• "Grey weather" oil on panel by Lorenzo Delleani. Original work by the artist from Biella, oil on panel 31 x 45 cm, with authentication by Bistolfi on the back and confirmation from the Archivio Pittori e Scultori Piemontesi. The painting depicts one of the frequent grey days of fog and rain around the Sanctuary of Oropa, more precisely in the meadow above the Sanctuary, where twenty years later the construction of the New Basilica of Oropa began. Period: 29/7/92 Measurements: In frame H 51,5 x W 65,5 x D 6,5 / Tablet H 31 x 45 cm
  • Valsesia surroundings of Carcoforo, Monte Rosa Oil on canvas by Lorenzo Delleani (Pollone 1840 – Torino 1908). Painting depicting the Valsesia near Carcoforo, dated 14 June 1901, with original Delleani frame. Stamp and authentication of Bistolfi on the back. Period: 14/06/1901 Measurements: In frame H 69.5 x W 57.5 x D 6.5 / Tablet H 44.5 x W 31.5 cm
  • Large carpet, Saporiti tapestry for Ottavio Missoni, dating back to the 80s, multicolored patchwork.
    Period: 80s Measures: L 280 x L 270 cm
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    Pair of large sculpted vases in Carrara marble, neoclassical style, in very good condition.
    Period: Early 1900s Measurements: H 90 x Ø 68 cm
  • English mahogany bookcase from the 19th century with Georgian influences. The bookcase consists of four upper glass doors with Gothic motifs, inlays and brass inserts and four lower doors.
    Period: 19th century Measurements: H 260 x L 271 x P 52 cm
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    "Landscape" - Oil on canvas by George Pieter Westenberg (11 September 1791, Nijmegen, Netherlands - 26 December 1873, Brummen) signed and dated 1853 in the lower right corner. Landscape and animal painter, Pieter Westenberg was a pupil of Jan Hulswit in Amsterdam from 1808 to 1813, and he also attended the drawing academy in Amsterdam. Particularly inspired by 17th-century Dutch landscape painters, Westenberg has regularly exhibited landscapes and city views from 1814 onwards. He has undertaken two study trips; in 1816 in Gelderland and Bentheim in Germany and the following year in the Ruhr area and along the Rhine; the studies and sketches he made on both trips would have a profound effect on his later paintings and drawings. He also worked as a drawing master for several wealthy families, but in 1836 he moved to Haarlem, where two years later he was appointed director of the Collection of Paintings by Living Masters in the Paviljoen Welgelegen. In 1857 he went with his family to Batavia to take up a post in the colonial administration of Java.
    Period: 1853 Measurements: In frame H 83 x W 100 cm / Canvas H 76 x W 93 cm
  • Antique walnut sideboard, dating back to the late 16th / early 17th century. Fully carved, consisting of three drawers and two doors.
    Period: End of '500 / Beginning of' 600 Measurements: H 144 x W 168 x D 54 cm
  • "Return from pasture" - Oil on canvas by Giuseppe Falchetti (1843-1918), signed and dated lower right G. Falchetti 1899 Born in Caluso (Aosta), June 18, 1843, died in Turin on November 6, 1918. He attended the study of the Camino for five years, simultaneously studying the Flemish works preserved at the Pinacoteca di Torino. He specialized in painting still lives, and was commissioned by the Italian government, for twenty-seven years in row, to reproduce the best products of national viticulture. Hundreds of copies of his works were made and spread all over the world. He also treated the gorgeous landscapes. He had exhibited a Still Life in Turin in 1898.
    Period: 1899 Measurements: In frame H 56 x W 81.5 x D 7.5 / Canvas H 44 x L 68.5 cm
  • Flap Transition style in walnut, second half of the 18th century, with internal retractable drawers, writing desk and two drawers. Goat-footed feet. Good conditions.
