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Out of stock"Landscape" - Oil on canvas by George Pieter Westenberg (11 September 1791, Nijmegen, Netherlands - 26 December 1873, Brummen) signed and dated 1853 in the lower right corner. Landscape and animal painter, Pieter Westenberg was a pupil of Jan Hulswit in Amsterdam from 1808 to 1813, and he also attended the drawing academy in Amsterdam. Particularly inspired by 17th-century Dutch landscape painters, Westenberg has regularly exhibited landscapes and city views from 1814 onwards. He has undertaken two study trips; in 1816 in Gelderland and Bentheim in Germany and the following year in the Ruhr area and along the Rhine; the studies and sketches he made on both trips would have a profound effect on his later paintings and drawings. He also worked as a drawing master for several wealthy families, but in 1836 he moved to Haarlem, where two years later he was appointed director of the Collection of Paintings by Living Masters in the Paviljoen Welgelegen. In 1857 he went with his family to Batavia to take up a post in the colonial administration of Java.Period: 1853 Measurements: In frame H 83 x W 100 cm / Canvas H 76 x W 93 cm
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"Mountain landscape" - Oil on tablet by Lidio Ajmone. Signed and dated 1939 in the lower left corner.
LIDIO AJMONE Born in Coggiola (Biella on 10 April 1884, died in Andezzeno near Chieri on 29 September 1495. He attended the Albertina Academy in Turin and was later a pupil of Vittorio Cavalleri. He always exhibited at the promoter, at the Circolo Artisti e Amici dell ' Art of Turin and sometimes in Milan, Genoa, Casale and Novara. He took part in the great war as captain of the 3rd Alpini, was wounded and decorated. In 1925 he went to Somalia with Governor De Vecchi and carried out several works there Interesting. He portrayed the Sovereigns of Italy, Benito Mussolini and the Duke of Abruzzi. At the Civic Museum of Turin you can find his painting: Neve. He was a good colourist and always made himself admired as a sensitive landscape painter. it was organized at the Circolo degli Artisti in March 1946. There were about forty works among the most significant from the various periods of artistic activity, which left good African and Rhodes impressions.
Period: 1939
Measurements: In frame H 54 x L 64 cm / Tablet H 35.5 x L 45 cm
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"The black and white cat" - Oil on tablet by Lorenzo Delleani dated 11.9.82 DELLEANI LORENZO. Born in Pollone (Biella) on January 17, 1840, died in Turin on November 13, 1908. He studied at the Accademia Albertina, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut at the Promoter of Fine Arts in 1855 and established itself there in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to historical re-enactment painting, to arrive at more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the Turin national exhibition in 1880 the Ministry of Grace and Justice bought him the vast canvas Caterina Grimani Dogaressa, while critics showed a preference for "In the garden". The following year, in Milan, alongside Sebastiano Veniero who presents the prisoners of Lepanto, he exhibited Quies, which earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for its genuineness and brightness. In addition to the large canvases destined for the numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things of Italian landscape 'age' (Lavagnino). Among his disciples we remember: Giuseppe Bozzalla, Sofia di Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the motifs that nature and the environment could suggest to him during his periodic stays in the Biellese, in Venice, in Rome, on the Riviera , in Monferrato.Period: 11 September 1882 Measurements: In frame H 44.5 x W 55 cm / Tablet H 26 x W 37 cm
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Out of stock"The rhododendrons of Burcina" - Oil on canvas by Enzo Gazzone from Vercelli (San Germano Vercellese 1894 - Vercelli 1970), dating back to the 1940s. On the back, scrolls: Galleria Perazzone, Galleria Dante and Galleria Fogliato. ENZO GAZZONE Born in San Germano Vercellese on 23 March 1894. Having learned the first elements of painting from his father Luigi Gazzone, a good amateur, he studied at the Albertina Academy of Turin, a pupil first of Andrea Marchisio and then of Giacomo Grosso. In addition to portraiture and landscape, he dedicates himself to etching and several successful prints attest to this attitude. She made her debut at the Vercelli Exhibition in 1922 and later took part in the 1st Female Portrait Exhibition in Monza: at the Promoter and Amici dell'Arte in Turin; then in Novara, in Bolzano, in Domodossola. His main works: "Sul lago di Como" and "Decadenza", etchings that had good success at the Black and White Exhibition in Melbourne; "March snow"; "The portrait of the Archbishop of Vercelli Mons. Giovanni Gamberoni", preserved in the archbishopric itself; "Portrait of Mrs. Berlese". They remain from Vercelli, good for the resemblance and harmony of colors. "The rice sower", owned by the Vercelli Farmers' Federation ";" The wind ";" Melancholy ";" Riflessi ";" The castle of Fénis ".Period: 1940s Measurements: In frame H 76.5 x W 93.5 x D 6 cm / Canvas H 57.5 x W 75 cm
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Out of stock"The lake of Burcina "- Oil on cardboard by Giuseppe Buscaglione Giuseppe Buscaglione (Ariano, 1868 - Rivoli, 1928) born in Ariano from a family of Biella origins, he studied in Turin with Lorenzo Delleani (1840-1908). One of his best pupils, he soon inherited his predilection for landscape painting. Author of landscapes and seascapes, he draws extraordinary attention from the master to the atmospheric and temporal variations of nature. The values of light and color, studied with precision from life, become the protagonists of Giuseppe Buscaglione's paintings, precisely in the wake of the master. His landscapes, characterized by great ease, are however often a sort of reinterpretation of those of Delleani. He participated in the Turin Promoters from 1888 to 1913, but did not fail to send works to the Milan, Genoa, Venice, Rome and Florence Expositions. Not much is known about his private life, however it is certain that he conducts a very regular exhibition activity. He died in Rivoli in 1928.Period: Early 1900s Measurements: In frame H 88.5 x L 68.5 cm / Carton H 76 x L 56.5 cm
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"Portrait of a woman" - Oil painting on canvas of the Emilian school depicting a young woman dating back to the late '600 / early' 700.
Period: End of the 17th century / beginning of the 18th century
Measurements: In frame H 70 x W 58 cm / Canvas H 48 x W 36 cm
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"Florentine noble lady " - Ancient Italian marble from the second half of the 19th century. Tuscan half-bust of exquisite workmanship depicting a noble Florentine lady. Perfectly finished in detail. It bears the inscription"Decus Augusta Coenobili". In good state of conservation and beautiful patina.Period: Second half of the 19th century Measurements: H 66 x W 78 x D 30 cm