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Mixed media on rice paper. Large painting on rice paper, China for the European market, dating from the 19th century. Period: 19th century Measurements: H 183 x W 96 cm -
"Portrait of a woman" Mixed media on masonite by Massimo Angeleri. Work of the 80s, by the Biella artist Massimo Angeleri, which depicts a woman holding a black cat. Period: 80's Measurements: Framed H 132 x W 102,5 x D 4,5 / Masonite H 100 x W 70,5 cm -
"Bardonecchia" Oil on plywood by Ottorino Campagnari. The painting is from the 1950s and has a contemporary frame. It is signed at lower right. Campagnari Ottorino (Mestre, 1910 - Turin, 1987), a landscape artist in the late 19th-century style, was active from a very young age and favoured mountainous subjects and the swells of the Ligurian coast. He took part in numerous national exhibitions, including the Promotrice di belle arti di Torino in 1942. He held personal exhibitions both in Italy and abroad and numerous group exhibitions. Period: 1950s Measurements: Framed H 58 x W 68 x D 7 / Plywood H 40 x W 50 cm -
"Val Grande di Lanzo (near Chialamberto)" Oil on plywood by Ottorino Campagnari. The painting is from the 1950s and has a contemporary frame. It is signed at lower right. Campagnari Ottorino (Mestre, 1910 - Turin, 1987), a landscape artist in the late 19th-century style, was active from a very young age and favoured mountainous subjects and the swells of the Ligurian coast. He took part in numerous national exhibitions, including the Promotrice di belle arti di Torino in 1942. He held personal exhibitions both in Italy and abroad and numerous group exhibitions. Period: 1950s Measurements: Framed H 58 x W 68 x D 7 / Plywood H 40 x W 50 cm -
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Expulsion of the Merchants from the Temple, oil on canvas from the first half of the 18th century. Splendid scenography, the painter was able to give "movement" to the many characters. Definitely an interesting work that deserves in-depth study. The conditions are excellent, it has not undergone to any loss of colour or restoration over time, just a light cleaning. Period: first half of the 18th century Measurements: Canvas H 73 x W 56 x 2 cm -
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"Young Musician" pastel on paper by Pietro Gaudenzi (1880-1955). After an initial artistic training with the painter Felice Del Santo in La Spezia, he attended the Accademia lingustica of fine arts, where he was a pupil of Cesare Viazzi. In 1903, after winning the Duchessa di Galliera Artistic Pension, he went to Rome to complete his studies. In the capital he studied the masters of the Renaissance - above all Michelangelo and Raphael - while among the moderns he showed interest in G.A. Sartorio, A. Mancini, A. Spadini and F.P. Michetti. Some of the artists over-mentioned appear with him among the contributors to the magazine Novissima. He also frequented Felice Carena. The first work to lead him to fame was I priori (The Priors) bought by the Municipality of Rome in 1911 at the International Exhibition. Period: early 1900s Measurements: Framed H 77 x 63.5 x D 5.5 / Paper H 61.5 x L 48.5 cm -
Large oil on canvas by Julien van de Veegaete (1886-1960), signed and dated lower left, depicting gallant scene. Period: 1947 Measurements: Framed H 123 x W 193 x D 4,5 / H 181 x W 111 cm -
"Serene Hours" pastel on cardboard by Gigi Chessa. Work produced between 1914 and 1915, on the back there is a cartouche of the Galleria D'Arte Fogliato. It is a very youthful work dating from the only year Gigi Chessa spent as a student at the Accademia Albertina in Turin. In February 1984 it was exhibited at the "Piemonte Artistico e Culturale" (Exhibition: Chessa, Da Milano, Levi, Menzio). The painting was published in "Rassegna Pittorica, Ottocento - Novecento" of the Galleria Inarte Alassio (April 2003), page 19, TAV IX Gigi CHESSA (1898-1935). Meeting Art auction of June 2000, not sold with estimate 2600 € Lot n° 155. Period: 1914/15 Measurements: Framed H 61 x W 45,5 x D 2 / Pastel H 41 x W 57,5 cm -
"Old Milan" pastel on paper by Giulio Falzoni from the 1950s/60s. The painting has an authentication on the back. Period: 1950s/60s Measurements: In frame H 57 x W 67 x D 3,5 / H 30 x W 40 cm -
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"Roman Bridge Lake Como" oil on canvas by Aldo Raimondi (Rome 1902 - Milan 1997), 1959. The work is signed in the lower left-hand corner. Period: 1959 Measurements: Framed H 88 x W 67.5 x D 4.5 / Canvas H 70 x W 50 cm -
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"Women on the Carpet", original pencil drawing by Carlo Carrà, 1920, in a beautiful eighteenth-century frame. The drawing was published in the catalogue of Carrà's drawings, edited by Franco Russoli and Massimo Carrà, 1977. Period: 1920 Measurements: Framed H 73 x W 60 x D 4 / Drawing H 36 x W 29,5 cm -
Portraits, pair of gouaches by Philippe Garel (Trébeurden 1945). The pair of gouaches, depicts two portraits: a woman in a blue dress and a woman in a sandy dress, both signed and dated 1984. Period: 1984 Measurements: Framed H 54 x W 44 x D 2 / Gouache H 33 x W 22 cm -
"Allegory of Spring", play of Putti with flowers and flower necklaces, oil on canvas from the first half of the 18th century, Italian school. Re-painting and restoration, gilded frame not contemporary. Period: First half of the 18th century Measurements: Framed H 73.5 x W 86.5 x D 4 / Canvas H 60x W 73.5 cm -
"Interior of a courtyard, Milan" Oil on canvas, early 20th century. In a splendid frame carved and gilded with gold leaf, Mascardini painter's stamp on the back. Period: early '900 Measurements: In frame H 62,5 x 96,5 x D 4 / Canvas H 39,5 x W 74,5 cm -