    Period: Second half of the 18th century Measurements: H 104 x L 125 x P 54 cm
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    "The Matterhorn with the blue lake" oil on canvas from the early 1920s by Giovanni Battista Costa (Rapallo 1858 - Genoa 1838). The painting has been restored. Giovanni Battista Costa was born in Rapallo in 1858 in a wealthy family and dedicated his entire life to art. He participated, since 1879, in the exhibitions of the Promoting Society of Fine Arts in Genoa and in numerous other important Italian expositions, exhibiting, until 1921, over 100 paintings, mainly landscapes, seascapes and portraits. In 1895 he was appointed Academic of Merit of Ligustica, where he, too, teached. He began his artistic studies at the Ligustica Academy (and partly in Rome), soon going from a painting linked to tradition to the execution of works from life, probably under the guidance of Tammar Luxoro director, from 1874, of the new Landscape School. Consequently, the links with the Genoese Gray School, the Rivara School (in Piedmont) and the Tuscan Macchiaiolo movement appear to be close. The analysis of some of his works lead us to bring Costa closer to some Lombard painters of the 19th century: for example Carcano, especially for the softness of the colours. He takes part in numerous national exhibitions: awarded in 1897 in Venice, he participates in the National Exhibition of Fine Arts in Turin in 1898; in 1906 we find it at the National Exhibition of Fine Arts in Milan; also worth mentioning is his participation in the first Quadrennial Exhibition in Turin in 1902. Giovanni Battista Costa was also a skilled portrait painter and painted in Venice, Parma, Viareggio, Ivrea, Engadina, Valle d’Aosta. Even though he was shy and solitary, he was part of two important schools: the Ligurian Artistic Family (1893 -1910 circa) and the Teatro Group (from 1908); refers to the upper room of the Caffè degli Amici of the Carlo Felice Theater. He is an artist particularly attentive to the social problems of the late nineteenth century. His works appear, in retrospect, in Genoa at the exhibition of Ligurian Painters of the Nineteenth Century (Palazzo Rosso, 1938) and at the Commemorative Exhibition at the San Matteo Gallery, 1952. In his maturity he turned his interest to the representation of mountain landscapes. In conclusion, we can identify three different ways of painting by Costa: the first is related to academic painting, a bit rigid (church interiors and portraiture); the second, realist, with warm colours and close to the themes of the Grays and Rivarians (affinity with Benedetto Musso). Period: 1920s Measurements: In frame H 125 x W 195 x D 6 / Canvas H 101 x W 172 cm
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    "Jesus and the Samaritan woman at the well" - 17th century oil painting on canvas, northern Italy, the work is in excellent condition, the pictorial surface is 99% original, coeval frame.
    Period: 17th century Measurements: In frame H 142 x W 119 x D 9 / Canvas H 124 x W 100 cm
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    "Still life with flowers and fruit" - Oil on canvas, original, dating back to the 17th century, with coeval frame. Restored and reintelated work
    Period: 17th century Measures: In frame H 90 x L 112.5 x P 6 / Canvas H 73 x L 98 cm  
     
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    Cannicci, Niccolò (1846-1906) Marina at Sunset (1906) Already at the 2010 meeting art auction Lot No. 177 Painting Oil/canvas 98 x 56 cm Adjudication price: 10.500 € Marina at Sunset Date: 1906 Painting Oil on canvas Dimensions (height x width in centimetres): 98 x 56 Annotations: Signature and date at lower left: NCannicci / 1906 Period: 1906 Measurements: Framed H 121.5 x W 79.5 x D 7 / Canvas H 98 x W 56 cm
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    Double body in walnut, sacristy cabinet with four doors and a single central drawer, the doors are embellished with 4 ashlar panels and a wrought iron pendant in the center. The sides are also panelled. The cabinet has undergone to a small modification of the drawer and the band that rests on the ground, but overall it has been preserved as it was in its original form. Full period '600, Piedmont. Measurements: H 195 x W 160 x D 71.5 cm
  • Oropa under the snow, oil on wood by Francesco Monzeglio, a Biellese painter, signed on the lower right, titled and dated 1975 on the back.
    Period: 1975 Measurements: In frame H 100 x L 124 / Table H 85 x L 109 cm
  • Painting, oil on cardboard by Corrado Cagli (Ancona, February 23th 1910 - Roma, March 28th 1976). Signed on the lower right. Registered in Cagli's archive, with authentication number n.00043.
    Period: 1939
    Measurements: H 41.5 x L 33.2 cm
    Oil painting on cardboard by Corrado Cagli (Ancona, 23 February 1910 - Rome, 28 March 1976), signed on the lower right by the artist. Registered in the Cagli archive with authentication No. 00043
    Period: 1939Measures: H 41.5 x L 33.2 cm
  • Oil painting on wood by Giuseppe Gheduzzi (1889-1957) depicting two players surrounded by various farm animals.
