• "Mountain landscape" - Oil on tablet by Lidio Ajmone. Signed and dated 1939 in the lower left corner.

    LIDIO AJMONE Born in Coggiola (Biella on 10 April 1884, died in Andezzeno near Chieri on 29 September 1495. He attended the Albertina Academy in Turin and was later a pupil of Vittorio Cavalleri. He always exhibited at the promoter, at the Circolo Artisti e Amici dell ' Art of Turin and sometimes in Milan, Genoa, Casale and Novara. He took part in the great war as captain of the 3rd Alpini, was wounded and decorated. In 1925 he went to Somalia with Governor De Vecchi and carried out several works there Interesting. He portrayed the Sovereigns of Italy, Benito Mussolini and the Duke of Abruzzi. At the Civic Museum of Turin you can find his painting: Neve. He was a good colourist and always made himself admired as a sensitive landscape painter. it was organized at the Circolo degli Artisti in March 1946. There were about forty works among the most significant from the various periods of artistic activity, which left good African and Rhodes impressions.

    Period: 1939

    Measurements: In frame H 54 x L 64 cm / Tablet H 35.5 x L 45 cm

  • "The black and white cat" - Oil on tablet by Lorenzo Delleani dated 11.9.82 DELLEANI LORENZO. Born in Pollone (Biella) on January 17, 1840, died in Turin on November 13, 1908. He studied at the Accademia Albertina, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut at the Promoter of Fine Arts in 1855 and established itself there in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to historical re-enactment painting, to arrive at more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the Turin national exhibition in 1880 the Ministry of Grace and Justice bought him the vast canvas Caterina Grimani Dogaressa, while critics showed a preference for "In the garden". The following year, in Milan, alongside Sebastiano Veniero who presents the prisoners of Lepanto, he exhibited Quies, which earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for its genuineness and brightness. In addition to the large canvases destined for the numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things of Italian landscape 'age' (Lavagnino). Among his disciples we remember: Giuseppe Bozzalla, Sofia di Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the motifs that nature and the environment could suggest to him during his periodic stays in the Biellese, in Venice, in Rome, on the Riviera , in Monferrato.
    Period: 11 September 1882 Measurements: In frame H 44.5 x W 55 cm / Tablet H 26 x W 37 cm
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    "The rhododendrons of Burcina" - Oil on canvas by Enzo Gazzone from Vercelli (San Germano Vercellese 1894 - Vercelli 1970), dating back to the 1940s. On the back, scrolls: Galleria Perazzone, Galleria Dante and Galleria Fogliato. ENZO GAZZONE Born in San Germano Vercellese on 23 March 1894. Having learned the first elements of painting from his father Luigi Gazzone, a good amateur, he studied at the Albertina Academy of Turin, a pupil first of Andrea Marchisio and then of Giacomo Grosso. In addition to portraiture and landscape, he dedicates himself to etching and several successful prints attest to this attitude. She made her debut at the Vercelli Exhibition in 1922 and later took part in the 1st Female Portrait Exhibition in Monza: at the Promoter and Amici dell'Arte in Turin; then in Novara, in Bolzano, in Domodossola. His main works: "Sul lago di Como" and "Decadenza", etchings that had good success at the Black and White Exhibition in Melbourne; "March snow"; "The portrait of the Archbishop of Vercelli Mons. Giovanni Gamberoni", preserved in the archbishopric itself; "Portrait of Mrs. Berlese". They remain from Vercelli, good for the resemblance and harmony of colors. "The rice sower", owned by the Vercelli Farmers' Federation ";" The wind ";" Melancholy ";" Riflessi ";" The castle of Fénis ".
    Period: 1940s Measurements: In frame H 76.5 x W 93.5 x D 6 cm / Canvas H 57.5 x W 75 cm
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    "The lake of Burcina "- Oil on cardboard by Giuseppe Buscaglione Giuseppe Buscaglione (Ariano, 1868 - Rivoli, 1928) born in Ariano from a family of Biella origins, he studied in Turin with Lorenzo Delleani (1840-1908). One of his best pupils, he soon inherited his predilection for landscape painting. Author of landscapes and seascapes, he draws extraordinary attention from the master to the atmospheric and temporal variations of nature. The values ​​of light and color, studied with precision from life, become the protagonists of Giuseppe Buscaglione's paintings, precisely in the wake of the master. His landscapes, characterized by great ease, are however often a sort of reinterpretation of those of Delleani. He participated in the Turin Promoters from 1888 to 1913, but did not fail to send works to the Milan, Genoa, Venice, Rome and Florence Expositions. Not much is known about his private life, however it is certain that he conducts a very regular exhibition activity. He died in Rivoli in 1928.
    Period: Early 1900s Measurements: In frame H 88.5 x L 68.5 cm / Carton H 76 x L 56.5 cm
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    "Portrait of a woman" - Oil painting on canvas of the Emilian school depicting a young woman dating back to the late '600 / early' 700.

