• Empire style fireplace with walnut veneer, with carved and gilded sculptures that surmount the truncated pyramidal pilasters, an original mercury mirror. In excellent condition.
    Period: Early 19th century Measurements: H 133 x L 151 x P 11 cm
  • Louis Philippe style daybed in walnut from the 1800s. Equipped with small wheels on the feet that make it comfortable to move. Very good condition Period: 1800 Measurements: H 103 x L 150 x P 80 cm
  • Out of stock
    Original vintage 50's Chesterfield sofa in genuine leather, newly restored, dark green color.
    Period: 1950s Measurements: H 90 x W 118 x D 140 cm - H seat 67 x D seat 51 cm
  • Out of stock
    "Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
    Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm
  • Out of stock
    Empire canopy bed in walnut, of French origin. The bed dates from the early 19th century and has columnar uprights and carved eagles. In excellent condition, missing the iron crossbeam, bedstead and mattress. Period: Early 19th century Measurements: H 218 x W 210 x D 130 cm
  • Ancient poplar wardrobe. Ivory pickled finish, shaped frame and hinged doors. Early 19th century.
    Period: Early 19th century Measurements: H 208 x L 138 x D 50 cm
  • Out of stock
    "The lake of Burcina "- Oil on cardboard by Giuseppe Buscaglione Giuseppe Buscaglione (Ariano, 1868 - Rivoli, 1928) born in Ariano from a family of Biella origins, he studied in Turin with Lorenzo Delleani (1840-1908). One of his best pupils, he soon inherited his predilection for landscape painting. Author of landscapes and seascapes, he draws extraordinary attention from the master to the atmospheric and temporal variations of nature. The values ​​of light and color, studied with precision from life, become the protagonists of Giuseppe Buscaglione's paintings, precisely in the wake of the master. His landscapes, characterized by great ease, are however often a sort of reinterpretation of those of Delleani. He participated in the Turin Promoters from 1888 to 1913, but did not fail to send works to the Milan, Genoa, Venice, Rome and Florence Expositions. Not much is known about his private life, however it is certain that he conducts a very regular exhibition activity. He died in Rivoli in 1928.
    Period: Early 1900s Measurements: In frame H 88.5 x L 68.5 cm / Carton H 76 x L 56.5 cm
  • Antique Piedmontese chest of drawers in walnut, with olive wood tiles, of excellent workmanship. In very good condition. Period '700, original in all its parts except handles and vents.
    Period: '700 Measurements: H 93 X L 128 X P 56
  • Out of stock
    "Scarabeo Ercole" etching by Luigi Bartolini. The sheet is H 235 x L 285 mm. The title is written in pencil at the bottom left. Edition in pencil at the lower center, it is 12 out of 50 copies. The signature in pencil is Luigi Bartolini on the lower right. It is displayed at the National Institute of Graphics, Prints and Drawings Department, in Rome. Luigi Bartolini (Cupramontana 1892 - Rome 1963), spent his youth among Rome, Siena and Florence, attending Academies of Fine Arts and staying for a long time in Galleries, Museums and Libraries. In 1914 he began to engrave in etching, in which he gained wide fame. Writer, painter and heated polemicist, poet, exuberant critic, he had conflicts that remained famous. In 1932 he won the highest prize shared with Morandi and Boccioni at the engraving exhibition in Florence. In 1935 he earned the Rome Quadrennial Award for the best etching artwork. In 1942 he obtained the prize at the Venice Biennale for his black and white technique. His paintings with large and sumptuous brushstrokes of color, of a lively immediacy, brought him to the fore among the most renowned artists. Period: 1934 Measurements: In frame H 53.5 x W 63 x D 1 / Plate H 23.5 x W 28.5 cm
  • Out of stock
    "Woman with veil" oil on paper by Gino Parin. The painting is from the 20s / 30s of the twentieth century, has a beautiful coeval gilded wood frame. The picture and the frame need some cleaning. It comes from a private collection from Biella. Gino Parin was born in Trieste in 1876. His real name was Federico Gino Pollack. He began his artistic education in the studio of the Trieste painter Eugenio Scomparini and then continued at the Venetian Girolamo Navarra's one. At 19 he went to Munich to attend the Academy where he attended the courses of Karl Raupp and became acquainted with the painting of the Pre-Raphaelites, Lenbach, von Marées and von Stuck. Having become a member of the Münchener Künstler Genossenschaft, he often exhibited at the Glaspalast. He traveled extensively in Europe, visiting Switzerland, France and England. From 1910 he began to participate in the collective exhibitions of the Trieste Artistic Circle. Here he settled permanently at the outbreak of the First World War. He participated to the Biennials of 1921, 1924, 1928 and 1932. In 1923 he received the gold medal at the Turin Quadrennial. During this period his style, from the original German academic setting, evolved towards a personal reworking of the taste of the Deco years. His production, mainly focused on female portraits and interior painting, earned him the definition of "painter of beautiful women". Deported by the Germans in 1944, he died in the Bergen Belsen camp. Period: 1920s / 30s Measurements: In frame H 102 x W 82 x D 7.5 / Canvas H 79 x W 59 cm
  • Pendulum clock from 1830/1850s. Parisian style Louis XVI, in white marble and gilded bronze. Four columns support a sculpture of Octavian Augustus with sphinxes on either side. Enamelled dial with Arabic number, signed Robert. Period: 1830/1850 Measurements: H 61 x W 25 x D 15 cm
  • Carlo X boat sofa, veneered in walnut feather, inlaid in the center in boxwood.
    Period: 1825 Measurements: H 104 x L 200 x P 73 / H seat 51 cm
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