• Suspension chandelier with golden griffins that support the alabaster cup
    Period: Early 1900s Measurements: H 70 x Ø 36 cm
  • Sketch of a seventeenth-century scene in oil on a tablet dating back to the end of the 19th century. In a contemporary gilded mecca frame.
    Period: Late 19th century Measurements: In frame H 31.5 X L 37.5 cm
     
  • Work created by enamel on paper by Bruno Contenotte, stage name of Bruno Facchini (San Giorgio di Mantova, 29 April 1922; Milan 14 April 1992). He is the artist who most united art and science in an artistic journey that goes from the use of fluids in painting to quantum metaphysics. Multifaceted and eclectic, expert in the use of materials, light and many other technological applications to art, he has been able to tell a new universe where nothing is ever the same.
    Period: 1973 Measurements: Framed H 54,5 x L 74,5 cm / Paper H 50 x L 70 cm
  • Tray mirror dating back to the second half of the 19th century. The frame is in wood covered with gold leaf. The latter has small scratches on the wood due to the wear and tear of time, a guarantee of originality of the product, it requires small interventions.
    Period: Second half of the 19th century Measurements: H 84 x L 68 cm
  • Pastel on paper representing abstract demon. Signed on the lower right by the author Filippo Auti, dated 1965.
    Period: 1965 Measurements: In frame H 59 x L 51 cm / Sheet H 48 x L 36.5 cm
     
  • Pastel on paper depicting an abstract figure. Signed on the lower center by the author Filippo Auti.
    Period: 80s Measurements: In frame H 63 x L 50 cm / Sheet H 42 x L 22.5 cm
  • Red stilnovo lamp dating back to the 1960s. Cast iron base.
    Period: 1960s Measurements: H 124 x L 21 cm
  • Folding trolley in plastic and chromed iron, dating back to the 60s.
    Period: 1960s Measurements: H 71 x L 77.5 x P 42 cm
  • Original advertising sign: Vermouth Gancia Asti. Vintage enamel plaque. Period: 1950s Measurements: H 120 x L 80 cm
  • Original advertising sign: Vermouth Gancia Asti. Vintage enamel plaque. Period: 1950s Measurements: H 73 x L 138 cm
  • Piedmontese walnut bedside table, Louis Philippe style, with white marble top, drawer and door. Dating from around 1850
    Period: around 1850 Measurements: H 85 x L 40 x P 36 cm
  • Hot-air balloon chandelier, with a light point, dating back to the early 1900s, to be restored
    Period: Early 1900s Measurements: H 84 x Ø 40 cm
  • Water carrier, terracotta sculpture dating back to the early 1900s. At the base stamp of the Lazzaro Manufacture of Treviso
    Period: Early 1900s Measurements: H 68 x L 25,5 x Ø 26,5 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1650. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer.
    Period: 1650 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1655 on the Algerian coast of North Africa. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer. Period: 1655 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • English samovar dating from the early 1900s in sheffield.
    Period: Early 1900s Measurements: Total H 35 x W 24 x D 29 cm / Teapot H 20 x W 23 x D 27.5 cm
  • Out of stock
    Oil landscape on a tablet by Giuseppe Sauli D'Igliano (Turin, 6 June 1853 - 14 January 1908). Signed in the lower left corner.
    Period: Late 19th century Measurements: In frame H 43.5 x L 37.5 / Tablet H 24 x L 16.5 cm
  • English landscape, unsigned oil on canvas, late 19th century, with carved and gilded frame. Period: End of the 19th century Measurements: In frame H 45 x W 64.5 x D 6.5 / Canvas H 25.5 x W 45.5 cm
  • 50's chandelier, with 12 light points that illuminate both towards the room and towards the ceiling, in ceramic and brass-plated metal
    Period: 1950s Measurements: H 81 x Ø 69 cm
  • Ancient seventeenth-century Piedmontese stone mortar. It presents a breakage and a part is missing, equipped with a guarantee of originality and uniqueness of the product.
    Period: 1600s
    Measures: H 16,5 x L 34 x L 34 x Ø internal 19,5 cm
  • Silver box

