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English ladder in beech, upright pillars in turned wood, 4 steps with green leather upholstery. Very good condition. Period: 1940 Measurements: H 172 x W 57 x D 57 cm -
"Fontanazzo in Val di Fassa, Trentino" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12th, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He worked on figures, landscapes, flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only colorist effects and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a solo exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections in New York and in England. Period: early 1900s Measurements: H 28 X L 33 cm -
"Via delle Scalette in Orvieto" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He dealt with the figure, the landscape, the flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only effects of color and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a personal exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections of New York and England. Period: 1930s / 40s Measurements: H 28 X L 33 cm -
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Art Nouveau lamp in the Johann Loetz style (1880-1940), dichrome glass with slight gilding, brass base. Period: 1880/1910 Measurements: H 52 x D 101 cm -
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"Interior studio", painting by Aldo Carpi de 'Resmini (Milan, 6 October 1886 - Milan, 27 March 1973), oil on canvas signed and dated 11 - 19 - 1960 on the lower right. Aldo Carpi, the famous Italian painter, has a very peculiar history, in fact he was deported to Gusen, a satellite camp in Mauthausen, Austria, where only 2 percent of the prisoners managed to survive. He was saved thanks to his talent and was the author - at the risk of his life - of the only real "live" diary inside an extermination camp. A vertical man, a Righteous who has known and suffered the most atrocious sufferings, but who has never bent to "recognize the active presence of" evil "in the hearts of his fellow men", as the famous art critic Mario De wrote Micheli. Period: 1960s Measurements: In frame H 89 x W 119 x D 5 Canvas H 60 x W 90 cm -
Still life by Alfio Paolo GRAZIANI (1900-1981). Large oil on canvas from the 1940s, signed on the lower right, in excellent condition. The present frame is coeval. Period: 1940s Measurements: In frame H 95 x W 125 x D 5 Canvas H 70 x W 100 cm -
Piedmontese walnut table of excellent workmanship, early 19th century, beautiful original patina, in good condition. Period: '800 Measurements: H 78 x W 176,5 x D 76,5 -
Mirror belonging to the historical period of the Restoration, in carved and gilded wood with golden leaf. Origin France. Original mercury mirror, period around 1830 Period: 1830 Measurements: H 93 x W 140 x D 13 -
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Coffee table in slate and scagliola with plexiglass base. The top dates back to the 19th century, by a Florentine workshop, decorated with a map of the constellations of Guiljelmus BLAEU (1600-1699), on the edge the signs of the zodiac. In the 70s / 80s it was combined with the plexiglass base to form a coffee table with glass of rare beauty. Period: between the 18th and 19th centuries Measurements: H 43 x W 138 x D 54,5 -
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Rare mirror by Pier Luigi Colli for Marelli from the 1950s, in elm wood, antique mirror and brass finishes, original and in excellent condition. Period: 1950s Measurements: Ø 100 x D 5 -
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Pair of original crimson velvet armchairs. 1950s style by Gio Ponti. Backrest with shell shape, truncated conical feet with brass ends. In good condition, the matching sofa is also for sale. Period: 1950 Measurements: H 82 L 90 P 88 (H seat 50) cm -
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Gio Ponti style sofa in the original crimson velvet. Backrest with shell shape, 6 truncated conical feet with brass ends. In good condition, also the pair of matching armchairs for sale. Period: 1950 Measurements: H 82 L 186 D 88 (H seat 50) cm -
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Mid-eighteenth-century Louis XV Piedmontese trumeau, in walnut with maple scrollwork inlays. Excellent condition, some inlays have been replaced with rice paste. Period: Half 700 Measurements: H 250 x W 131 x D 61.5 cm -
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Ancient stoup in carved white marble, 17th century in good condition. Period: '600 Measurements: H 130 x D 64 cm -
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"Woman lying with blue vase" by Armando Spadini, oil on canvas signed on the lower right and dated 1902 on the back. The painting, although in excellent condition, needs cleaning. Armando Spadini (Poggio Caiano 1883 - Rome 1925) studied at the Institute of Fine Arts in Florence for a short time, visiting museums and exhibitions on his own, and assimilating, with his sensitivity, the joyfullness of colours, which is expressed personally, but not too far from the Venetian and French painters. Precisely this great love for the festive colours, for the transparent clarity, for the solar luminosity is showed in all his works, without the tormenting research that often characterized the work of the Impressionists. He is a painter superior to his time, to his environment; Emilio Cecchi considers him, like Antonio Mancini, the strongest pictorial temperament that arose in Italy after the end of the 18th century. Having won the competition for national retirement for painting in Florence in 1910, he settled in Rome, where he remained until his death, keeping on painting. He participated, but not so often, in various Roman and Florentine exhibitions, and in 1918 he held a solo show at the Casina Valadier in Rome. In 1924 at the Venice Biennale he had a room, where only his works had been displayed. Many of his works are in public and private galleries in Italy, in Paris, in Buenos Aires, in Lima. At the VI Quadriennale in Rome, in 1952, a commemorative exhibition took place with eighteen works. His works were also present at the 1956 edition of the same event. Period: 1902 Measurements: In frame H 80 x W 94 x D 12 / Canvas H 53.5 x W 70.5 cm -