    Period: 1930s / 1940s   Measurements: In frame H 57 x L 69 cm / Table H 33 x L 45 cm
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    "Valle d'Aosta landscape with huts" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, a pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty consecutive years (awarded with a gold medal) and in the circle of artists in Turin. Solo exhibitions were held at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: about 1920 Measurements: In frame H 83 x L 102 x P 7 / Table H 61 x L 80.5 cm
  • Bronze sculpture by Sandrun entitled "My teacher Tòni dël Fatin". Perfect in patina, excellent condition This work is present in Sandrun's monograph and contains the following description: "His master? Of course" Tòni dël Fatin ", friend of the artist, who died hit by a car right in front of the church of Cossila San Grato, was his teacher. And it was just as the student modeled it in clay and then cast in bronze. An angular, wise, ironic little man, humbled by the weight of years and misery. He had a lot of influence on our Franceschino, especially on the way we relate to the real world, to nature, to men. Like the Greeks , Sandrun also tried to bring out their personality from these figures, not only by working on the face, but also on the body and on the attitudes that life forces us to assume "
    Period: 1965 Measurements: H 60 x W 35 x D 29 cm
  • Table lamp mod. 12297 designed by Angelo Lelli for Arredoluce , Italy, 1950s Brass and lacquered aluminum. In excellent used working condition, authenticated by Arredoluce Lit.
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    Mario Sironi - Jockey on Horseback - Futurist work from 1914, pencil on canvas paper, signed lower right. On the back, date, title and signature by Willi Macchiati. Period: 1914 Measurements: Framed H 57.5 x W 73 x D 4.5 cm / Paper H 23 x W 32 cm
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    "Cavallo e cavaliere" by Marino Marini, pen and brushstroke ink on paper, 1945. Signature at lower right. The drawing was included in the archive of the artist's autograph works in May '94. Period: 1945 Measurements: Framed H 63 x W 53.5 x D 5.5 / Paper H 35 x W 26 cm
  • Rare Louis XVI standing clock, carved and decorated wooden pendulum, surmounted by an oil painting. Circa 1780, Vienna. The clock is in need of repair. Period: circa 1780 Measurements: H 74 x W 36 x D 21 cm
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    "Marina' oil on canvas by Giuseppe Camino. The painting is listed in the Angelo Mistrangelo catalogue (No. 112) Period: 1889 ca. Measurements: Framed H 118.5 x W 158.5 x D 5 cm / Canvas H 102 x W 142 cm
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    Pair of walnut bookcases, sandblasted in neo-Renaissance style. The bookcases date from the end of the 19th century. Period: late 19th century Measurements: H 241,5 x W 130 x D 40 cm
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    "Women on the Carpet", original pencil drawing by Carlo Carrà, 1920, in a beautiful eighteenth-century frame. The drawing was published in the catalogue of Carrà's drawings, edited by Franco Russoli and Massimo Carrà, 1977. Period: 1920 Measurements: Framed H 73 x W 60 x D 4 / Drawing H 36 x W 29,5 cm
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    Coffee table in slate and scagliola with plexiglass base. The top dates back to the 19th century, by a Florentine workshop, decorated with a map of the constellations of Guiljelmus BLAEU (1600-1699), on the edge the signs of the zodiac. In the 70s / 80s it was combined with the plexiglass base to form a coffee table with glass of rare beauty. Period: between the 18th and 19th centuries Measurements: H 43 x W 138 x D 54,5
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    Rare Piedmontese walnut bed with turned columns dating back to the 17th century. In good condition. Period: '600 Measurements: H 170 x W 147 x D 201 cm
  • Rare French secretary Charles X, veneered in maple briar and inlaid in rosewood. The calatoia creates a desk with beige leather. Castle with 9 drawers, a large central one that hides a secret, mirror background. By opening the two doors in the lower part there is a drawer and a shelf. Oak and fir structure. Saint Anne gray marble top. Original padlocks, non-original keys. Buffer polishing dating back to about 15/20 years ago. In very good condition.
    Period: 19th century Measures: H 190 x L 96 x P 42.5 cm
  • Coin cabinet in walnut, 11 drawers framed with guillochè profiles, front panels in fake blue marble painted glass and gold thread. Two other small drawers inside. Eighteenth century. Period: 18th century Measurements: H 45 x L 63 x P 26.5 cm
  • Flemish painting, oil on canvas, dating back to the first half of the 19th century. "St. Aubin" written on the lower right, the painting probably depicts the main square in Ulm (Deutschland) with the view of the cathedral. Period: First half of the 19th century Measurements: In frame H 79.5 x L 124.5 / Canvas H 55 x L 101 cm
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    Beautiful bronze animal sculpture depicting a group of lions by Clovis Edmond Masson (1838, Paris - 1913). Signed by the author on the basement.