    Period: End of the 17th century / beginning of the 18th century

    Measurements: In frame H 70 x W 58 cm / Canvas H 48 x W 36 cm

  • "Florentine noble lady " - Ancient Italian marble from the second half of the 19th century. Tuscan half-bust of exquisite workmanship depicting a noble Florentine lady. Perfectly finished in detail. It bears the inscription"Decus Augusta Coenobili". In good state of conservation and beautiful patina.
    Period: Second half of the 19th century Measurements: H 66 x W 78 x D 30 cm
  • Chest in camphor wood, completely carved, of Chinese origin, glass top. Period: Mid 1900s Measures: H 63 x L 111 x P 56 cm
  • Triptych of camphor wood trunks, completely carved, of Chinese origin. The trunks have three different sizes and date back to the mid-1900s
    Period: Mid 1900s Measurements: Large: H 59 x L 103 x P 51 cm Medium: H 48 x L 94 x P 46 cm Small: H 40 x L 78 x P 37 cm
  • Large Indian brass brazier, shaped and perforated structure with geometric motifs. Dating back to the 1960s
    Period: 1960s Measures: H 75.5 x Ø 50 cm
  • Ancient stone mortar dating back to the 18th century
    Period: 18th century Measures: H 14.5 x L 23.5 x L 23.5 x internal Ø 15 cm
  • Ancient seventeenth-century Piedmontese stone mortar. It presents a breakage and a part is missing, equipped with a guarantee of originality and uniqueness of the product.
    Period: 1600s
    Measures: H 16,5 x L 34 x L 34 x Ø internal 19,5 cm
  • "Marine with boats and characters" - Oil on canvas by Leonardo Roda dating back to the early 1900s, signed on the lower right. RODA LEONARDO. Born in Racconigi in 1868, died in Turin in 1933. A pupil of Marco Calderini, he participated in various exhibitions in Turin and Milan. He was a faithful, tireless reproducer of the Matterhorn. «In the last decade his brush stroke got tired and he also suffered morally. Six months before he died he managed to deliver eighteen commission paintings for a Roman house of art: but it was his last effort » (Dragone). Some of his works: Raggio di sole; Nomadic life; Quiet corner, purchased by the Society for Fine Arts of Turin in 1914.
    Period: Early 1900s Measures: In frame H 79.5 x L 109.5 x P 5 / Canvas H 70 x L 105.5 cm
  • Lombard Empire style desk, veneered in walnut, dating back to the early 1800s, truncated pyramidal leg with choke, gifted carved fillet, original lion head handles.
    Period: Early 19th century Measures: H 80 x L 129.5 x P 64.5 cm
  • Rare French secretary Charles X, veneered in maple briar and inlaid in rosewood. The calatoia creates a desk with beige leather. Castle with 9 drawers, a large central one that hides a secret, mirror background. By opening the two doors in the lower part there is a drawer and a shelf. Oak and fir structure. Saint Anne gray marble top. Original padlocks, non-original keys. Buffer polishing dating back to about 15/20 years ago. In very good condition.
    Period: 19th century Measures: H 190 x L 96 x P 42.5 cm
  • Armchair with footrest from the 80s designed by Giovanni Offredi for Saporiti. In chromed metal and sky with matching footrest.
    Period: 80s Measures: H 83 x L 112 x P 80 x H seat 35 / Footrest H 35 x L 68 x P 54 cm
  • Walnut wardrobe, dating back to the early 18th century. The interiors, the backrest and the feet were replaced during its restoration in the 1970s. Panels with rhombus shaped high relief.
    Epoca: Primi '700 Misure: H 210 x L 159 (L senza cappello 150) x P 53,5 x P interna 47 cm
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    Table, Fratino desk in walnut, built in the twentieth century, original materials, top 35 mm thick in a single piece, equipped with front drawer.
    Period: 20th century Measures: H 78 x L 135 x P 58.5 cm
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    Small revolving English bookcase, dating back to the early 1900s, in mahogany, with maple inlay.
    Period: 20th century Measures: H 78.5 x L 44 x L 44 cm
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    Important chessboard of the A.D.R. by DI ROBERTO DONATO & TEODORO from Milan. In 800 solid silver entirely hand-finished. Top in Carrara marble, Calacatta and Sicilian Jasper. 16 pieces in silver and 16 pieces in golden silver Dimensions: Pedestrian H 7.5 cm Tower H 9 cm Horse H 10 cm Bishop H 11 cm Regina H 12.5 cm King H 12 cm Chessboard 40 x 40 cm. Height 3.5 cm. The band around and the feet are in 800/1000 silver. Total weight 3.2 kg of silver. Dating back to the 50s and 60s, each object was entirely handmade.
    Period: 50s / 60s Measures: H 16 x L 40 x L 40 cm (H base 3.5 cm)
  • Large carpet, Saporiti tapestry for Ottavio Missoni, dating back to the 80s, multicolored patchwork.
    Period: 80s Measures: L 280 x L 270 cm
  • Ancient mercury barometer mounted on a mahogany table signed Cesare Vaselli from the early 19th century. This ancient measuring instrument consists of a glass tube filled with mercury and turned with the open side downwards inside a glass bulb containing other mercury. The mercury column tends to descend into the bulb leaving the void behind it: by measuring the height of the column the atmospheric pressure can be calculated. Mercury was already known in ancient times to the Chinese and Hindus; it was found in Egyptian tombs dated around 1500 BC. from 500 BC. begins its use as an amalgam for other metals. The ancient Greeks used it as a pigment for paintings, and the Romans used it in cosmetics. According to medieval alchemists it was the material from which everything else had been formed, and they thought that once hardened it would turn into gold.  
    Period: 19th century Measures: H 96 x L 11 x P 8 cm
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    "Orientalist scene" - Bronze sculpture by Giuseppe Ferrari (1840 / 43-1905), dating back to the end of the 19th century.
    Period: Late 1800s Measures: H 45 x L 54 x P 24,5 cm
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
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    Saporiti tapestry for Ottavio Missoni, multicolored patchwork, dating back to the 80s
    Period: 80s Measures: H 95.5 x L 171 x P 2.5 cm  
     
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