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Out of stock
Original lithograph (III / XXX) by Joan Mirò (1893-1983). Edition of 30 copies, Roman numerals, this is 3rd out of 30. Signed on the lower right. Period: Twentieth century Measurements: Print H 38.5 x L 29.5 / Paper H 66 x L 50 cm -
Out of stock
Antique original Poltrona Frau from the early 1900s, in good condition. Period: Early 20th century Measurements: H 90 x W 80 x D 105.5 cm -
1960s brass mirror, attributed to Luciano Frigerio (1928-1999). Stunning design that hs always a fresh and contemporary look, composed by glass and brass, in very good condition, slight defects in the mirror Period: 1960s Measurements: H 99 x W 90 x D 2 cm / Mirror H 60 x L 60 cm -
Sideboard with bar space, from the 1950s, by Pier luigi Colli. Elegant cylindrical carved legs, built in elm, briar and brass, top in green formica, excellent condition, the formica has to be glued slightly and the glass in the internal top has to be replaced. Period: 1950s Measurements: H 98 x W 158 x D 48.5 cm -
Out of stock
Writing desk, from the 1950s, desk in mahogany. In very good condition, small lack of veneer on one drawer. Period: 1950s Measurements: H 75 x W 117 x D 68 cm -
Chinese consolle in wood, finely decorated, depicting carved golden dragons. The consolle is from the 19th century and was built in a single body. In good condition, there are small shortcomings. Period: '800 Measurements: W 139 x H 106 x P 63 cm -
Gorgeous little bird in Buccellati style, in rock crystal and silver. With Milanese punch from the early 1900s, not deciphered. Total weight 550 grams. Period: Early 1900s Measurements: H 8.4 x W 9.4 x D 14.7 cm -
Out of stock
"Scarabeo Ercole" etching by Luigi Bartolini. The sheet is H 235 x L 285 mm. The title is written in pencil at the bottom left. Edition in pencil at the lower center, it is 12 out of 50 copies. The signature in pencil is Luigi Bartolini on the lower right. It is displayed at the National Institute of Graphics, Prints and Drawings Department, in Rome. Luigi Bartolini (Cupramontana 1892 - Rome 1963), spent his youth among Rome, Siena and Florence, attending Academies of Fine Arts and staying for a long time in Galleries, Museums and Libraries. In 1914 he began to engrave in etching, in which he gained wide fame. Writer, painter and heated polemicist, poet, exuberant critic, he had conflicts that remained famous. In 1932 he won the highest prize shared with Morandi and Boccioni at the engraving exhibition in Florence. In 1935 he earned the Rome Quadrennial Award for the best etching artwork. In 1942 he obtained the prize at the Venice Biennale for his black and white technique. His paintings with large and sumptuous brushstrokes of color, of a lively immediacy, brought him to the fore among the most renowned artists. Period: 1934 Measurements: In frame H 53.5 x W 63 x D 1 / Plate H 23.5 x W 28.5 cm -
Pair of vintage contoured consoles / bedside tables, 1950s. The bedside tables are in light-coloured wood with swan-like pillar, glass top, bottom equipped with mirror. Period: 1950s Measurements: H 62 x W 64 x D 31 cm -
Out of stock
Original antique 17th-century Piedmontese frame in ebonized wood and gold. Period: '600 Measurements: H 99.5 x W 123 x D 7 / Internal light H 74 x W 92.5 cm -
"Val d'Ayas" oil on canvas by Silvio Allason (1843-1912), signed and dated S.Allason 1909 lower left, in excellent condition. Silvio Allason (Turin 1845 - 1912), was first employed in the Ministry of War, but from around 1867 he devoted himself only to painting. After a stay in Florence, he was a pupil in Turin, at the Accademia Albertina, of E. Gamba and A. Gastaldi for the figure, studying however, at the same time, landscape with his cousin Ernesto and, upon his death, with E. Perotti . He began exhibiting at the Turin Promoter in 1869; in 1873 he had a notable success with the painting "In ambuato"; in 1876 he exhibited "The rescue". He made a specialty of the effects of moonshine with figures. He also exhibited in Milan, Naples, Paris (Salon of 1878), Nice, where one of his paintings "Among the rocks" was purchased for the Chéret Museum. Other works of his are in the Civic Museum of Turin. But an unknown title of Allison in landscape art is given by an infinity of studies from life, which he almost never showed, rich in superior elements, such as the wisdom and taste of composition, heroically patient drawing, simply effective technique and excellent color. Period: 1909 Measurements: In frame H 68 x W 128.5 x D 5.5 / Canvas H 52 x W 112.5 cm -