Market scene, Orientalist, oil on panel by Giuseppe Gheduzzi, 1930s. The painting is signed at the bottom left and has a contemporary frame, 1930s. Period: 1930s Measurements: Framed H 40 x W 48 x D 3,5 / Tablet H 26,5 x W 34,5 cm -
"Grey weather" oil on panel by Lorenzo Delleani. Original work by the artist from Biella, oil on panel 31 x 45 cm, with authentication by Bistolfi on the back and confirmation from the Archivio Pittori e Scultori Piemontesi. The painting depicts one of the frequent grey days of fog and rain around the Sanctuary of Oropa, more precisely in the meadow above the Sanctuary, where twenty years later the construction of the New Basilica of Oropa began. Period: 29/7/92 Measurements: In frame H 51,5 x W 65,5 x D 6,5 / Tablet H 31 x 45 cm -
Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: In frame H 38 x W 48 x D 4 cm / Table H 20 x W 29.5 cm -
Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: H 48 x W 38,5 x D 4 cm / Table H 30 x W 20 cm -
"Golden Light on the Arno' oil on canvas by Cipriano Antonio Mannucci (1882-1970). The work is from the 1940s. View of Florence from Ponte Vecchio, in the painting there are the 16th century Santa Trinità bridge, and the famous Basilica di Santo Spirito or Cappella del Brunelleschi on the left, while on the right the view is of the famous Lungarno degli Acciaiuoli. Period: 1940s Measurements: Framed H 74.5 x W 95 x D 8.5 / Canvas H 49.5 x W 70, 5 cm -
Scene of a courtyard, oil on cardboard by Daniele Fissore, signed and dated on lower right, a very rare work as the artist usually depicts the landscape without figures. Daniele Fissore (Savigliano 1947 - Savigliano 2017) began his artistic career as self-taught artist. In 1975 he took part in the X Quadriennale in Rome and in 1976 in the "Biennale del disegno" in Milan. A constant evolution of the first pictorial themes (see the "Telephone booths", the "Oppositions", the "Reconnaissance", investigated with an in-depth analysis of strong photographic inspiration), led him to the human figure and the portrait. Period: 1980 Measurements: Framed H 69 x W 93 x D 4,5 / Cardboard H 60 x W 84 cm -
"Toilet of Venus" Oil on canvas first half of the 19th century with a very beautiful contemporary frame, gilded with gold leaf and carved. In the painting Venus is represented with her maidservants and cupids while she is intent on mirroring herself. The frame bears the name plate of the Bolognese painter Francesco Albani (1578-1660), the painting could be inspired by one of his works. Period: First half of the 19th century Measurements: Framed H 68 x W 81,5 x D 6,5 / Canvas H 40 x W 53 cm / Oval H 37 x W 50 cm -
Bartolomeo Castelli known as Bartolomeo Spadino the Younger, pair of still lifes, oil on canvas. The paintings are accompanied by the authentication of Dr. Gianluca Bocchi. "Still life with grapes, apple, plum and two peaches placed on the ground", oil on canvas cm H 35.5 x L 46. "Still life with grapes and apples placed on the ground", oil on canvas cm H 35.5 x W 46. Bartolomeo Castelli the Younger (Rome 1696 - 1738), also known as Spadino for having derived the pseudonym of his father Giovanni Paolo, is the youngest member of a family of Roman artists dedicated to the representation of still lifes of fruit. The pictorial imprint found in his works does not seem to seek the Baroque inspiration visible in his father's canvases, more based on chromatic strength and the search for decorativeness, preferring to resume and successfully update the models of the homonymous uncle, called Bartolomeo for this reason Castelli the Elder. In one of these two small canvases there is a trace on the original frame of an inscription in eighteenth-century characters which can be distinguished with the word "Spadino". The identity of the writing, found on paintings with different origins, but characterized by the same style and the same subjects, confirms the originality of the signature that the author loved to affix on the back of his compositions, vaulted on the canvases or on the frames. The pair of canvases certainly belonged to a larger series that was dispersed or perhaps split up in the course of hereditary transmissions. The author had a predilection for small dimensions, where he knew how to best express his qualities as a fine investigator of nature, revisiting Campidogliesque modules learned with the study of his uncle's compositions, probably through the drawings and cartoons left by Bartolomeo the Elder in family. Period: 1720s / 1730s Measurements: H 35.5 x W 46 x D 3,5 cm -
"Crucifixion" oil on canvas of the '600 /' 700. The canvas depicts the moment of Christ's Crucifixion, who is enveloped in the darkness of the solar eclipse. The body that emerges from the darkness, wrapped in such brightness that contrasts with the darkness of the background contributes to the highly dramatic rendering of the whole scene. "It was about noon, when the sun went out and darkened all over the earth until three in the afternoon. The veil of the temple was torn in the middle. Jesus, shouting in a loud voice, said:" Father, into your hands I deliver thee my spirit. '' (Luke 23, 44-45). Period: '600 /' 700 Measurements: H 81.5 x W 57.5 x D 2 cm -
Valsesia surroundings of Carcoforo, Monte Rosa Oil on canvas by Lorenzo Delleani (Pollone 1840 – Torino 1908). Painting depicting the Valsesia near Carcoforo, dated 14 June 1901, with original Delleani frame. Stamp and authentication of Bistolfi on the back. Period: 14/06/1901 Measurements: In frame H 69.5 x W 57.5 x D 6.5 / Tablet H 44.5 x W 31.5 cm
