• Group of six cast iron columns, dating back to the 19th century, which can also be purchased in pairs.
    Period: 19th century Measurements: H 95 x L 20 x P 20 cm
  • Office bookcase in American larch, dating from the late 1800s, with sliding doors, excellent capacity, six shelves and six drawers, excellent condition but with a missing handle
    Period: Late 19th century Measurements: H 250 x L 124 x P 49 cm
  • "Child" - Oil on canvas by Kevin Whitney, signed and dated 1971 on the lower right corner
    Period: 1971 Measurements: H 91 x L 147.5 cm
  • Out of stock
    Directory chest of drawers with three drawers, Piedmontese origin, in walnut wood, late eighteenth century style. Threaded drawers in bois de rose and maple, truncated pyramidal legs. Invoice period about 1800. The chest of drawers is in excellent condition Period: late 18th century - early 19th century Measurements: H 91 X L 123 X P 55 cm
  • Piedmontese chest in dark walnut from the 18th century, in good state of conservation.
    Period: 18th century Measurements: H 63 x L 170 x P 70 cm
  • Out of stock
    Piedmontese walnut flap, built towards the end of the 18th and the beginning of the 19th century. The piece of furniture is composed of two large drawers and five smaller foldaway drawers. In very good condition. Period: End 700 Measurements: H 100 x W 102 x D 47 cm
  • Out of stock
    Painting by Cesare Gheduzzi (Turin 1894 - 1944). Italian painter. Splendid view of the square, signed in lower right corner by the author. Period: 20th century Measurements: In frame H 46 x L 62.5 cm / Table H 27 x L 44 cm
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    "The rhododendrons of Burcina" - Oil on canvas by Enzo Gazzone from Vercelli (San Germano Vercellese 1894 - Vercelli 1970), dating back to the 1940s. On the back, scrolls: Galleria Perazzone, Galleria Dante and Galleria Fogliato. ENZO GAZZONE Born in San Germano Vercellese on 23 March 1894. Having learned the first elements of painting from his father Luigi Gazzone, a good amateur, he studied at the Albertina Academy of Turin, a pupil first of Andrea Marchisio and then of Giacomo Grosso. In addition to portraiture and landscape, he dedicates himself to etching and several successful prints attest to this attitude. She made her debut at the Vercelli Exhibition in 1922 and later took part in the 1st Female Portrait Exhibition in Monza: at the Promoter and Amici dell'Arte in Turin; then in Novara, in Bolzano, in Domodossola. His main works: "Sul lago di Como" and "Decadenza", etchings that had good success at the Black and White Exhibition in Melbourne; "March snow"; "The portrait of the Archbishop of Vercelli Mons. Giovanni Gamberoni", preserved in the archbishopric itself; "Portrait of Mrs. Berlese". They remain from Vercelli, good for the resemblance and harmony of colors. "The rice sower", owned by the Vercelli Farmers' Federation ";" The wind ";" Melancholy ";" Riflessi ";" The castle of Fénis ".
    Period: 1940s Measurements: In frame H 76.5 x W 93.5 x D 6 cm / Canvas H 57.5 x W 75 cm
  • "Mountain landscape" - Oil on tablet by Lidio Ajmone. Signed and dated 1939 in the lower left corner.

    LIDIO AJMONE Born in Coggiola (Biella on 10 April 1884, died in Andezzeno near Chieri on 29 September 1495. He attended the Albertina Academy in Turin and was later a pupil of Vittorio Cavalleri. He always exhibited at the promoter, at the Circolo Artisti e Amici dell ' Art of Turin and sometimes in Milan, Genoa, Casale and Novara. He took part in the great war as captain of the 3rd Alpini, was wounded and decorated. In 1925 he went to Somalia with Governor De Vecchi and carried out several works there Interesting. He portrayed the Sovereigns of Italy, Benito Mussolini and the Duke of Abruzzi. At the Civic Museum of Turin you can find his painting: Neve. He was a good colourist and always made himself admired as a sensitive landscape painter. it was organized at the Circolo degli Artisti in March 1946. There were about forty works among the most significant from the various periods of artistic activity, which left good African and Rhodes impressions.