"Still life of flowers" oil on canvas from the 1950s by Ottorino Campagnari. Ottorino Campagnarini (Mestre 1910 - Turin 1987), studied painting at the art school in Mestre, under the professor Giuseppe Urbani. Settled in Turin in 1935, since 1940 he had exhibited regularly at the National Quadrennial of Art of the Promoter of Fine Arts in Turin, at the Gazzetta del Popolo cultural artist, at the Circolo degli Artisti in Turin. He also exhibited in group exhibitions: in Washington, Chicago, London, Turin, Naples, Milan, Rome etc. Personal exhibitions in Turin (Galleria Martina), Imperia, Milan (Galleria Bolzani), Valle d'Aosta, Gressoney-St. Jean (Palazzo Municipio) etc. He has had prizes in competitions and impromptu. Period: 1950s Measurements: In frame H 98 x W 77 x D 5.5 / Canvas H 80 x W 60 cm -
Lamperti glass table lamp from the 1960s, in excellent condition. Period: 1960s Measurements: H 37 X D 47 cm -
Six Pier Luigi Colli chairs from the 1950s. The chairs feature elegant cylindrical carved elm legs. They are in good condition. Period: 1950s Measurements: H 93 x W 44.5 x D 46.5 / H seat 48 cm -
Out of stock
Pier Luigi Colli (1895-1968), table from the 1950s. The table has elegant cylindrical carved legs, it was built in elm, briar and brass; the top is in green formica. The cabinet is in excellent condition. Period: 1950s Measurements: H 77 x W 180 x D 86.5 cm -
Screen printing and collage on paper by Lucio Del Pezzo, limited edition of only 20 copies. In excellent condition. Lucio Del Pezzo (Naples 1933 - Milan 2020) was an Italian artist, painter and sculptor. He is one of the founders of “Gruppo 58”, which has always been very close to other avant-gardes, such as Enrico Baj's Nuclear Movement, the Spoor Movement of Monaco, Phases of Paris and Boa of Buenos Aires. His works from the period 1958-1960 featured assemblages of various objects, including fragments of popular prints and images. In 1960 he moved to Paris, then to Milan, where several monographic exhibitions have been dedicated to him. The first one dates back to 1974. Starting from 1962 Del Pezzo has created his typical repertoire of "paintings" or "sculptures", made of monochrome geometric panels, on which shelves or hollowed out concavities are inserted, which support regular geometric objects, sometimes very colorful. Lucio del Pezzo's production focuses on the use of common objects that, enriched with different materials, cross the boundary between painting and sculpture. His style is also characterized by a rapprochement with metaphysical atmospheres, while the playful sense and irony behind each work is inspired by the Dadaist movement. Period: 1970s Measurements: In frame H 73 x W 103 x D 3.5 / Serigraphy H 70 x W 100 cm -
Out of stock
Carpenter's bench from the end of the 19th century, in larch, with double vice. Period: End of the 19th century Measurements: Flat net L 209 x H 81 x P 70 / With clamps L 217 x H 81 x P 83 cm -
Italo Gasparucci table with pair of chairs, 1970s. In ashwood and lacquered bamboo. They are in excellent condition with slight signs of wear. Period: 1970s Measurements: Table H 75 x L 142 x P46.5 cm; Chairs H 79 x W 48 x D 45 / H seat 42 cm ts: Flat net L 209 x H 81 x P 70 / With clamps L 217 x H 81 x P 83 cm -
Out of stock
One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15.5 x W 16.5 x D 4 cm -
Out of stock
One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15 x W 16.5 x D 4 cm -
Out of stock
One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 16 x W 16 x D 4.5 cm -
Out of stock
One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 19.5 x W 20 x D 4.5 cm -
One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 16.5 x W 16.5 x D 5 cm -
"Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
