• Bronze sculpture by Franco Zazzeri signed and dated 1976. "A sphere, and all of a sudden it breaks, a slice of it caught just in the moment of falling down (...) that sphere is configured as the earth that turns in spaces; what will become the segment that has detached from the sphere of Zazzeri? " - Marco Valsecchi 1977 (Milan, 1913 - 1980) - art critic, university professor, essayist and journalist of the daily newspapers Il Giorno and Il Giornale and of the weekly Lo Speciale. "Zazzeri's work can be called" totemism of the origins ": an anthropological function that rediscovers the notion of beauty in the recognition of an inner and eternal truth." - Riccardo Barletta 1985 - Modern art critic and professor of history of design at the Polytechnic School of Milan. "Cosmos and Logos are converted into each other, through the filter of the protean personality of Zazzeri" - Floriano De Santi 1999 - Artistic Director and Critic and art historian FRANCO ZAZZERI was born in Florence on 19 August 1938. He spent his childhood in Monte San Savino, Arezzo. At the age of fourteen he began working in a ceramics workshop but, fascinated by sculpture, he moved to Arezzo where he worked for a local marble worker and attended the Aretina art school under the guidance of the sculptor Giovanni Bianchi. At the end of the 1950s, commissioned by various personalities from Arezzo, he made several sculptural portraits; he wins the competition for the construction of the statue of the Madonna delle Vertighe (patron saint of the Autostrada del Sole). In 1960 he moved to Milan (where he currently lives and works). In the same year he graduated from the school of the Castello Sforzesco sculpture section. To his credit 30 personal exhibitions held in Italy and Europe. Numerous group exhibitions; we cite some of the most prestigious: 1983 "Italian sculpture in the world" traveling exhibition in the main cities of the world by the Ministry of Foreign Affairs and the Rome Quadrennial of Art; 1984 "XXIX Biennale of Art of the City of Milan", Palazzo della Permanente; 1986 "XLII International Biennial of Art of Venice"; 1989 "XXXI Biennale of Art of the City of Milan", Palazzo della Permanente; 1999 "XIII Quadrennial of Rome". Some of his sculptures are found in: Montecarlo - Banque de Gestion Monegasque; Rome - EUR - Italian Credit; Rome - via del corso 374 - Credito Italiano; Turin - in via Arsenale, 11 - Credito Italiano; Moscow - Italian Representation; Milan - Linate and Malpensa Airport; Milan - Municipality of Milan in via Pirelli; Milan - Piazza Duca d'Aosta; Milan - Civic Center - via Oglio 18; Here below we mention only a few other exhibitions, by importance and artistic significance: 2002 Milan, Palazzo Municipale Sondrio; 1995-1999-2005 Milan, Borgogna Gallery; 1989 Monte San Savino, "Homage to Sansovino"; 1984 Munich, Galerie Museum BMW; 1984 Vienna, Italian Cultural Institute; 1980 Ferrara, Palazzo Dei Diamanti; 1975-1979-1983 Ada Zunino Gallery; 1971-1974 Monza, Arengario Museum; 1970-1971-1972-1973 Milan, 'La Darsena' Gallery. "... Starting from a figurative sculpture Franco Zarreri soon turns to a more informal vision of the figure, a non-individual content emerges from the representation of the individual to that of the group, the family nucleus, seen as a reality of the primordium in a genetic sense . A non-descriptive and unrealistic position. ... " from "Zarreri - The Totemism of Origins" Riccardo Barletta ed. Milan Point and Line
    Period: 1976 Measurements: H32 x W48 x W48 cm
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    Gio Ponti style sofa in the original crimson velvet. Backrest with shell shape, 6 truncated conical feet with brass ends. In good condition, also the pair of matching armchairs for sale. Period: 1950 Measurements: H 82 L 186 D 88 (H seat 50) cm
  • Rare walnut armchair, centrepiece, fully carved in Baroque style. The armchair comes from northern Italy and dates back to the 19th century. It is in very good condition, including the leather upholstery. Period: 19th century Measurements: H 156,5 x W 80 x D 70,5 / Seat h 50 cm
  • "The flagellation of Christ" Oil on canvas from the 17th century. The painting represents a sacred scene full of characters. The technique of pittutr is of excellent quality. The work is in an excellent state of preservation and has been slightly restored. Period: 17th century Measures: H 74 x W 62,5 x D 2 cm
  • Large mirror with console and two golden metal chairs, dating back to the 1950s, designed by Pier Luigi Colli.
