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    "Portrait of a woman" - Oil painting on canvas of the Emilian school depicting a young woman dating back to the late '600 / early' 700.

    Period: End of the 17th century / beginning of the 18th century

    Measurements: In frame H 70 x W 58 cm / Canvas H 48 x W 36 cm

  • Armchairs in terracotta, Manifattura di Signa logo, dating back to the early 1900s. They adapt well to both external and internal environments.
    Period: Early 1900s Measurements: H 74 x W 90 x D 80 cm
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    Piedmontese mirror in Transition style, dating from the late 1700s / early 1800s. Carved and gilded mecca wood frame. Part of the molding is missing.
    Period: Late '700 / early' 800 Measurements: H 162.5 x L 81.5 cm  
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    Beautiful oil painting on wood by Giuseppe Gheduzzi (Bologna 1889 - Turin 1957) representing a pasture of sheep in a mountain landscape. It bears the author's signature on the lower right corner. In excellent condition with frame. Period: 1930s / 1940s Measurements: In frame H 64 x L 90 cm / Painted H 45 x L 71.5 cm
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    "Still life with woodcock, pheasant and partridge" - Oil on canvas by Michelangelo Meucci (1840-1909), background painted to simulate light ashwood, signed and dated on the lower right "M.Meucci Firenze 1876"
    Period: 1876 Measures: H 93 x L 71 / Canvas H 82 x L 59.5 cm
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    Important chessboard of the A.D.R. by DI ROBERTO DONATO & TEODORO from Milan. In 800 solid silver entirely hand-finished. Top in Carrara marble, Calacatta and Sicilian Jasper. 16 pieces in silver and 16 pieces in golden silver Dimensions: Pedestrian H 7.5 cm Tower H 9 cm Horse H 10 cm Bishop H 11 cm Regina H 12.5 cm King H 12 cm Chessboard 40 x 40 cm. Height 3.5 cm. The band around and the feet are in 800/1000 silver. Total weight 3.2 kg of silver. Dating back to the 50s and 60s, each object was entirely handmade.
    Period: 50s / 60s Measures: H 16 x L 40 x L 40 cm (H base 3.5 cm)
  • Mirror belonging to the historical period of the Restoration, in carved and gilded wood with golden leaf. Origin France. Original mercury mirror, period around 1830 Period: 1830 Measurements: H 93 x W 140 x D 13
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    "Landscape on the Via Cassia" oil on canvas by Mino Delle Site. The work is signed at the bottom right Delle Site, listed in the catalog of the IV exhibition of figurative arts of Rome and Lazio, 1963, Galleria SPQR. On the back it has the gallery label. Mino Delle Site (Lecce 1914 - Rome 1996) had first studied in his city and then graduated from the Academy of Fine Arts in Rome. He took part to the Futurist Movement, from which he later broke away in search of new aesthetic expressions. He participated in the First Biennial of Palermo, the Second and Third Quadiennials of Rome and the Venice Biennials of 1934, 1936, 1938. In 1956 he presented in Rome an anthological exhibition summarizing twenty-five years of artistic activity; in 1957 he set up another solo exhibition in Rome, at the Aliberti Gallery; and he also participates in the VI, VII and VIII Roman Quadrennial. In 1965 he exhibited in the USA, at the Rizzoli Gallery in New York with a personal anthological exhibition, works from 1932 to 1965. He won numerous competitions and prizes: in 1936 a prize for Mural Painting; in 1946 a prize for the Female Nude; in 1950 a "Attic" award. He has made decorations and mosaics for public and private entities. His works can be found in both Italian and foreigner public and private collections. Period: 1963 Measurements: H 55 x W 65 x D 1.5 cm
  • Piedmontese flap in Louis XVI style in cherry wood, original from the end of the 18th century, with contemporary handles.
    Period: Late 18th century Measurements: H 100 x L 117 x P 50 cm
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    "This Arno with slow waters" - Oil on panel by Galileo Chini, signed on the lower right, bears the dedication on the back to his friend Giuseppe Orsi and the date 14 September 1943. CHINI GALILEO. Born on December 2, 1873 in Florence, died on August 23, 1956, then blind. As a boy he was a simple painter; at twenty he decided to study the ancient and modern masters. In 1899 with some friends he created "The Art of Ceramics", managing to give this feat a new physiognomy to Italian majolica. He has participated in numerous and important exhibitions in Paris, Leningrad, Barcelona, ​​Saint-Louis, Brussels and in Italian exhibitions, including the Venice Biennials from IV to XVII. Among the various decoration works, those of the buildings of the Cassa di Risparmio of Pistoia, Arezzo and Florence, as well as those of the Throne Palace in Bangkok (Siam), and among the easel works: Quiete; The triumph; The Baptist; Icarus; The game and the fat tempera painting depicting The Last Supper, in which it reaffirms its qualities as a strong symbolist decorator of daring conceptions and a lovable coloring, which achieves remarkable effects with simplicity of means and with natural spontaneity. In 1932 he held a personal exhibition in Milan, at the Pesaro Gallery, with still life paintings, flowers, figures and Parisian landscapes or on the banks of the Arno. He was a teacher of decoration at the Academy of Florence.
