• Out of stock
    "Women on the Carpet", original pencil drawing by Carlo Carrà, 1920, in a beautiful eighteenth-century frame. The drawing was published in the catalogue of Carrà's drawings, edited by Franco Russoli and Massimo Carrà, 1977. Period: 1920 Measurements: Framed H 73 x W 60 x D 4 / Drawing H 36 x W 29,5 cm
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    Pair of walnut bookcases, sandblasted in neo-Renaissance style. The bookcases date from the end of the 19th century. Period: late 19th century Measurements: H 241,5 x W 130 x D 40 cm
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    "Marina' oil on canvas by Giuseppe Camino. The painting is listed in the Angelo Mistrangelo catalogue (No. 112) Period: 1889 ca. Measurements: Framed H 118.5 x W 158.5 x D 5 cm / Canvas H 102 x W 142 cm
  • Rare Louis XVI standing clock, carved and decorated wooden pendulum, surmounted by an oil painting. Circa 1780, Vienna. The clock is in need of repair. Period: circa 1780 Measurements: H 74 x W 36 x D 21 cm
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    "Cavallo e cavaliere" by Marino Marini, pen and brushstroke ink on paper, 1945. Signature at lower right. The drawing was included in the archive of the artist's autograph works in May '94. Period: 1945 Measurements: Framed H 63 x W 53.5 x D 5.5 / Paper H 35 x W 26 cm
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    Mario Sironi - Jockey on Horseback - Futurist work from 1914, pencil on canvas paper, signed lower right. On the back, date, title and signature by Willi Macchiati. Period: 1914 Measurements: Framed H 57.5 x W 73 x D 4.5 cm / Paper H 23 x W 32 cm
  • Table lamp mod. 12297 designed by Angelo Lelli for Arredoluce , Italy, 1950s Brass and lacquered aluminum. In excellent used working condition, authenticated by Arredoluce Lit.
  • Bronze sculpture by Sandrun entitled "My teacher Tòni dël Fatin". Perfect in patina, excellent condition This work is present in Sandrun's monograph and contains the following description: "His master? Of course" Tòni dël Fatin ", friend of the artist, who died hit by a car right in front of the church of Cossila San Grato, was his teacher. And it was just as the student modeled it in clay and then cast in bronze. An angular, wise, ironic little man, humbled by the weight of years and misery. He had a lot of influence on our Franceschino, especially on the way we relate to the real world, to nature, to men. Like the Greeks , Sandrun also tried to bring out their personality from these figures, not only by working on the face, but also on the body and on the attitudes that life forces us to assume "
    Period: 1965 Measurements: H 60 x W 35 x D 29 cm
  • Out of stock
    "Valle d'Aosta landscape with huts" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, a pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty consecutive years (awarded with a gold medal) and in the circle of artists in Turin. Solo exhibitions were held at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: about 1920 Measurements: In frame H 83 x L 102 x P 7 / Table H 61 x L 80.5 cm
  • Oil painting on wood by Giuseppe Gheduzzi (1889-1957) depicting two players surrounded by various farm animals.
    Period: 1930s / 1940s   Measurements: In frame H 57 x L 69 cm / Table H 33 x L 45 cm
  • Painting, oil on cardboard by Corrado Cagli (Ancona, February 23th 1910 - Roma, March 28th 1976). Signed on the lower right. Registered in Cagli's archive, with authentication number n.00043.
    Period: 1939
    Measurements: H 41.5 x L 33.2 cm
    Oil painting on cardboard by Corrado Cagli (Ancona, 23 February 1910 - Rome, 28 March 1976), signed on the lower right by the artist. Registered in the Cagli archive with authentication No. 00043
    Period: 1939Measures: H 41.5 x L 33.2 cm
  • Oropa under the snow, oil on wood by Francesco Monzeglio, a Biellese painter, signed on the lower right, titled and dated 1975 on the back.