    480.00
    Silver box decorated and engraved with initials. Period: early '900 Measures: 195 gr
  • Out of stock
    This is a fine single bridal side chair with the original red-lacquer finish still in good condition. This side chair has a horizontal humpback back-rail wich extends beyond the two vertical frame elemets. The back-splat is 'S' shaped. Below the front seat frame, there is a cut - out scallop shaped apron panel. The legs are slightly splayed. At the base, a foot-rest and three horizontal stretchers joins all four legs. This bridal chair was placed inside a cedan chair. Period: Mid 19th century Measurements: H 84 x W 41 x D 34,5 cm / Seat height 38 cm
  • Beautiful tempera painting on paper applied on plywood representing a glimpse of Rue Perrière in Annecy, France. Signed and dated 1946 in the lower right corner by the author René Carel. In excellent condition with frame.
    Period: 1946 Measurements: In frame H 61 x L 46 / Paper H 51 x L 38 cm
  • Out of stock
    "Landscape" - Oil on tablet by Telesforo Franchino (Treviso 1885 - 1968 Turin), dating back to the 1940s. There is no particular biographical information on the painter, however his pictorial testimony remains. He used to paint mountain or simple countryside landscapes. His brush is distinctive and very suggestive.
    Period: 1940s Measures: In frame H 45 x W 56.5 x D 6 / Painting H 27.5 x L 37 cm
  • Out of stock
    "Landscape" - Oil on tablet by Telesforo Franchino (Treviso 1885 - 1968 Turin, dating back to the 1940s There is no particular biographical information on the painter, however his pictorial testimony remains. He used to paint mountain or simple countryside landscapes. distinctive and very suggestive feature.
    Period: 1940s Measurements: In frame H 45 x W 56.5 x D 6 / Painting H 27.5 x L 37 cm
  • "Chierichetti" (Altar boys) - Oil on canvas by Nino Salvadori Esposito. Beautiful painting by Nino Salvadori Esposito, born in 1918. Oil on canvas with beautiful gilded frame. Period: 1960s Measurements: In frame H 71 x W 80.5 x D 6.5 / Canvas H 50 x W 60 cm
  • Piedmontese frame, original from the early 18th century, lacquered in the shade of terra di Siena. The frame is in good condition, it has been previously cut and refitted. Period: Early 18th century Measurements: H 58.5 x W 72.5 x D 3.5 / Internal mix H 48 x W 62.5 cm
  • Brass chandelier, with 6 light points, dating back to the end of the 19th century.
    Period: Late 1800s Measurements: H 101 x Ø 71 cm
  • Out of stock
    "Ballerinas", watercolor drawing by Charles Emmanuel Jodelet (1883-1969), signed on the lower right and dated 1935.
    Period: 1935 Measurements: In frame H 50 x L 42 / Drawing H 36 x L 28 cm
  • Sacred wooden icon painted in oil depicting the Madonna Odigitria with the child. The Madonna Odigitria, Odighítria, or even Odegétria (from the Byzantine Greek Oδηγήτρια, the one who leads), otherwise also known as Madonna dell'Itria, is a type of Christian iconography widespread in particular in Byzantine and Russian art of the medieval period. The iconography consists of the Madonna holding the Child Jesus, seated in a blessing act, holding a rolled parchment in her hand and which the Virgin indicates with her right hand.
    Period: 19th century Measurements: In frame H 42 x L 33.5 / Icon H 29.5 x L 21 cm
  • "Pastorello", oil on plywood by Arnolfo Sella (1879-1970). The artist was a Piedmontese painter active during the nineteenth century. The painting is dated "2 October '61" and signed on the lower right by the author. Very good condition. Period: 02 October 1961 Measurements: In frame H 46.5 x L 56 cm / Tablet H 30 x L 40 cm
  • Arc lamp from the 60s, with adjustable stem, base in white Carrara marble, it has some oxidation defects on the chromed parts.
    Period: 1960s Measurements: H 195 x L 25 x P 40 x diffuser Ø 29.5 cm
  • Chandelier with drops, in pink lacquered iron, dating back to the 50s / 60s.
    Period: 50s / 60s Measurements: H 92 x D 70 cm
  • Carved and gilded wooden chandelier with 8 light points, dating back to the early 1900s
    Period: Early 1900s Measurements: H 97 x Ø 78 cm
  • Water bearer with child, terracotta sculpture dating back to the early 1900s. At the base stamp of the Lazzaro Manufacture of Treviso
    Period: Early 1900s Measurements: H 63 x L 25 x Ø 23,5 cm
  • Napoleon III oil lantern in green marble and gilt bronze. Subsequently, the electrical connection to two bulbs was created.
    Period: Second half of the 19th century Measurements: H 16 x L 14 x P 19,5 cm
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