    Period: September 14, 1943 Measurements: In frame H 52 x L 60 / Table H 33.5 x L 42 cm
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    "Interior with stapler at the fireplace" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, as pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty  years in row (awarded with a gold medal) and in the circle of artists in Turin. Personal holds at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: 30s / 40s Measurements: In frame H 54 x L 66 / Paper H 32 x L 44.5 cm
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    English "marine" style bookcase, in mahogany with brass inlays and inserts and matching ladder. At the base 4 doors and three drawers, open shelf with two porthole-shaped doors. Dating back to around the 1980s

    Period: 1980s

    Measurements: H 263 x W 253 x D 51 cm

  • Various wooden veneer trumeau, from Austria / Trentino. Composed of various drawers, large at the bottom, small at the top, flap and retractable shelves.
    Period: Early 19th century Measurements: H 193 x L 112 x P 57 cm
  • Out of stock
    Desk veneered in walnut briar, with riser. Equipped with 4 drawers and two storage spaces, three large drawers on the front, removable top that increases the surface of use, original leather on the top, turned leg. It dates back to the second half of the 19th century.
    Period: Second half of the 19th century Measurements: H 101 x W 130 x D 76 cm
  • Out of stock
    Bronze sculpture by Giacomo Buzzi Reschini (Viggiù, 4 September 1881 - Turin, 18 September 1962) dating back to the early 1900s. GIACOMO BUZZI RESCHINI The son of a marble craftsman, he went to Turin at a very young age to attend the Albertina Academy under the guidance of Luigi Belli first and then Leonardo Bistolf; however, he soon left school to open his own studio. In Turin he received awards and honors: in 1909 he made two medallions and presented the works "Non omnis moriar", "Vanaexpected", "Stella Alpina" (purchased by King Vittorio Emanuele III) at the Exhibition of Fine Arts, while in 1911 he received the gold medal for two equestrian groups. After the First World War, Buzzi Reschini resumed his activity by becoming friends with Canonica, Calandra, Bistolf, Pogliaghi and Enrico Butti, his fellow citizen. Buzzi Reschini was a brilliant artist: if his entire production is qualified by adhering to the romantic theme, liberty implications prevail in the works of the beginning of the century, while later he moved towards more sober and monumental forms, typical of the years of the "twentieth century". Of his vast production, we remember: "The Immaculate Conception" (1928), in travertine, with a height of 5 m, for the Palazzo del Governorato of the Vatican City; "Saints Cyril and Methodius" for the Bohemian College in Rome; "the War Memorial of Chieri" (1925), of Croce Mosso, of Bordighera, of San Damiano d’Asti (1927) and of Agliè; "the Four Prophets" (post 1930) for the facade of the church of the Annunciata in Turin, for which he also painted the Angels of the interior and the doors with Stories of the Virgin. "the Supreme Judgment" in the Monumental Cemetery of Milan, later destroyed in a bombing in 1943; "The last kiss" for the Monumental Cemetery of Vercelli; "The three Marys"," The Mass of the Dead"," Maternity"," S. Sebastiano"," La Pietà", "S. Francesco" for the Turin Cemetery; "The guards at the sepulcher" (1957). In the 1960s, next to the Butti Museum in Viggiù, he built a new pavilion with the intention of hosting his own plaster cast gallery and the plaster casts of other members of the Viggiutese sculpture of the twentieth century. His models are in fact set up in the central hall and in room II of the building.
    Period: Early 1900s Measurements: H 78 x W 69 x D 23 cm
  • "The black and white cat" - Oil on tablet by Lorenzo Delleani dated 11.9.82 DELLEANI LORENZO. Born in Pollone (Biella) on January 17, 1840, died in Turin on November 13, 1908. He studied at the Accademia Albertina, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut at the Promoter of Fine Arts in 1855 and established itself there in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to historical re-enactment painting, to arrive at more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the Turin national exhibition in 1880 the Ministry of Grace and Justice bought him the vast canvas Caterina Grimani Dogaressa, while critics showed a preference for "In the garden". The following year, in Milan, alongside Sebastiano Veniero who presents the prisoners of Lepanto, he exhibited Quies, which earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for its genuineness and brightness. In addition to the large canvases destined for the numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things of Italian landscape 'age' (Lavagnino). Among his disciples we remember: Giuseppe Bozzalla, Sofia di Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the motifs that nature and the environment could suggest to him during his periodic stays in the Biellese, in Venice, in Rome, on the Riviera , in Monferrato.
