• Multiple print by Umberto Mastroianni (1910-1998), signed in the lower right corner and numbered (n. 1) in the lower left corner.
    Period: 70s Measurements: In frame H 65,5 x W 84,5 / Paper H 46,5 x W 67,5 cm
  • Chandelier with white and blue daisies, dating back to the 1940s
    Period: 1940s Measurements: H 80 x Ø 30 cm
  • Chandelier with white and orange daisies, dating back to the 1940s
    Period: 1940s Measurements: H 80 x Ø 30 cm
  • "The Lion" - Multiple print by Francesco Musante (Genoa, 17 February 1950), edition n. 3 out of 50. The work bears the inscription "The Lion carried by Trieste's ships around the world". Signature of the author on the lower center.
    Measurements: In frame H 73 x L 58 / Cardboard H 48 x L 34 cm
  • Beautiful Vase / Pitcher in Glazed Ceramic initials on the bottom "Ceramiche Rubboli" for Gualdo Tadino, one of the most important Umbrian ceramic centers, universally called the "City of Ceramics". 1950s. Period: 1950s Measurements: H 28 x Ø 20 cm
     
  • Pair of 50's chairs in light wood, high back.
    Period: 1950s Measurements: H 100 x L 42 x P 42 x H seat 48 cm
  • Ancient coat of arms of the city of Milan: original from the 19th century, carved and lacquered crown and crusader shield. Period: 1800 Measurements: H 68 x W 40.5 x D 7.5 cm
  • Decò clock with peacock. Clock from the 1920s / 1930s in onyx and marble, the peacock sculpture is in enamelled antimony. Period: 1920s / 30s Measurements: H 24 x W 40 x D 3 cm
  • Pair of 1970s table lamps attributed to the Italian designer/manufacturer "Valenti Luce". Aluminium frame and white crystal globe light with blue base, vintage/industrial style. European plug (up to 250V), fits 40V bulbs. Production period 1970 - 1979. Valenti Luce is an Italian brand founded in 1929, a leader in modern lighting design. Valenti's collection has won several awards including the prestigious "Compasso d'Oro" and some of his most important creations such as: "Pistillo", "Pistillino" and "Hebi" are recognised as icons and can be found at Moma and the Triennale in Milan. FUNCTIONING ITEMS - ONE OF THE LAMPS HAS A DIFFERENT SWITCH. Period: 1970s Measurements: H 22 x D 13 cm
  • Small countertop mirror in carved and ebonized walnut, dating back to around 1870
    Period: around 1870 Measurements: Frame H 45 x L 30 / Mirror H 29 x L 20,5 cm
  • Precious dishes Toussi Court porcelain centerpieces of authentic manufacture, completely worked and finished by hand, marked on the base in red. In very good general condition.
    Period: Mid 1900s Measurements: Ø 47.5 x D 7 cm
  • 50s armchair

    396.00
    50s armchair, with brass feet and iron structure. The padding and the fabric are to be reviewed.
    Period: 1950s Measurements: H seat 38 x H 86 x L 61 x P 78 cm
  • Screen printing and collage on paper by Lucio Del Pezzo, limited edition of only 20 copies. In excellent condition. Lucio Del Pezzo (Naples 1933 - Milan 2020) was an Italian artist, painter and sculptor. He is one of the founders of “Gruppo 58”, which has always been very close to other avant-gardes, such as Enrico Baj's Nuclear Movement, the Spoor Movement of Monaco, Phases of Paris and Boa of Buenos Aires. His works from the period 1958-1960 featured assemblages of various objects, including fragments of popular prints and images. In 1960 he moved to Paris, then to Milan, where several monographic exhibitions have been dedicated to him. The first one dates back to 1974. Starting from 1962 Del Pezzo has created his typical repertoire of "paintings" or "sculptures", made of monochrome geometric panels, on which shelves or hollowed out concavities are inserted, which support regular geometric objects, sometimes very colorful. Lucio del Pezzo's production focuses on the use of common objects that, enriched with different materials, cross the boundary between painting and sculpture. His style is also characterized by a rapprochement with metaphysical atmospheres, while the playful sense and irony behind each work is inspired by the Dadaist movement. Period: 1970s Measurements: In frame H 73 x W 103 x D 3.5 / Serigraphy H 70 x W 100 cm
  • Chandelier with drops, with 6 light points, dating back to the 1950s. Curved metal structure with strings of small faceted Murano glass spheres.
    Period: 1950s Measurements: H 60 x Ø 54 cm
  • Large ceramic plate, dating back to the 19th century
    Period: 19th century Measurements: Ø 36.5 x H 5 cm
  • Chandelier with drops, in white lacquered iron, dating back to the 50s / 60s
    Period: 50s / 60s Measurements: H 97 x Ø 50 cm
  • 1960s lamp with marble base, aluminum structure and lampshade.
    Period: 1960s Measurements: H 135 x L 20 cm
  • Suspension chandelier with golden griffins that support the alabaster cup
    Period: Early 1900s Measurements: H 70 x Ø 36 cm
  • Sketch of a seventeenth-century scene in oil on a tablet dating back to the end of the 19th century. In a contemporary gilded mecca frame.
    Period: Late 19th century Measurements: In frame H 31.5 X L 37.5 cm
     
