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Out of stockOne of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 19.5 x W 20 x D 4.5 cm
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Out of stockOne of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 16 x W 16 x D 4.5 cm
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Out of stockOne of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15 x W 16.5 x D 4 cm
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Out of stockOne of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15.5 x W 16.5 x D 4 cm
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Italo Gasparucci table with pair of chairs, 1970s. In ashwood and lacquered bamboo. They are in excellent condition with slight signs of wear. Period: 1970s Measurements: Table H 75 x L 142 x P46.5 cm; Chairs H 79 x W 48 x D 45 / H seat 42 cm ts: Flat net L 209 x H 81 x P 70 / With clamps L 217 x H 81 x P 83 cm
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Out of stockCarpenter's bench from the end of the 19th century, in larch, with double vice. Period: End of the 19th century Measurements: Flat net L 209 x H 81 x P 70 / With clamps L 217 x H 81 x P 83 cm
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Screen printing and collage on paper by Lucio Del Pezzo, limited edition of only 20 copies. In excellent condition. Lucio Del Pezzo (Naples 1933 - Milan 2020) was an Italian artist, painter and sculptor. He is one of the founders of “Gruppo 58”, which has always been very close to other avant-gardes, such as Enrico Baj's Nuclear Movement, the Spoor Movement of Monaco, Phases of Paris and Boa of Buenos Aires. His works from the period 1958-1960 featured assemblages of various objects, including fragments of popular prints and images. In 1960 he moved to Paris, then to Milan, where several monographic exhibitions have been dedicated to him. The first one dates back to 1974. Starting from 1962 Del Pezzo has created his typical repertoire of "paintings" or "sculptures", made of monochrome geometric panels, on which shelves or hollowed out concavities are inserted, which support regular geometric objects, sometimes very colorful. Lucio del Pezzo's production focuses on the use of common objects that, enriched with different materials, cross the boundary between painting and sculpture. His style is also characterized by a rapprochement with metaphysical atmospheres, while the playful sense and irony behind each work is inspired by the Dadaist movement. Period: 1970s Measurements: In frame H 73 x W 103 x D 3.5 / Serigraphy H 70 x W 100 cm
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Out of stockPier Luigi Colli (1895-1968), table from the 1950s. The table has elegant cylindrical carved legs, it was built in elm, briar and brass; the top is in green formica. The cabinet is in excellent condition. Period: 1950s Measurements: H 77 x W 180 x D 86.5 cm
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"Still life of flowers" oil on canvas from the 1950s by Ottorino Campagnari. Ottorino Campagnarini (Mestre 1910 - Turin 1987), studied painting at the art school in Mestre, under the professor Giuseppe Urbani. Settled in Turin in 1935, since 1940 he had exhibited regularly at the National Quadrennial of Art of the Promoter of Fine Arts in Turin, at the Gazzetta del Popolo cultural artist, at the Circolo degli Artisti in Turin. He also exhibited in group exhibitions: in Washington, Chicago, London, Turin, Naples, Milan, Rome etc. Personal exhibitions in Turin (Galleria Martina), Imperia, Milan (Galleria Bolzani), Valle d'Aosta, Gressoney-St. Jean (Palazzo Municipio) etc. He has had prizes in competitions and impromptu. Period: 1950s Measurements: In frame H 98 x W 77 x D 5.5 / Canvas H 80 x W 60 cm
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"Val d'Ayas" oil on canvas by Silvio Allason (1843-1912), signed and dated S.Allason 1909 lower left, in excellent condition. Silvio Allason (Turin 1845 - 1912), was first employed in the Ministry of War, but from around 1867 he devoted himself only to painting. After a stay in Florence, he was a pupil in Turin, at the Accademia Albertina, of E. Gamba and A. Gastaldi for the figure, studying however, at the same time, landscape with his cousin Ernesto and, upon his death, with E. Perotti . He began exhibiting at the Turin Promoter in 1869; in 1873 he had a notable success with the painting "In ambuato"; in 1876 he exhibited "The rescue". He made a specialty of the effects of moonshine with figures. He also exhibited in Milan, Naples, Paris (Salon of 1878), Nice, where one of his paintings "Among the rocks" was purchased for the Chéret Museum. Other works of his are in the Civic Museum of Turin. But an unknown title of Allison in landscape art is given by an infinity of studies from life, which he almost never showed, rich in superior elements, such as the wisdom and taste of composition, heroically patient drawing, simply effective technique and excellent color. Period: 1909 Measurements: In frame H 68 x W 128.5 x D 5.5 / Canvas H 52 x W 112.5 cm
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Out of stockOriginal antique 17th-century Piedmontese frame in ebonized wood and gold. Period: '600 Measurements: H 99.5 x W 123 x D 7 / Internal light H 74 x W 92.5 cm