    Period: 11 September 1882 Measurements: In frame H 44.5 x W 55 cm / Tablet H 26 x W 37 cm
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    Piedmontese wardrobe in white poplar, in Louis XVI style, with curl molding, batting doors with flower carving in the center. Original in all its parts, the furniture has been pickled, it is ready for any type of finish.
    Period: 19th century Measurements: H 232 x L 145 x P 50 cm
  • Piedmontese library in Provencal style dating back to the 1930s, 4 doors, the high section has glass panels. The structure is in fir, the finish is in cream color. It shows signs of wear due to time that make it unique and fascinating.
    Period: 1930s approx Measurements: H 238 x W 277 x D 43.5 cm
  • Three volumes entitled "Romantic pictorial journey of the western provinces of ancient and modern Italy" by the lawyer Modesto Paroletti, a work adorned with lithographic perspective views drawn from life. Turin Felice Festa printing factory.
    Period: Early 19th century Measurements: L 31.5 x H 46 cm
  • Roll-up flap of Piedmontese origin, veneered in walnut feather with maple inlays. It requires restructuring due to wear and tear over time, guarantee of originality and uniqueness of the product.
    Period: Mid 19th century Measurements: H 111 x L 117 x P 56 cm
  • Beautiful Austrian walnut flap, Louis XVI style, veneered, inlaid. Secret internal drawers and 4 external drawers. Very good condition
    Period: Late '700 / early' 800 Measurements: H 125 x L 123 x P 65 cm
  • Walnut wardrobe, dating back to the early 18th century. The interiors, the backrest and the feet were replaced during its restoration in the 1970s. Panels with rhombus shaped high relief.
    Epoca: Primi '700 Misure: H 210 x L 159 (L senza cappello 150) x P 53,5 x P interna 47 cm
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    "Ecstasy of St. Francis" oil on canvas from the 17th century, in a coeval frame. Work in excellent condition. The scene of the painting refers to the famous episode in the life of Saint Francis that took place on the Verna mountain in the summer of 1224, when the Saint received the stigmata. Period: 17th century Measurements: Framed H 84.5 x W 66.5 x D 4.5 cm / Canvas H 68 x W 51 cm
  • Piedmontese mirror in carved wood and refined in golden gouache. Dating back to the late of 18th century.
    Period: Late 18th century Measurements: In frame H 190 x L 90 / Mirror H 73 x L 56 cm
  • Terracotta panel depicting a classical scene. On the back the Manifattura di Signa brand. In excellent condition. The Manifattura di Signa is a historic terracotta pottery workshop. It was created in 1895 by the will of Camillo Bondi. "At the beginning of the twentieth century Signa was still one of the major industrial centers of straw. To that industry, which had made the name of the town known beyond national borders, was added another activity which, since the last five years of the nineteenth century and in a short space of years, it would have relaunched its name on the European and American markets: the artistic terracotta industry "Manifattura di Signa", founded in Signa (Florence), in 1895 by Camillo Bondi, on the premises of the factory " Fornaci di Signa "owned by his brother Angelo. At that time, the taste for antique fakes continued to seduce with all its charm, and in ceramics the interest in tradition had prompted the most important Italian manufacturers to revisit shapes and decorations Renaissance, reaching the ancient virtuosity of the historiated and grotesques with a high craftsmanship. If those productions interpreted the ancient with typical nineteenth-century eclecticism, the Manifattura di Signa on the other hand, it generated the perfect resemblance of the truth, both through the forms used when possible on the original, and by means of patinas simulating those of marbles and bronzes and even the faults of time, in order to obtain the appearance of the authentic piece, and visually as well as tactile and, in some bronzes, also sound. With this spirit, reproductions of sculptural and decorative masterpieces of all times will take shape from the Arno mud: from Etruscan to Greek statuary, from Roman to Renaissance, from Moorish vases to contemporary Art Nouveau creations. The success that ensued is witnessed by numerous exhibition awards such as the medal at the Universal Expo in Paris in 1900, where he exhibited numerous plastic terracotta, suitable for decorating the exteriors, with a particular patination that made it look better and more resistant to agents. atmospheric, soon expanded the number of occupations and the specialization of young artists assisted by the experience of sculptors of excellent fame, called to Signa for new ideas by the Bondi brothers, the brilliant founders and conductors of the Manufacture, coming from a family of Leghorn Jewish high bourgeoisie and close to the intellectual and anti-positivist environment of the Florentine magazine of “Il Marzocco”. With the new industry an informal school of young workers was thus generated in the Signe who, despite lacking regular education, growing under the experience of sculptors and in contact with the most sublime models of universal classicism, a real concentrate of museums in the world , were naturally stimulated and educated in the beauty and proportions of forms, so much so that they became refined craftsmen, plasticizers, sculptors, able to give life to other similar manufactories. " There are many artists who have collaborated with the Signa Manufacture: Oreste Calzolari, Giovanni Prini, Giulio Cantalamessa, Adolf von Hildebrand, Raffaello Romanelli, Giuseppe Santelli, Renato Bertelli, Giovan Battista Casanova, Bruno Catarzi, Italo Griselli