Ancient coat of arms of the city of Milan: original from the 19th century, carved and lacquered crown and crusader shield. Period: 1800 Measurements: H 68 x W 40.5 x D 7.5 cm -
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"Interior with thread spinner and sheep". Oil on tablet by Giuseppe Gheduzzi . The artist was born in Crespellano (BO) on 12 May 1889. Son of the painter Ugo, from whom he learned, like his brothers Cesare, Mario and Augusto, the first rudiments of art. He made his debut in Vignola in 1907 with the painting Alpine landscape. He refined his training in Turin at the Albertina Academy as a pupil of Andrea Marchisio and Paolo Gaidano. After leaving the Academy, he collaborates with his father for the realization of the stage sets for the Teatro Regio. Giuseppe is a skilled landscape painter: he paints Venetian glimpses and panoramas, views of the Piedmontese lakes and valleys and of the Ligurian Riviera. Unlike his brother Cesare, however, he also excels in interior paintings with figures and orientalist themes. Particularly appreciated by the public and critics are in fact his genre scenes and the paintings depicting interiors of workshops of artisans, antique dealers and stables. During his life Giuseppe participated in many reviews of the Promoter of Fine Arts in Turin and in the Circolo degli Artisti in Turin, and made several personal exhibitions. He died in Turin on May 21, 1957. Period: 1930s Measurements: In frame H 36 x W 28 x D 3 / Canvas H 20 x W 11,5 cm -
Large portrait oil on canvas, attributed to the painter Paolo Ghiglia (1905-1979), signed on the lower left, 1940s / 1950s. Paulo Ghiglia (Florence, March 5, 1905 - Rome, November 19, 1979) was an Italian painter. He starts painting very young with his father and teacher Oscar; at the age of twenty he leaves his father's house and moves to La Verna, where he lives for about five years. He made his debut in Milan in 1929 at the Pesaro Gallery with his father Oscar and his brother Valentino, also a painter. In 1931 he was at the first Quadriennale in Rome: thanks to Petrolini, his close friend, he was introduced to the capital city life and society, where his portraits period began. He stays in Paris where he portrays Joséphine Baker. He goes back to Rome, city that together with Florence, Livorno and La Verna, will be and remain the places and sources of greatest inspiration. In the forties and fifties his production focuses on portraits of illustrious people. His works can be found in various museums around the world, from the Uffizi, with two self-portraits, kept at the Metropolitan Museum of Art. Measurements: In frame H 80 x W 100 x D 10 / Canvas H 68 x W 87 cm -
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"Rio a Venezia (River in Venice)", 1953, oil on canvas by G. Bertulli. Born on August 16th, 1903 in Bardi (Parma), he lives in Milan. He studied in Piacenza, a pupil of Francesco Ghittoni, and in Milan, at the Brera academy, he then moved and settled in Milan and since then he participated in important local and national exhibitions, obtaining awards and prizes. To his credit about thirty solo exhibitions, of which six are in Milan and the last one (1967) at the Sagittario gallery. He was a member of the Accademia Clementina and the Parma Academy of Fine Arts. Trade union manager and member of the Commission for the Monumental at the Municipality of Milan. Dimensions: In frame H 68 x W 78 x D 5.5 / H 50 x L 60 cm -
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Pair of ceramics depicting the allegory of poetry and allegory of music, by Giuseppe CAPPÈ (1921-2008), ca. 1950s, in perfect condition. Giuseppè Cappè was born in Milan in 1921, he lived in Milan and later in Lomagna (Lecco) where in his studio, near the porcelain manufacturer, he created his works appreciated all over the world and which, especially in America, have conquered the market. Part of his works are now in many private collections and museums. Cappè was an artist who drew inspiration from the strands of the great Italian Baroque-Alexandrian folk tradition of which the stuccos of Serpotta (Palermo), the Capodimonte porcelain and the Neapolitan mangers are the most typical and well-known examples. Cappè was an artist who has been making sculptures since 1946 and his creations have been so successful that they have been imitated and plagiarized. He also worked as a chief sculptor at the IPA studio and later as a chief sculptor at King. Many of his models are still reproduced from these porcelain studies. He died in Lomagna on 7 May 2008. Measurements: (H 23 X L14 X P10), (H23 X L14 X P12) -
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Small Piedmontese dresser in Luigi Filippo style. Two and a half drawers, turned foot, inlaid drawers in patina. In fair condition. Period: mid-19th century Measurements: H 84 x W 105 x D 54.5 cm -
Ancient Indian painting, in watercolour and tempera technique on thin canvas, depicting two life scenes with characters and cows. Period: mid 1900s Measurements: H179 x W114 x D2 cm -
The painter Octavianus Monfort was known until 1990 only through a group of miniatures, signed and dated, depicting still lifes, which chronologically climbed between 1680 and 1689; and for a series of signed but undated miniatures, always depicting still lifes or, in some cases, sacred scenes. Period: 17th century Measurements: In frame H 28 x W 37.5 x D 2.5 / Parchment H23.5 x W 32.5 cm