    Period: 1975 Measurements: In frame H 100 x L 124 / Table H 85 x L 109 cm
  • Out of stock
    Double body in walnut, sacristy cabinet with four doors and a single central drawer, the doors are embellished with 4 ashlar panels and a wrought iron pendant in the center. The sides are also panelled. The cabinet has undergone to a small modification of the drawer and the band that rests on the ground, but overall it has been preserved as it was in its original form. Full period '600, Piedmont. Measurements: H 195 x W 160 x D 71.5 cm
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    Cannicci, Niccolò (1846-1906) Marina at Sunset (1906) Already at the 2010 meeting art auction Lot No. 177 Painting Oil/canvas 98 x 56 cm Adjudication price: 10.500 € Marina at Sunset Date: 1906 Painting Oil on canvas Dimensions (height x width in centimetres): 98 x 56 Annotations: Signature and date at lower left: NCannicci / 1906 Period: 1906 Measurements: Framed H 121.5 x W 79.5 x D 7 / Canvas H 98 x W 56 cm
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    "Still life with flowers and fruit" - Oil on canvas, original, dating back to the 17th century, with coeval frame. Restored and reintelated work
    Period: 17th century Measures: In frame H 90 x L 112.5 x P 6 / Canvas H 73 x L 98 cm  
     
  • Out of stock
    "Jesus and the Samaritan woman at the well" - 17th century oil painting on canvas, northern Italy, the work is in excellent condition, the pictorial surface is 99% original, coeval frame.
    Period: 17th century Measurements: In frame H 142 x W 119 x D 9 / Canvas H 124 x W 100 cm
  • Out of stock
    "The Matterhorn with the blue lake" oil on canvas from the early 1920s by Giovanni Battista Costa (Rapallo 1858 - Genoa 1838). The painting has been restored. Giovanni Battista Costa was born in Rapallo in 1858 in a wealthy family and dedicated his entire life to art. He participated, since 1879, in the exhibitions of the Promoting Society of Fine Arts in Genoa and in numerous other important Italian expositions, exhibiting, until 1921, over 100 paintings, mainly landscapes, seascapes and portraits. In 1895 he was appointed Academic of Merit of Ligustica, where he, too, teached. He began his artistic studies at the Ligustica Academy (and partly in Rome), soon going from a painting linked to tradition to the execution of works from life, probably under the guidance of Tammar Luxoro director, from 1874, of the new Landscape School. Consequently, the links with the Genoese Gray School, the Rivara School (in Piedmont) and the Tuscan Macchiaiolo movement appear to be close. The analysis of some of his works lead us to bring Costa closer to some Lombard painters of the 19th century: for example Carcano, especially for the softness of the colours. He takes part in numerous national exhibitions: awarded in 1897 in Venice, he participates in the National Exhibition of Fine Arts in Turin in 1898; in 1906 we find it at the National Exhibition of Fine Arts in Milan; also worth mentioning is his participation in the first Quadrennial Exhibition in Turin in 1902. Giovanni Battista Costa was also a skilled portrait painter and painted in Venice, Parma, Viareggio, Ivrea, Engadina, Valle d’Aosta. Even though he was shy and solitary, he was part of two important schools: the Ligurian Artistic Family (1893 -1910 circa) and the Teatro Group (from 1908); refers to the upper room of the Caffè degli Amici of the Carlo Felice Theater. He is an artist particularly attentive to the social problems of the late nineteenth century. His works appear, in retrospect, in Genoa at the exhibition of Ligurian Painters of the Nineteenth Century (Palazzo Rosso, 1938) and at the Commemorative Exhibition at the San Matteo Gallery, 1952. In his maturity he turned his interest to the representation of mountain landscapes. In conclusion, we can identify three different ways of painting by Costa: the first is related to academic painting, a bit rigid (church interiors and portraiture); the second, realist, with warm colours and close to the themes of the Grays and Rivarians (affinity with Benedetto Musso). Period: 1920s Measurements: In frame H 125 x W 195 x D 6 / Canvas H 101 x W 172 cm
  • Flap Transition style in walnut, second half of the 18th century, with internal retractable drawers, writing desk and two drawers. Goat-footed feet. Good conditions.
    Period: Second half of the 18th century Measurements: H 104 x L 125 x P 54 cm
  • "Return from pasture" - Oil on canvas by Giuseppe Falchetti (1843-1918), signed and dated lower right G. Falchetti 1899 Born in Caluso (Aosta), June 18, 1843, died in Turin on November 6, 1918. He attended the study of the Camino for five years, simultaneously studying the Flemish works preserved at the Pinacoteca di Torino. He specialized in painting still lives, and was commissioned by the Italian government, for twenty-seven years in row, to reproduce the best products of national viticulture. Hundreds of copies of his works were made and spread all over the world. He also treated the gorgeous landscapes. He had exhibited a Still Life in Turin in 1898.
