• Iron chandelier, with applications of sheet metal leaves and daisies with glass petals. Consisting of 6 lighting points, dating back to the 1960s.
    Period: 1960s Measurements: H 64 x Ø 62 cm
  • Neo-Gothic oil lantern in brass, Napoleon III style, dating back to the second half of the 19th century
    Period: Second half of the 19th century Measurements: H 40 X L 16 X P 13 cm
  • Out of stock
    Oil on cardboard by Luigi Steffani (1827-1898) depicting a landscape with a water stream, signed on the lower left and dated 1893
    Period: 1893 Measurements: In frame H 39 x L 59 / Table H 22 x L 42 cm
     
  • Oil on tablet, Luigi Locatelli. Painted tablet by Luigi Locatelli, depicting mother with child on a fence, signed lower right. No frame. Locatelli Luigi (known as Bigì) (Bergamo 1904-1983) after his first training with his father, he enrolled at the Carrara Academy. Before the age of twenty he starts working for the Milan gallery owner Zecchini. In the 1930s he moved to Paris where he became friends with the great Italian artists who lived in the French capital. After about ten years he returns to Italy settling in Bologna where he works as a restorer. Period: 1934 Measurements: H 41 x L 33 cm
  • Italian mirror from the mid-19th century, composed by carved and gilded wood, with original mercury mirror. There are small restoring works to perform. Period: Mid 19th century Measurements: H 92 x W 75.5 x D 6 cm
  • Large Decò clock, Pluzin Arnay-Le-Duc. In onyx and marble; the sculpture of the royal pheasant is in enamelled antimony. Period: 1920s / 30s Measurements: H 32 x W 65 x D 20 cm
  • Watercolour on paper by Giulio Falzoni, signed on the lower right. Giulio Falzoni (Marmirolo, June 1st 1900 - Milano, 1978). In his youth he studied music and painting, specifically dedicating his work and research towards mural painting. In 1915 he started studying drawing in Mantova and the following year he worked as decorator. From 1928 to 1943 he stayed in Florence, where he attended the Academy of Fine Arts and developped his artistic skills under the lead of Plinio Nomellini. He started to stand out from his contemporary colleagues thanks to his watercolour technique, mastering it in London at the Royal Watercolour Society in the end of the 1940s. His first solo exhibition was set up in 1939 in Mantova, then Florence, Padova, Prato, Neaples, Venice and Milan followed. Some of his exhibitions have taken place in the United States of America, United Kingdom, France and Switzerland. Several prestigious collections see his works as their part, as for instance the Galleria degli Uffizi and Musei Capitolini. Measurements: In frame H56 x W49,5 x D4,5 // H32 x W26 cm.
  • "Old woman with basket "- Bronze dating back to the early 1900s
    Period: Early 1900s Measures: H 33 x L 35.5 x P 26.5 cm
  • "Cyrano de bergerac" - Bronze sculpture from the first half of the 1900s
    Period: First half of the 1900s Measures: H 38.5 x L 15.5 x D 14 cm
  • Work by Gianni Bertini (Pisa 1922 - Caen 2010). Italian artist active in the field of painting, graphics and visual poetry. He was the founder of Mec-Art. The work is a plastic fusion and is part of the Antologica collection. Dated 16 November 1966 and signed by the artist on the back. It also bears the inscription "1st status". In perfect condition. Period: November 16, 1966 Measurements: H 80.5 x L 53 cm
  • "Portrait of an old woman" - Oil on panel by Filippo Omegna (1881-1948).  Signed and dated on the lower right corner. Born in Turin on 11 March 1881, died in Montaldo di Mondovì on 1 September 1948. He was among the best pupils of Giacomo Grosso, from whom he was appointed while very young as teacher of nude and costume history at the Academy Albertina of Turin. Full Professor of Figure, in the same Academy, from 1932 until his death.
    Period: 12-10-1924 Measurements: In frame H 46 x L 36 x P 4 cm / Table H 33 x L 23 cm
  • Group of 6 prints depicting the carnival in Rome by Bartolomeo Pinelli (Rome, 20 November 1781 - Rome, 1 April 1835). He was an Italian engraver, painter and ceramist. Extremely prolific graphic artist, it has recently been estimated that he produced about four thousand engravings and ten thousand drawings. In his prints he illustrated the customs of the Italian peoples, the great masterpieces of literature: Virgil, Dante, Tasso, Ariosto, Cervantes, Manzoni, and subjects of Roman, Greek, Napoleonic history etc. The most common theme in general is Rome, its inhabitants, its monuments, the ancient city and the one that is contemporary to him. The well-known portrait painter Giuseppe Tominz from Gorizia had among his students. In addition to its intrinsic artistic value, his illustrator work has significant documentary significance for the ethnography of Rome, Italy and Switzerland.
    Period: 1940s Measurements: In frame H 49 x L 60 / Prints H 40 x L 51 cm
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