolore. Then he participated in the Venetian Biennials with La vergognosa (1899), Il Silenza (1901), the Portrait of Irma Gramatica, pastel (1903), Sera, drawing (1905). He then came to the main Italian and foreign exhibitions in Brussels, Munich, Vienna, London, Saint Louis, Buenos Aires. With his scratched, borderless drawings, he has collaborated in magazines and newspapers (La Fiammetta, No-vissima, L'Italia ride, La Domenica dell'Avanti, La Liguria ligure, Numero, Gil Blas and Cocoricò dì Parigi). In 1905 he was appointed director of the civic painting school of Pavia. In the early period Pavia was particularly interested in sculpture, especially bronze plaques, a genre that he cultivated for a long time. After 1913, thanks to the experience acquired with the studies on Divisionism and mindful of the research of colors and light of the early years, he returned to deal with landscape and from then until his death the campaign was a continuous source of inspiration, especially after 1920 when he started working in Fauglia, on the Pisan hills (The washerwomen, Under the olive tree, In the shadow of the Carob tree, Dusty road). The portraits also belong to his last production (Portrait of the Marquis Quaratesi). In 1922 he exhibited in Florence at the Fiorentina Spring and until 1936 several times in Pavia. In 1936, finishing his teaching at the school of painting, many works were purchased by the Municipality of Pavia and are located in the museum of that city. From 1937 to 1943 he lived in Florence, exhibiting in various solo shows in Florence itself and also in Lucca and Livorno. In 1947 an exhibition of his works was opened at the Galleria Geri in Milan. Retiring to Fauglia with his family in 1943, he died in his villa in Poggio alla Farnia on February 15, 1948. His works can be found in the Modern Art Galleries of Venice, Florence, Lima (Peru) and in the Museum of Brussels. Many are in private collections in Pavia, Milan, where in the Turri Collection there is a Girl's Head, in Genoa, Florence. He engraved some drypoint plates. -
Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm"Lake Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting the Fishermen's Island seen from a coast. Restored, with contemporary frames. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but always with success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter. -
Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm"Lago Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting a landscape on the shores of Lake Maggiore. Restored, with coeval frame. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but when he did it had always success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter. -
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Period: 1940s Measurements: In frame H 45 x W 56.5 x D 6 / Painting H 27.5 x L 37 cm"Landscape" - Oil on tablet by Telesforo Franchino (Treviso 1885 - 1968 Turin, dating back to the 1940s There is no particular biographical information on the painter, however his pictorial testimony remains. He used to paint mountain or simple countryside landscapes. distinctive and very suggestive feature. -
Period: 1974 Measurements: H 166 x Ø 48 cmQuadrifoglio model floor lamp designed by Gae Aulenti for Harvey Guzzini in 1974. The circular base in polished chromed steel and the four chromed stems support a four-leaf clover lampshade in molded white acrylic perspex. -
Period: Early 1900s Measurements: In frame H 41 x L 53.5 / Tablet H 24.5 x L 36 cm"Laundry in the sun" - Oil on tablet by Vittorio Cavalleri (1860 - 1938), dating back to the early 1900s. The work is signed in the lower right corner by the author, a Piedmontese painter, son of a cloth merchant, was started by his father for the family's commercial activity. CAVALLERI VITTORIO. Born in Turin in 1860, died in Turin on May 22, 1938. He attended the Accademia Albertina, a pupil of Gamba, Gilardi and Gastaldi. Landscape painter and portraitist, with a robust color, with a strong personality. In 1885 he participated for the first time in the Turin Promoter Exhibition with "Abandoned Hoes" and then frequently exhibited at the Turin exhibitions and the main Italian exhibitions, including the Venice Internationals, until 1925. He also painted sacred subjects, and in the Sanctuary of Oropa found three of his great paintings representing Peace; War and the faithful. Other works: Sad winter; Tonio the gallant; The grandmother and Alpine Flora, preserved in the Civic Museum of Turin; Mountain hospitality in the Marangoni Museum in Udine; In spring; Cemetery flowers; Love story; Empiricism; Ave Maria; Summer in the hills; In the shadow; Baleful Aurora; At home forced; Tribolo; First treasures; Portrait of a man; Domus Aurea; The drowned; Portrait of the Duke of Aosta, in the Gallery of the Order of the Garter at the Court of King Edward of England; Portrait of the mother, in the artist's studio; the Self-portrait, owned by Botto of Milan; Supplizi in the Cartotti collection of Lessona; Ray of sunshine, with Mr. Vittorio Vacchieri; Assalita, Ferrino property; A sunbath, in the Vignolo di Torino collection and the Portrait of Mrs. Pelizzone. Many of his works exist in the Colongo collection in Biella and among them: The shadow; The washerwoman; In adoration; At the source; Theater interior; Sleeping girl. His pupils were: Giuseppe Moreno, Domenico Motta, E. Nicolello, Ans. Priest. -