    Period: 1899 Measurements: In frame H 56 x W 81.5 x D 7.5 / Canvas H 44 x L 68.5 cm
  • Antique walnut sideboard, dating back to the late 16th / early 17th century. Fully carved, consisting of three drawers and two doors.
    Period: End of '500 / Beginning of' 600 Measurements: H 144 x W 168 x D 54 cm
  • Out of stock
    "Landscape" - Oil on canvas by George Pieter Westenberg (11 September 1791, Nijmegen, Netherlands - 26 December 1873, Brummen) signed and dated 1853 in the lower right corner. Landscape and animal painter, Pieter Westenberg was a pupil of Jan Hulswit in Amsterdam from 1808 to 1813, and he also attended the drawing academy in Amsterdam. Particularly inspired by 17th-century Dutch landscape painters, Westenberg has regularly exhibited landscapes and city views from 1814 onwards. He has undertaken two study trips; in 1816 in Gelderland and Bentheim in Germany and the following year in the Ruhr area and along the Rhine; the studies and sketches he made on both trips would have a profound effect on his later paintings and drawings. He also worked as a drawing master for several wealthy families, but in 1836 he moved to Haarlem, where two years later he was appointed director of the Collection of Paintings by Living Masters in the Paviljoen Welgelegen. In 1857 he went with his family to Batavia to take up a post in the colonial administration of Java.
    Period: 1853 Measurements: In frame H 83 x W 100 cm / Canvas H 76 x W 93 cm
  • English mahogany bookcase from the 19th century with Georgian influences. The bookcase consists of four upper glass doors with Gothic motifs, inlays and brass inserts and four lower doors.
    Period: 19th century Measurements: H 260 x L 271 x P 52 cm
  • Out of stock
    Pair of large sculpted vases in Carrara marble, neoclassical style, in very good condition.
    Period: Early 1900s Measurements: H 90 x Ø 68 cm
  • Large carpet, Saporiti tapestry for Ottavio Missoni, dating back to the 80s, multicolored patchwork.
    Period: 80s Measures: L 280 x L 270 cm
  • Valsesia surroundings of Carcoforo, Monte Rosa Oil on canvas by Lorenzo Delleani (Pollone 1840 – Torino 1908). Painting depicting the Valsesia near Carcoforo, dated 14 June 1901, with original Delleani frame. Stamp and authentication of Bistolfi on the back. Period: 14/06/1901 Measurements: In frame H 69.5 x W 57.5 x D 6.5 / Tablet H 44.5 x W 31.5 cm
  • "Grey weather" oil on panel by Lorenzo Delleani. Original work by the artist from Biella, oil on panel 31 x 45 cm, with authentication by Bistolfi on the back and confirmation from the Archivio Pittori e Scultori Piemontesi. The painting depicts one of the frequent grey days of fog and rain around the Sanctuary of Oropa, more precisely in the meadow above the Sanctuary, where twenty years later the construction of the New Basilica of Oropa began. Period: 29/7/92 Measurements: In frame H 51,5 x W 65,5 x D 6,5 / Tablet H 31 x 45 cm
  • Coin cabinet, veneered in ebonized wood and finely inlaid in ivory, bone and ebony. The two doors hide 12 drawers plus the central door. Ebonized turned feet and ivory knobs. Dating from the late 1700s / early 1800s.
    Period: Late '700 / Early' 800 Measurements: H 55 x L 65 x P 29.5 cm
  • Out of stock
    Nice crayon on paper depicting a mother with her baby, by Gino Piccioni  (Foligno (PG) 1873 - Biella 1941). Signed and dated on the lower right by the author.