    Period: 1950s Measurements: Mirror H 240 x L 127 cm Chairs H 136 x L 45 x P 40 (Seat) H 46 cm Console H 82 x L 100 x P 35 cm
  • "Mountain Stream "- Oil on canvas by George Blackie Sticks (1843-1938). Dated 1881 and signed on the lower left.
    Period: 1881 Measurements: In frame H 116 x L 92 X P 6 / Painting H 88 x L 65 cm
  • Renaissance style walnut cabinet dating back to the 17th century, from central Italy. Cantilever feet not original.
    Period: 17th century Measurements: H 82 x L 74 x P 44.5 cm
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
  • Frozen opera by Omar Ronda "American Frozen". Omar Ronda, born Omar Aprile Ronda (Portula, 11 September 1947 - Biella, 7 December 2017), was an Italian artist, painter, sculptor, art collector and publisher.
    Period: 2003 Measurements: H 100 x L 100 cm
  • Chest of drawers in walnut composed of four drawers, interior in poplar. Very good condition Period: Second half of the 18th century Measurements: H 102 x L 121 x P 60 cm
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    Large Louis Philippe mirror in carved wood and gilded with gold leaf, dating back to 1880, original mirror, excellent condition Period: Second half of the 19th century Measurements: H 180 x W 97 x D 5 cm
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    "Dali - De Draeger" catalogue by Max Gérard, 1968. The catalogue has a drawing of Don Quixote, with a dedication on the guard paper, a gift from the Catalan artist Salvador Dali (Figueras 1904 - 1989) "Every morning, as I wake up, I experience a supreme pleasure that I am discovering today for the first time: that of being Salvador Dali, and I wonder, filled with wonder, what this Salvador Dali will do again today that is so prodigious. And every day it is more difficult for me to understand how others can live without being Gala or Salvador Dali. A Catalan with a thirst for gold and glory, Dali painted a lot and talked a lot. His favourite subject: how to become a genius. His conclusion: 'Oh, Salvador, now you know, if you play at being a genius, you will become one! Salvador Dali's taste for provocation, excessive character, pursuit of paradox and exaggerated egocentricity have made him a well-known figure to the general public. These elements have helped to turn a great artist - endowed with a fervid creative intelligence and a profound knowledge of the history of the arts, the masters of the past and the literary research of his time - into a myth, which still arouses great curiosity today. However, his continuous exposure as an absolute 'genius' of art, to critics and to the judgement of the public, has given the impression of being able to fully understand his work and easily enter into his thought. In reality, his entire oeuvre reveals a very complex personality. Like his compatriot Picasso, Dali experimented with different expressive languages during his long career, moving away from painting towards cinema, theatre, photography and even performance. "At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been steadily growing ever since". Dali's life and work are inextricably intertwined, in fact many events in the artist's life were reflected in his creations, and many paintings can only be understood on the basis of the events that marked his life. At the age of six he painted his first canvas. Then, at the age of ten, he received his first drawing lesson, under the guidance of the famous Impressionist painter Ramón Pichot (1872 - 1925). He would later say that he was influenced by Pichot's works, which represented his first contact with a non-academic artistic current, focused on the reality of his time. At the age of fourteen he discovered the pompiers, at twenty-two cubism and at twenty-four he was already Dali, convinced that he had been called Salvador because he was destined to be the "saviour" of painting threatened with death by abstract art, academic surrealism, Dadaism in general and all the anarchic isms. At the age of 25, he was already winning over critics, doing business with gallery owners and collecting scandals. Period: 1968 Measurements: Page size with drawing and dedication H 30 x W 27.5 cm
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    Lounge chair model 670 dating back to the 70s in mixed materials (leather seat, wooden structure). Prod. Herman Miller, USA
    Period: 1970 Measurements: H 82 x L 85 x P 91 cm
  • Elegant Genoese dressing table in Napoleon III style, with refined inlay in mixed woods: Marqueterie of bois de rose, rosewood, maple and poplar colored in shades of green. The small inlays are in bronze; the doors in ground glass and inside the cabinet hides a further series of drawers. Period: 19th century Measurements: H 112.5 X L 73 x P 44 cm
  • Nativity, original oil on canvas painting, with coeval golden frame, dating back to the first half of the 18th century. Work already restored
    Period: First half of the 18th century Measurements: In frame H 92 x L 77 x P 4.5 / Canvas H 76 x L 63.5 cm
  • Piedmontese wardrobe in walnut wood in Louis XV style. It has undergone to some restoration sessions and it has some got replacements. Double lock key. Dating back to mid of the 18th century.
