-
Armchair from the 1970s, very reminiscent of the 1971 Sesann produced by Cassina. Brown fabric, original upholstery with chrome-plated tubular metal frame. Period: 1970s Measurements: H 70 x W 103 x D 91 / Seat height 46 cm -
Scene of a courtyard, oil on cardboard by Daniele Fissore, signed and dated on lower right, a very rare work as the artist usually depicts the landscape without figures. Daniele Fissore (Savigliano 1947 - Savigliano 2017) began his artistic career as self-taught artist. In 1975 he took part in the X Quadriennale in Rome and in 1976 in the "Biennale del disegno" in Milan. A constant evolution of the first pictorial themes (see the "Telephone booths", the "Oppositions", the "Reconnaissance", investigated with an in-depth analysis of strong photographic inspiration), led him to the human figure and the portrait. Period: 1980 Measurements: Framed H 69 x W 93 x D 4,5 / Cardboard H 60 x W 84 cm -
Out of stock
Large porcelain group from Capodimonte, early 20th century, depicting a scene in 18th century dress. Period: Early 20th Century Measurements: H 23,5 x W 48 x D 28 cm -
Pendulum clock from 1830/1850s. Parisian style Louis XVI, in white marble and gilded bronze. Four columns support a sculpture of Octavian Augustus with sphinxes on either side. Enamelled dial with Arabic number, signed Robert. Period: 1830/1850 Measurements: H 61 x W 25 x D 15 cm -
Out of stock
"Ecstasy of St. Francis" oil on canvas from the 17th century, in a coeval frame. Work in excellent condition. The scene of the painting refers to the famous episode in the life of Saint Francis that took place on the Verna mountain in the summer of 1224, when the Saint received the stigmata. Period: 17th century Measurements: Framed H 84.5 x W 66.5 x D 4.5 cm / Canvas H 68 x W 51 cm -
Out of stock
"Last Leaves" oil on panel by Lorenzo Delleani, 25 x 37.3 cm; signed and dedicated: Delleani - to dear brother-in-law Baglioni Giuseppe. Dated 29/10/81. Signed and dated lower right. Private property Biella. Formerly S. Colongo, Biella. Described on page 128 of "Delleani, La vita, l'opera e il suo tempo" by Angelo Dragone. Period: 29/10/81 Measurements: Framed H 57 x W 45 x D 4,5 / Tablet H 37,3 x W 25 cm -
Out of stock
Empire canopy bed in walnut, of French origin. The bed dates from the early 19th century and has columnar uprights and carved eagles. In excellent condition, missing the iron crossbeam, bedstead and mattress. Period: Early 19th century Measurements: H 218 x W 210 x D 130 cm -
Out of stock
Crystal vase by Antonio Imperatore from the 1980s. This vase was handcrafted in Murano, Italy, by Cristallerie Antonio Imperatore around 1980. It features a clear cylindrical body that gently widens towards its base which represents the "stem" of the mushroom, with a domed upper part in translucent smoked amber glass with a circular hole in the center. In excellent condition. Period: 1980s Measurements: H 28 x Ø 27 cm -
Signa terracotta vase holder from the early 1900s. The vase has mosaic applications, the base has been repainted. Period: Early 1900s Measurements: H 127 x L 43 / Ø 136 cm -
Out of stock
"Primitive family" Oil on canvas by Nik Spatari. Signed on the top right and written on the back "Nik Sparati, Via Solferino 11 Milano". Painting from 1970, taken from the painting exhibited at the 64th Salotto exhibition in 1969. Period: 1970 Measurements: In frame H 124 x W 112 x D 2 / Canvas H 119.5 x W 109 cm -
Decò clock with peacock. Clock from the 1920s / 1930s in onyx and marble, the peacock sculpture is in enamelled antimony. Period: 1920s / 30s Measurements: H 24 x W 40 x D 3 cm -
Out of stock
"Woman with veil" oil on paper by Gino Parin. The painting is from the 20s / 30s of the twentieth century, has a beautiful coeval gilded wood frame. The picture and the frame need some cleaning. It comes from a private collection from Biella. Gino Parin was born in Trieste in 1876. His real name was Federico Gino Pollack. He began his artistic education in the studio of the Trieste painter Eugenio Scomparini and then continued at the Venetian Girolamo Navarra's one. At 19 he went to Munich to attend the Academy where he attended the courses of Karl Raupp and became acquainted with the painting of the Pre-Raphaelites, Lenbach, von Marées and von Stuck. Having become a member of the Münchener Künstler Genossenschaft, he often exhibited at the Glaspalast. He traveled extensively in Europe, visiting Switzerland, France and England. From 1910 he began to participate in the collective exhibitions of the Trieste Artistic Circle. Here he settled permanently at the outbreak of the First World War. He participated to the Biennials of 1921, 1924, 1928 and 1932. In 1923 he received the gold medal at the Turin Quadrennial. During this period his style, from the original German academic setting, evolved towards a personal reworking of the taste of the Deco years. His production, mainly focused on female portraits and interior painting, earned him the definition of "painter of beautiful women". Deported by the Germans in 1944, he died in the Bergen Belsen camp. Period: 1920s / 30s Measurements: In frame H 102 x W 82 x D 7.5 / Canvas H 79 x W 59 cm