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Out of stock"Scarabeo Ercole" etching by Luigi Bartolini. The sheet is H 235 x L 285 mm. The title is written in pencil at the bottom left. Edition in pencil at the lower center, it is 12 out of 50 copies. The signature in pencil is Luigi Bartolini on the lower right. It is displayed at the National Institute of Graphics, Prints and Drawings Department, in Rome. Luigi Bartolini (Cupramontana 1892 - Rome 1963), spent his youth among Rome, Siena and Florence, attending Academies of Fine Arts and staying for a long time in Galleries, Museums and Libraries. In 1914 he began to engrave in etching, in which he gained wide fame. Writer, painter and heated polemicist, poet, exuberant critic, he had conflicts that remained famous. In 1932 he won the highest prize shared with Morandi and Boccioni at the engraving exhibition in Florence. In 1935 he earned the Rome Quadrennial Award for the best etching artwork. In 1942 he obtained the prize at the Venice Biennale for his black and white technique. His paintings with large and sumptuous brushstrokes of color, of a lively immediacy, brought him to the fore among the most renowned artists. Period: 1934 Measurements: In frame H 53.5 x W 63 x D 1 / Plate H 23.5 x W 28.5 cm
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Out of stockWriting desk, from the 1950s, desk in mahogany. In very good condition, small lack of veneer on one drawer. Period: 1950s Measurements: H 75 x W 117 x D 68 cm
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Sideboard with bar space, from the 1950s, by Pier luigi Colli. Elegant cylindrical carved legs, built in elm, briar and brass, top in green formica, excellent condition, the formica has to be glued slightly and the glass in the internal top has to be replaced. Period: 1950s Measurements: H 98 x W 158 x D 48.5 cm
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Out of stockAntique original Poltrona Frau from the early 1900s, in good condition. Period: Early 20th century Measurements: H 90 x W 80 x D 105.5 cm
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Out of stockOriginal lithograph (III / XXX) by Joan Mirò (1893-1983). Edition of 30 copies, Roman numerals, this is 3rd out of 30. Signed on the lower right. Period: Twentieth century Measurements: Print H 38.5 x L 29.5 / Paper H 66 x L 50 cm
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Artwork in mixed technique by Mario Carletti, dated 1962. Acrylic and collage on canvas. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and also works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 1962 Measurements: H 101 x W 81 x D 2 cm
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Out of stockEnglish ladder in beech, upright pillars in turned wood, 4 steps with green leather upholstery. Very good condition. Period: 1940 Measurements: H 172 x W 57 x D 57 cm
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"Fontanazzo in Val di Fassa, Trentino" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12th, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He worked on figures, landscapes, flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only colorist effects and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a solo exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections in New York and in England. Period: early 1900s Measurements: H 28 X L 33 cm
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"Via delle Scalette in Orvieto" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He dealt with the figure, the landscape, the flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only effects of color and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a personal exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections of New York and England. Period: 1930s / 40s Measurements: H 28 X L 33 cm
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Out of stockArt Nouveau lamp in the Johann Loetz style (1880-1940), dichrome glass with slight gilding, brass base. Period: 1880/1910 Measurements: H 52 x D 101 cm
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Out of stock"Interior studio", painting by Aldo Carpi de 'Resmini (Milan, 6 October 1886 - Milan, 27 March 1973), oil on canvas signed and dated 11 - 19 - 1960 on the lower right. Aldo Carpi, the famous Italian painter, has a very peculiar history, in fact he was deported to Gusen, a satellite camp in Mauthausen, Austria, where only 2 percent of the prisoners managed to survive. He was saved thanks to his talent and was the author - at the risk of his life - of the only real "live" diary inside an extermination camp. A vertical man, a Righteous who has known and suffered the most atrocious sufferings, but who has never bent to "recognize the active presence of" evil "in the hearts of his fellow men", as the famous art critic Mario De wrote Micheli. Period: 1960s Measurements: In frame H 89 x W 119 x D 5 Canvas H 60 x W 90 cm
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Out of stockCoffee table in slate and scagliola with plexiglass base. The top dates back to the 19th century, by a Florentine workshop, decorated with a map of the constellations of Guiljelmus BLAEU (1600-1699), on the edge the signs of the zodiac. In the 70s / 80s it was combined with the plexiglass base to form a coffee table with glass of rare beauty. Period: between the 18th and 19th centuries Measurements: H 43 x W 138 x D 54,5
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Out of stockRare mirror by Pier Luigi Colli for Marelli from the 1950s, in elm wood, antique mirror and brass finishes, original and in excellent condition. Period: 1950s Measurements: Ø 100 x D 5
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Out of stockPair of original crimson velvet armchairs. 1950s style by Gio Ponti. Backrest with shell shape, truncated conical feet with brass ends. In good condition, the matching sofa is also for sale. Period: 1950 Measurements: H 82 L 90 P 88 (H seat 50) cm
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Out of stockGio Ponti style sofa in the original crimson velvet. Backrest with shell shape, 6 truncated conical feet with brass ends. In good condition, also the pair of matching armchairs for sale. Period: 1950 Measurements: H 82 L 186 D 88 (H seat 50) cm