    Period: Second half of the 19th century Measurements: H 60 x L 46 x P 30 cm
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    "Last Leaves" oil on panel by Lorenzo Delleani, 25 x 37.3 cm; signed and dedicated: Delleani - to dear brother-in-law Baglioni Giuseppe. Dated 29/10/81. Signed and dated lower right. Private property Biella. Formerly S. Colongo, Biella. Described on page 128 of "Delleani, La vita, l'opera e il suo tempo" by Angelo Dragone. Period: 29/10/81 Measurements: Framed H 57 x W 45 x D 4,5 / Tablet H 37,3 x W 25 cm
  • Terracotta panel depicting a classical scene. On the back the Manifattura di Signa brand. In excellent condition. The Manifattura di Signa is a historic terracotta pottery workshop. It was created in 1895 by the will of Camillo Bondi. "At the beginning of the twentieth century Signa was still one of the major industrial centers of straw. To that industry, which had made the name of the town known beyond national borders, was added another activity which, since the last five years of the nineteenth century and in a short space of years, it would have relaunched its name on the European and American markets: the artistic terracotta industry "Manifattura di Signa", founded in Signa (Florence), in 1895 by Camillo Bondi, on the premises of the factory " Fornaci di Signa "owned by his brother Angelo. At that time, the taste for antique fakes continued to seduce with all its charm, and in ceramics the interest in tradition had prompted the most important Italian manufacturers to revisit shapes and decorations Renaissance, reaching the ancient virtuosity of the historiated and grotesques with a high craftsmanship. If those productions interpreted the ancient with typical nineteenth-century eclecticism, the Manifattura di Signa on the other hand, it generated the perfect resemblance of the truth, both through the forms used when possible on the original, and by means of patinas simulating those of marbles and bronzes and even the faults of time, in order to obtain the appearance of the authentic piece, and visually as well as tactile and, in some bronzes, also sound. With this spirit, reproductions of sculptural and decorative masterpieces of all times will take shape from the Arno mud: from Etruscan to Greek statuary, from Roman to Renaissance, from Moorish vases to contemporary Art Nouveau creations. The success that ensued is witnessed by numerous exhibition awards such as the medal at the Universal Expo in Paris in 1900, where he exhibited numerous plastic terracotta, suitable for decorating the exteriors, with a particular patination that made it look better and more resistant to agents. atmospheric, soon expanded the number of occupations and the specialization of young artists assisted by the experience of sculptors of excellent fame, called to Signa for new ideas by the Bondi brothers, the brilliant founders and conductors of the Manufacture, coming from a family of Leghorn Jewish high bourgeoisie and close to the intellectual and anti-positivist environment of the Florentine magazine of “Il Marzocco”. With the new industry an informal school of young workers was thus generated in the Signe who, despite lacking regular education, growing under the experience of sculptors and in contact with the most sublime models of universal classicism, a real concentrate of museums in the world , were naturally stimulated and educated in the beauty and proportions of forms, so much so that they became refined craftsmen, plasticizers, sculptors, able to give life to other similar manufactories. " There are many artists who have collaborated with the Signa Manufacture: Oreste Calzolari, Giovanni Prini, Giulio Cantalamessa, Adolf von Hildebrand, Raffaello Romanelli, Giuseppe Santelli, Renato Bertelli, Giovan Battista Casanova, Bruno Catarzi, Italo Griselli
    Period: Early 1900s Measurements: H 58 x W 157 x D 10 cm
  • Piedmontese mirror in carved wood and refined in golden gouache. Dating back to the late of 18th century.
    Period: Late 18th century Measurements: In frame H 190 x L 90 / Mirror H 73 x L 56 cm
  • "Faunes et Flore d'Antibes" - Edition 46/175 - "Au Pont des Arts". Original album from 1960, containing 7 colour lithographs. Printed by Daniel Jacomet under the supervision of Picasso, Paris. Introduction by Jaime Sabartes, New York Graphic Society - Au Pont Des Arts, Paris, 1960. The Portfolio reproduces 7 paintings on paper by Pablo Picasso, from the series: "La joie de vivre", Antibes August/September 1946, plus the frontispiece that was specially designed by Picasso for this edition. Printed on paper marked Arches and preserved in the original linen folder. The prints are reproduced in the original format of the paintings, and the dimensions of the folder are: H 65 x W 50 cm. The linen folder and the prints are in very good condition. One hundred and seventy-five numbered copies, this being 46 of 175. Period: 1960 Measurements: H 65 x W 50 cm
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