    Period: 1939

    Measurements: In frame H 54 x L 64 cm / Tablet H 35.5 x L 45 cm

  • "Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
  • Out of stock
    Piedmontese safe from the mid-19th century fully studded, with double lock. Inside there are two wooden drawers. In good condition. Period: Mid 19th century Measurements: H 76 x W 55.5 x D 32 cm
  • English desk / consolle with mahogany veneer, dating back to around 1880. The cabinet is equipped with two side doors and a central drawer. The legs are truncated pyramidal.
    Period: around 1880 Measurements: H 85 x L 133 x P 66 cm
  • Empire style fireplace with walnut veneer, with carved and gilded sculptures that surmount the truncated pyramidal pilasters, an original mercury mirror. In excellent condition.
    Period: Early 19th century Measurements: H 133 x L 151 x P 11 cm
  • Louis Philippe style daybed in walnut from the 1800s. Equipped with small wheels on the feet that make it comfortable to move. Very good condition Period: 1800 Measurements: H 103 x L 150 x P 80 cm
  • Out of stock
    Original vintage 50's Chesterfield sofa in genuine leather, newly restored, dark green color.
    Period: 1950s Measurements: H 90 x W 118 x D 140 cm - H seat 67 x D seat 51 cm
  • Out of stock
    "Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
    Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm
  • Out of stock
    Empire canopy bed in walnut, of French origin. The bed dates from the early 19th century and has columnar uprights and carved eagles. In excellent condition, missing the iron crossbeam, bedstead and mattress. Period: Early 19th century Measurements: H 218 x W 210 x D 130 cm
  • Ancient poplar wardrobe. Ivory pickled finish, shaped frame and hinged doors. Early 19th century.
    Period: Early 19th century Measurements: H 208 x L 138 x D 50 cm
  • Out of stock
    "The lake of Burcina "- Oil on cardboard by Giuseppe Buscaglione Giuseppe Buscaglione (Ariano, 1868 - Rivoli, 1928) born in Ariano from a family of Biella origins, he studied in Turin with Lorenzo Delleani (1840-1908). One of his best pupils, he soon inherited his predilection for landscape painting. Author of landscapes and seascapes, he draws extraordinary attention from the master to the atmospheric and temporal variations of nature. The values ​​of light and color, studied with precision from life, become the protagonists of Giuseppe Buscaglione's paintings, precisely in the wake of the master. His landscapes, characterized by great ease, are however often a sort of reinterpretation of those of Delleani. He participated in the Turin Promoters from 1888 to 1913, but did not fail to send works to the Milan, Genoa, Venice, Rome and Florence Expositions. Not much is known about his private life, however it is certain that he conducts a very regular exhibition activity. He died in Rivoli in 1928.
    Period: Early 1900s Measurements: In frame H 88.5 x L 68.5 cm / Carton H 76 x L 56.5 cm
  • Antique Piedmontese chest of drawers in walnut, with olive wood tiles, of excellent workmanship. In very good condition. Period '700, original in all its parts except handles and vents.
    Period: '700 Measurements: H 93 X L 128 X P 56
  • Out of stock
    "Scarabeo Ercole" etching by Luigi Bartolini. The sheet is H 235 x L 285 mm. The title is written in pencil at the bottom left. Edition in pencil at the lower center, it is 12 out of 50 copies. The signature in pencil is Luigi Bartolini on the lower right. It is displayed at the National Institute of Graphics, Prints and Drawings Department, in Rome. Luigi Bartolini (Cupramontana 1892 - Rome 1963), spent his youth among Rome, Siena and Florence, attending Academies of Fine Arts and staying for a long time in Galleries, Museums and Libraries. In 1914 he began to engrave in etching, in which he gained wide fame. Writer, painter and heated polemicist, poet, exuberant critic, he had conflicts that remained famous. In 1932 he won the highest prize shared with Morandi and Boccioni at the engraving exhibition in Florence. In 1935 he earned the Rome Quadrennial Award for the best etching artwork. In 1942 he obtained the prize at the Venice Biennale for his black and white technique. His paintings with large and sumptuous brushstrokes of color, of a lively immediacy, brought him to the fore among the most renowned artists. Period: 1934 Measurements: In frame H 53.5 x W 63 x D 1 / Plate H 23.5 x W 28.5 cm
  • Out of stock
    "Woman with veil" oil on paper by Gino Parin. The painting is from the 20s / 30s of the twentieth century, has a beautiful coeval gilded wood frame. The picture and the frame need some cleaning. It comes from a private collection from Biella. Gino Parin was born in Trieste in 1876. His real name was Federico Gino Pollack. He began his artistic education in the studio of the Trieste painter Eugenio Scomparini and then continued at the Venetian Girolamo Navarra's one. At 19 he went to Munich to attend the Academy where he attended the courses of Karl Raupp and became acquainted with the painting of the Pre-Raphaelites, Lenbach, von Marées and von Stuck. Having become a member of the Münchener Künstler Genossenschaft, he often exhibited at the Glaspalast. He traveled extensively in Europe, visiting Switzerland, France and England. From 1910 he began to participate in the collective exhibitions of the Trieste Artistic Circle. Here he settled permanently at the outbreak of the First World War. He participated to the Biennials of 1921, 1924, 1928 and 1932. In 1923 he received the gold medal at the Turin Quadrennial. During this period his style, from the original German academic setting, evolved towards a personal reworking of the taste of the Deco years. His production, mainly focused on female portraits and interior painting, earned him the definition of "painter of beautiful women". Deported by the Germans in 1944, he died in the Bergen Belsen camp. Period: 1920s / 30s Measurements: In frame H 102 x W 82 x D 7.5 / Canvas H 79 x W 59 cm
  • Pendulum clock from 1830/1850s. Parisian style Louis XVI, in white marble and gilded bronze. Four columns support a sculpture of Octavian Augustus with sphinxes on either side. Enamelled dial with Arabic number, signed Robert. Period: 1830/1850 Measurements: H 61 x W 25 x D 15 cm
  • Carlo X boat sofa, veneered in walnut feather, inlaid in the center in boxwood.
    Period: 1825 Measurements: H 104 x L 200 x P 73 / H seat 51 cm
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