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Period: about 1920 Measurements: In frame H 83 x L 102 x P 7 / Table H 61 x L 80.5 cm"Valle d'Aosta landscape with huts" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, a pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty consecutive years (awarded with a gold medal) and in the circle of artists in Turin. Solo exhibitions were held at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin. -
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Period: 1940s Measurements: H 87 x Ø 75 cmDrop chandelier with volute structure in iron rod, and eight light points, dating back to the 1940s -
Period: 1940s Measurements: H 89 x L 44 x P 20 cm (Cad.)Pair of drop-shaped appliques with volute structure in iron rod, five light points, dating back to the 1940s -
Period: Late 19th century Measurements: H 30.5 x L 36.5 x P 33.5 (Ø 23) cmPair of Sevres vases, in cobalt blue ceramic and gilded bronze, Napoleon III style, dating back to the end of the 19th century -
Measurements: H 18,5 x Ø 24 cmAdvertising vase in ceramic, bearing the inscription Amarena with fruit of the Gambarotta company. On the bottom, the Rossi Manifattura di Varazze brand. -
Period: 19th century Measurements: In frame H 51 x L 54 / Tablet H 24.5 x L 28 cm"Madonna and Child with Angels" - Oil on tablet from the 1800s, in a coeval guilloché frame. -
Period: Late 19th century Measurements: H 103.5 x L 74 x P 3.5 / Dipinto H 96 x L 66 cmPainting depicting a fairytale landscape with a castle and characters, probably of French origin, mixed media on paper, watercolor and tempera. Dating from the late 1800s -
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Period: around 1870 Measurements: H 80 x L 60 / Canvas H 53 x L 62 cm"Man of arms, portrait" - Painting on canvas signed by the painter Enrico Clara, born around 1850, often present at the exhibition of the promoter of Turin in the 1970s -
Period: 19th century Measurements: Ø 36.5 x H 5 cmLarge ceramic plate, dating back to the 19th century -
Period: 1950s Measurements: H 112 x L 9.5 x L 9.5 cmLarge stem vase in Murano glass, beautifully made, with a square section, dating back to the 1950s -
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Period: 1879 Measurements: H 43 x L 58 x P 4.5 / Canvas H 30.5 x L 45.5"Sky cut by sunlight" - Oil on canvas by Frederick Buckstone (1857-1911). Signed and dated on the lower left. It has the writing on the back: On Keston Common Kent. -
Period: Late 1800s Measures: H 18 x L 79,5 x P 12 cmPair of candlesticks, candle holder, in gilded bronze, beautifully crafted, in Napoleon III style -
Period: 1940s Measures: H 47 x L 47.5 x P 34 cmRare table with mirror top, with drawing depicting a stylized woman in Giò Ponti style. Design from the 40s. -
"Mountain landscape, Aosta Valley" - Oil on tablet by Lorenzo Delleani, dated lower right 3.7.97, on the authentic back of Bistolfi. Authenticated by the Piedmontese figurative painters and sculptors archive. DELLEANI LORENZO. Born in Pollone (Biella) on 17 January 1840, died in Turin on 13 November 1908. He studied at the Albertina Academy, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut as Promoter of Fine Arts in 1855 and established itself in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to painting of historical re-enactment, to achieve more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the national exhibition in Turin in 1880 the Ministry of Grace and Justice purchased the vast canvas Caterina Grimani Dogaressa, while critics showed that they preferred In the garden. The following year, in Milan, alongside Sebastiano Veniero who presented the prisoners of Lepanto, he exhibited Quies, who earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for his genuineness and brightness. In addition to the large canvases destined for numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things in the Italian landscape of that age » (Lavagnino). Among his disciples we mention: Giuseppe Bozzalla, Sofia of Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the reasons that nature and the environment could suggest to him during his periodic stays in the Biella area, in Venice, in Rome, on the Riviera , in the Monferrato. Period: 07/07/97 Measures: In frame H 67 x L 53 x P 6.5 / Table H 45 x L 31 cm -
Pair of table lamps designed by Goffredo Reggiani and produced by Reggiani, in Italy, in the 1960s. The base is in tulip-shaped chromed steel where a mushroom-shaped opal glass shade is set. It is in its original state and in good condition. Period: 1960s Measures: H 30 x Ø 34 cm (Cad.) -
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Period: 80s Measures: H 39 x L 130 x L 80 cmLiving room table in polished brass, steel and crystal, brass border equal to 4 cm. -
Period: 1950s Measures: H 120 x Ø 110 cmBrass chandelier designed by Oscar Torlasco (1934-2004), with ten light points, in polished brass. Lumi production dating back to the 1950s -
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Period: 1940s Measures: H 14 x L 21 x P 33.5 cmArt Glass by Ercole Barovier Large bowl in iridescent colors dating back to the 1940s, in shell-shaped glass with pronounced lobes and Clam Shell ribbed base. -
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Period: Mid 19th century Measures: H 31 x L 45.5 x P 23.5 cm"Pair of hunting dogs" - Original bronze by the French sculptor Pierre-Jules Mène (1810-1879), dating back to the mid-1800s -
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Period: 17th century Measures: In frame H 90 x L 112.5 x P 6 / Canvas H 73 x L 98 cm"Still life with flowers and fruit" - Oil on canvas, original, dating back to the 17th century, with coeval frame. Restored and reintelated work