    Period: Mid 18th century Measurements: H 230 x L 157 x P 71 cm
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    Rare Biella chest in walnut, dated 1681 on the front, lion-footed feet. Restored. Also for sale is an identical chest carved in the 1900s.
    Period: 1681 Measurements: H 61 x W 150 x D 56 cm
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    Buddha, ancient wooden sculpture, Oriental art dated 1800. Very good condition.
    Period: 1800 Measurements: H 60 x L 45 x P 38 cm
  • Piedmontese chest of drawers in walnut. Front with four drawers with maple inlays, original hardware.
    Period: Second half of the 18th century Measurements: H 95 x L 132 x P 60 cm
  • Empire style sideboard / bookcase in mahogany, pickled in Provencal style, with brass applications, dating back to the end of the 19th century.
    Period: Late 19th century Measurements: H 230 x L 140 x P 59 cm
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    Art Glass by Ercole Barovier Large bowl in iridescent colors dating back to the 1940s, in shell-shaped glass with pronounced lobes and Clam Shell ribbed base.
    Period: 1940s Measures: H 14 x L 21 x P 33.5 cm
     
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    "Orientalist scene" - Bronze sculpture by Giuseppe Ferrari (1840 / 43-1905), dating back to the end of the 19th century.
    Period: Late 1800s Measures: H 45 x L 54 x P 24,5 cm
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    Pair of original crimson velvet armchairs. 1950s style by Gio Ponti. Backrest with shell shape, truncated conical feet with brass ends. In good condition, the matching sofa is also for sale. Period: 1950 Measurements: H 82 L 90 P 88 (H seat 50) cm
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    "Primitive family" Oil on canvas by Nik Spatari. Signed on the top right and written on the back "Nik Sparati, Via Solferino 11 Milano". Painting from 1970, taken from the painting exhibited at the 64th Salotto exhibition in 1969. Period: 1970 Measurements: In frame H 124 x W 112 x D 2 / Canvas H 119.5 x W 109 cm
  • Here is a splendid work by Valmore Gemignani, depicts a small Bacchus, God of wine and harvest, as well as the pleasure of the senses and fun. The sculpture has never undergone restoration works or incisive cleanings, in fact it has maintained a splendid patina.
    Period: about 1920 Measurements: H 75 cm  
  • Antique Louis XV chest of drawers in walnut, pickled in Provencal style. Blurred front, consisting of 4 drawers. Dating from the mid-18th century.
    Period: Mid 18th century Measurements: H 102 x L 122.5 x D 59.5 cm
  • Large Piedmontese chimney mirror in finely carved wood and golden gouache Period: Second half of the 19th century Measurements: In frame H 193 x L 123 x P 5 / Mirror H 155 x L 108 cm
  • Ancient wooden statue representing Christ crucified in carved and lacquered wood.