    Period: Early 1900s Measurements: H 58 x W 157 x D 10 cm
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    "Last Leaves" oil on panel by Lorenzo Delleani, 25 x 37.3 cm; signed and dedicated: Delleani - to dear brother-in-law Baglioni Giuseppe. Dated 29/10/81. Signed and dated lower right. Private property Biella. Formerly S. Colongo, Biella. Described on page 128 of "Delleani, La vita, l'opera e il suo tempo" by Angelo Dragone. Period: 29/10/81 Measurements: Framed H 57 x W 45 x D 4,5 / Tablet H 37,3 x W 25 cm
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    Beautiful bronze animal sculpture depicting a group of lions by Clovis Edmond Masson (1838, Paris - 1913). Signed by the author on the basement.
    Period: Second half of the 19th century Measurements: H 60 x L 46 x P 30 cm
  • Flemish painting, oil on canvas, dating back to the first half of the 19th century. "St. Aubin" written on the lower right, the painting probably depicts the main square in Ulm (Deutschland) with the view of the cathedral. Period: First half of the 19th century Measurements: In frame H 79.5 x L 124.5 / Canvas H 55 x L 101 cm
  • Coin cabinet in walnut, 11 drawers framed with guillochè profiles, front panels in fake blue marble painted glass and gold thread. Two other small drawers inside. Eighteenth century. Period: 18th century Measurements: H 45 x L 63 x P 26.5 cm
  • Rare French secretary Charles X, veneered in maple briar and inlaid in rosewood. The calatoia creates a desk with beige leather. Castle with 9 drawers, a large central one that hides a secret, mirror background. By opening the two doors in the lower part there is a drawer and a shelf. Oak and fir structure. Saint Anne gray marble top. Original padlocks, non-original keys. Buffer polishing dating back to about 15/20 years ago. In very good condition.
    Period: 19th century Measures: H 190 x L 96 x P 42.5 cm
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    Rare Piedmontese walnut bed with turned columns dating back to the 17th century. In good condition. Period: '600 Measurements: H 170 x W 147 x D 201 cm
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    Coffee table in slate and scagliola with plexiglass base. The top dates back to the 19th century, by a Florentine workshop, decorated with a map of the constellations of Guiljelmus BLAEU (1600-1699), on the edge the signs of the zodiac. In the 70s / 80s it was combined with the plexiglass base to form a coffee table with glass of rare beauty. Period: between the 18th and 19th centuries Measurements: H 43 x W 138 x D 54,5
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    "Cavallo e cavaliere" by Marino Marini, pen and brushstroke ink on paper, 1945. Signature at lower right. The drawing was included in the archive of the artist's autograph works in May '94. Period: 1945 Measurements: Framed H 63 x W 53.5 x D 5.5 / Paper H 35 x W 26 cm
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    Mario Sironi - Jockey on Horseback - Futurist work from 1914, pencil on canvas paper, signed lower right. On the back, date, title and signature by Willi Macchiati. Period: 1914 Measurements: Framed H 57.5 x W 73 x D 4.5 cm / Paper H 23 x W 32 cm
  • Out of stock
    Table lamp mod. 12297 designed by Angelo Lelli for Arredoluce , Italy, 1950s Brass and lacquered aluminum. In excellent used working condition, authenticated by Arredoluce Lit.
  • Bronze sculpture by Sandrun entitled "My teacher Tòni dël Fatin". Perfect in patina, excellent condition This work is present in Sandrun's monograph and contains the following description: "His master? Of course" Tòni dël Fatin ", friend of the artist, who died hit by a car right in front of the church of Cossila San Grato, was his teacher. And it was just as the student modeled it in clay and then cast in bronze. An angular, wise, ironic little man, humbled by the weight of years and misery. He had a lot of influence on our Franceschino, especially on the way we relate to the real world, to nature, to men. Like the Greeks , Sandrun also tried to bring out their personality from these figures, not only by working on the face, but also on the body and on the attitudes that life forces us to assume "
    Period: 1965 Measurements: H 60 x W 35 x D 29 cm
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