Pair of gallant scenes, retouché by Otto Wilhelm Eduard Erdmann (7 December 1834, Leipzig - 9 December 1905, Düsseldorf) He was a German genre painter in the Rococo Revival style. The retouché technique uses a print as a base, but thanks to hand-made retouches and finishes, it returns a physical and external appearance similar to a completely painted picture.
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Out of stock
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Carlo Musso (1907 - 1968), gracious chalk on paper by the Turinese artist. Signed on the lower right, dating back to the 1940s. Born on September 7th 1907 and dead on September 25th 1968 in Turin. He attended the Albertina Academy of Fine Arts along with the masters Luigi Onetti, Cesare Ferro and later on with Guido di Montezemolo. This last artist was his companion with whom he had learned to dig into the true soul of the Piedmontese landscapes, pictorically describing it with a deep sense of lyricism. He participated in the main Italian group exhibitions: Circolo degli Artisti, Arbarello prize with the work 'Ponte sulla Dora' (1946); CAI Award, silver medal with 'Preludio di tormenta' (1947); Black and White exhibition, medal of silver San Paolo with Strada del fortino (1952); City of Chieri competition, first prize with "the Duomo, evening" (1953); International Self-portrait Exhibition, silver medal (1956); Circolo degli Artisti of Turin, Follini prize with "Porto di Savonasotto la neve" (1958); Alessandria Commerce Award, first prize with "Casale Market" (1962); Pragelato Narcisi in fiore competition, first prize (1966); Exhibition of Floral compositions at Valentino, gold medal ( 1966); City of Cumiana painting exhibition, first prize and gold medal with "Autumn in Val di Susa" (1966) He has set up personal exhibitions in various Italian cities. Measurements: W 35 x H 22,5
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"Fontanazzo in Val di Fassa, Trentino" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12th, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He worked on figures, landscapes, flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only colorist effects and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a solo exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections in New York and in England. Period: early 1900s Measurements: H 28 X L 33 cm
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"Florentine noble lady " - Ancient Italian marble from the second half of the 19th century. Tuscan half-bust of exquisite workmanship depicting a noble Florentine lady. Perfectly finished in detail. It bears the inscription"Decus Augusta Coenobili". In good state of conservation and beautiful patina.Period: Second half of the 19th century Measurements: H 66 x W 78 x D 30 cm
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"Flowers and Moon" Oil on canvas by Mario Carletti from the 60s / 70s. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 60s / 70s Measurements: H 100 x W 70 x D 2 cm