  • Work created by enamel on paper by Bruno Contenotte, stage name of Bruno Facchini (San Giorgio di Mantova, 29 April 1922; Milan 14 April 1992). He is the artist who most united art and science in an artistic journey that goes from the use of fluids in painting to quantum metaphysics. Multifaceted and eclectic, expert in the use of materials, light and many other technological applications to art, he has been able to tell a new universe where nothing is ever the same.
    Period: 1973 Measurements: Framed H 54,5 x L 74,5 cm / Paper H 50 x L 70 cm
  • Tray mirror dating back to the second half of the 19th century. The frame is in wood covered with gold leaf. The latter has small scratches on the wood due to the wear and tear of time, a guarantee of originality of the product, it requires small interventions.
    Period: Second half of the 19th century Measurements: H 84 x L 68 cm
  • Pastel on paper representing abstract demon. Signed on the lower right by the author Filippo Auti, dated 1965.
    Period: 1965 Measurements: In frame H 59 x L 51 cm / Sheet H 48 x L 36.5 cm
     
  • Pastel on paper depicting an abstract figure. Signed on the lower center by the author Filippo Auti.
    Period: 80s Measurements: In frame H 63 x L 50 cm / Sheet H 42 x L 22.5 cm
  • Red stilnovo lamp dating back to the 1960s. Cast iron base.
    Period: 1960s Measurements: H 124 x L 21 cm
  • Folding trolley in plastic and chromed iron, dating back to the 60s.
    Period: 1960s Measurements: H 71 x L 77.5 x P 42 cm
  • Piedmontese walnut bedside table, Louis Philippe style, with white marble top, drawer and door. Dating from around 1850
    Period: around 1850 Measurements: H 85 x L 40 x P 36 cm
  • Hot-air balloon chandelier, with a light point, dating back to the early 1900s, to be restored
    Period: Early 1900s Measurements: H 84 x Ø 40 cm
  • Water carrier, terracotta sculpture dating back to the early 1900s. At the base stamp of the Lazzaro Manufacture of Treviso
    Period: Early 1900s Measurements: H 68 x L 25,5 x Ø 26,5 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1650. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer.
    Period: 1650 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1655 on the Algerian coast of North Africa. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer. Period: 1655 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • English samovar dating from the early 1900s in sheffield.
    Period: Early 1900s Measurements: Total H 35 x W 24 x D 29 cm / Teapot H 20 x W 23 x D 27.5 cm
  • Out of stock
    Oil landscape on a tablet by Giuseppe Sauli D'Igliano (Turin, 6 June 1853 - 14 January 1908). Signed in the lower left corner.
    Period: Late 19th century Measurements: In frame H 43.5 x L 37.5 / Tablet H 24 x L 16.5 cm
  • English landscape, unsigned oil on canvas, late 19th century, with carved and gilded frame. Period: End of the 19th century Measurements: In frame H 45 x W 64.5 x D 6.5 / Canvas H 25.5 x W 45.5 cm
  • 50's chandelier, with 12 light points that illuminate both towards the room and towards the ceiling, in ceramic and brass-plated metal
    Period: 1950s Measurements: H 81 x Ø 69 cm
  • Ancient seventeenth-century Piedmontese stone mortar. It presents a breakage and a part is missing, equipped with a guarantee of originality and uniqueness of the product.
    Period: 1600s
    Measures: H 16,5 x L 34 x L 34 x Ø internal 19,5 cm
  • Beautiful tempera painting on paper applied on plywood representing a glimpse of Rue Perrière in Annecy, France. Signed and dated 1946 in the lower right corner by the author René Carel. In excellent condition with frame.
    Period: 1946 Measurements: In frame H 61 x L 46 / Paper H 51 x L 38 cm
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