    Period: Late '700 / early' 800 Measurements: H 130 x L 98 x P 16 cm
  • Lombard flap in walnut, dating from the eighteenth century. Ebonized frames, cantilever foot.
    Period: 18th century Measurements: H 118 x L 120 x P 57 cm
  • Original Louis XVI style wardrobe out of poplar wood from the end of the 18th century.  Wavy hat, doors with flower carving on the center. Pickled, suitable for any type of finish (dark, light wax, lacquered, etc.). Period: End of the 18th century Measurements: H 230 x W 160 x D 58 cm
  • Bronze by Giovanni Nicolini, work of the 1920s / 1930s. Giovanni Nicolini was born in Palermo on April 14, 1872. He died in Rome in 1956. In the 1920s / 1930s the author focused his formal research on the theme of the nude figure, giving life to works strongly expressive of feelings or passions, in which the female figure with floating hair and enveloping shapes revealed a strong art nouveau influence. Period: 1920s / 30s Measurements: H with base 51 cm / H 49 x Ø base 19 cm
  • Terracotta sculpture by Carmelo Cappello (Ragusa, 21 May 1912 - Milan, 21 December 1996) signed and dated 1949. CARMELO CAPPELLO (Ragusa 1912 - Milan 1996) He attended the Comiso School of Art. Trained at a very young age in Ettore Colla's studio, he moved to Milan in the 30th. Thanks to a scholarship he follows the courses of Marino Marini at the Istituto Superiore di Monza. In 37 he made his debut as a sculptor and the following year he held his first solo show at the Bragaglia Gallery in Rome. In 41 he consolidated his friendship with Giò Ponti, which later became a close collaboration. He has participated numerous times in the Venice Biennale, the Rome Quadriennale and the Milan Triennale. In 59 he was invited to Documenta 2 in Kassel. After the first figurative phase, struck by Moore's modern European sculpture, he passes from Tatlin's Russian Constructivism to the discoveries of the filtering space of Pevsner, Brancusi and Gabo: these are the cultural matrices, in his artistic iter, of his original declination of pure linear rhythms and volumetric that constitute the fulcrum of his mature language. Constant components of its structures are the curve, linked in the circle or marked in the ellipsis, in a rigorous equilibrium of two-dimensional relationships. In Ragusa, in 94, the Civic Collection Cappello was inaugurated, the result of the donation of 15 sculptures and 20 graphic works that formed the starting point of the Museum dedicated to him in 55. Good production of multiples and graphics of his maturity.
    Period: 1949 Measurements: H 35 x W 26 x D 20 cm
  • Out of stock

    Antique Persian tabriz carpet, with landscape and animals depicted. Dating back to the early 1900s. The carpet needs restoration.

    Period: Early 1900s

    Measurements: H 270 x W 185 cm

  • Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
  • Lombard / Venetian mirror in Rococo style dating back to the mid-eighteenth century. Mecca gilding and mercury mirror. There are color drops due to time. Restoration interventions to be carried out.
    Period: 18th century Measurements: H 151 x L 100 cm
  • "Composition" by Umberto Mastroianni (Fontana Liri 1910 - Marino 1998), mixed technique / cardboard signed on the lower right, work number 0019. Authentication of the artist on photo. Umberto Mastroianni was born in Fontana Liri, in the province of Frosinone, on 21 September 1910. After his studies at the Academy of San Marcello in Rome, he moved with his family to Turin, continuing his training under the guidance of the master Guerrisi. His first works have a futurist imprinting; in particular he will be influenced by the works of Boccioni which Mastroianni tinges with neo-Cubism. The artist will be the founder of the Turin Prize in 1947 and, during his life, will receive important awards such as the International Grand Prize for Sculpture (Venice Biennale 1958) and the Tokyo Imperial Prize (1989). World famous artist, Umberto Mastroianni died on February 25, 1998 in his house-museum in Marino (Rome), leaving many masterpieces to posterity. Measurements: In frame H 77.5 x W 93.5 cm x D 5.5 / Canvas H 48.5 x W 65.5 cm
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