    Period: 1922 Measurements: In frame H 99 x L 79 cm / Paper H 79 x L 60 cm
  • Large gilded bronze candlestick, dated 24 May 1908. On the base bears an inscription commemorating the beatification of Maddalena Sofia Barat (Joigny, 12 December 1779 - Paris, 25 May 1865) who was a French religious, founder of the Society of the Sacred Heart of Jesus. Date of beatification: May 24, 1908. (Template height m 1.66)
    Period: May 24, 1908 Measurements: H 210 x Ø 90 cm
  • "Garibaldi" - Oil on canvas by Teofilo Patini (1840-1906) PATINI TEOFILO. Born in Castel di Sangro (L'Aquila) on May 5, 1840, died in Naples on November 16, 1906. He moved to Naples at a very young age, after graduating in Fine Arts; he enrolled at the Institute of Fine Arts, where Filippo Palizzi was teaching at the time. During the courses he easily won several prizes and finally obtained a pensioner to go to Rome, where he studied deeply the ancient masters and in particular those of the seventeenth century. He also was strongly influenced from Dutch paintings, but, above all, it was the Meissonnier who conquered him. He first dealt, for a short period of time, with the historical picture; then, with his sensitive and scornful soul, as an attentive observer of the events of human life, he gave himself to social painting, expressed with a strong and meticulous verism. His masterpiece is L'erede, which was exhibited in Milan in 1881 and is now found in the Gallery of Modern Art in Rome with Spade and Milk, exhibited in Turin in 1884. Other important paintings of his are: Il Parmigianino; The sack of Rome, of the Municipality of Naples; Art and freedom; Salvator Rosa's studio, exhibited in Turin in 1880 and in Vienna; Every good boot becomes a slipper; The first riding lesson, which is owned by the baritone Titta Ruffo; Pack animals, sent to Venice in 1887; Rocky landscape, in the M.O. collection of Milan; The riding lesson, in the Borgogna Museum of Vercelli; The country doctor; Belly and heart; The company of death: After defeat; The good ones; The notables of my country; The eagle; The caralluccio; Return to the sheepfold; The chain. Patini also tried, with less success, the sacred subject, and the paintings are remembered in this regard: Gloria del Sacramento; The temptations of Saint Anthony; Christ in the garden; The Redeemer; Christ raises the widow's son; The Annunziata; Il Purgatorio: The Crucifix; The Guardian Angel; Sant'Antonio di Padova; San Carlo Borromeo. There are also the sketches for the decorations of the Aula Magna of the University of Naples (work that, for the artist's death, remained unfinished), and the frescoes in the hall of the City Council of the same city. His students include M. Dragonetti Cappelli, E. Rubei, Vittor Scarselli.
    Period: 19th century Measurements: H 50 x L 41 x P 4.5 / Canvas H 39 x L 31 cm
  • Out of stock
    Composition, ink on paper, Massimo Campigli (1895-1971), pencil signature on the lower left. Archive number 4390564, by Nicola Campigli, in Saint Tropez 20 /10 /1991. Measurements: Framed H 51.5 x W 45 x D 2.5 / Drawing H 29.5 x W 26.5 cm
  • Large oil painting on canvas depicting Magdalene at the foot of the cross, with the ointment vase and the memento mori as depicted in the classic representations. Lombard school of the '600. The painting needs restoration.
    Period: 17th century Measurements: In frame H 168 x W 203 x D 4 / Canvas H 160 x W 199 cm
  • Pair of Chester Frau armchairs (Design Renzo Frau), original and branded. The Chester sofa refers to the classic model of Edwardian England, taken up by Renzo Frau in the first catalog of 1912, inspired by the sofas and armchairs that populated English clubs and country houses in those years. Load-bearing structure in seasoned beech, hand-tied biconical steel springs, jute belts, rubberized vegetable hair and hand-shaped vegetable hair. The seat cushions are in goose down. The upholstery is in Frau leather with capitonnée work done entirely by hand. A row of nails covered in leather finishes the back.
    Period: Design 1912 Measurements: H seat 44 x H 67 x L 102 x P 94 cm
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    Rare mirror by Pier Luigi Colli for Marelli from the 1950s, in elm wood, antique mirror and brass finishes, original and in excellent condition. Period: 1950s Measurements: Ø 100 x D 5
  • Large guillochè mirror, in burnished wood and decorated with gold threads and scrolls. Dating from the first half of the 18th century
    Period: First half of the 18th century Measurements: Frame H 116 x L 98 x P 9.5 / Mirror H 69 x L 51.5 cm
  • Samo table by Carlo Scarpa in white Naxos marble. Feet in a single block with grooves. Thick oval top. Small signs of wear due to time
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