• Out of stock
    Writing desk, from the 1950s, desk in mahogany. In very good condition, small lack of veneer on one drawer. Period: 1950s Measurements: H 75 x W 117 x D 68 cm
  • Large guillochè mirror, in burnished wood and decorated with gold threads and scrolls. Dating from the first half of the 18th century
    Period: First half of the 18th century Measurements: Frame H 116 x L 98 x P 9.5 / Mirror H 69 x L 51.5 cm
  • Carved and gilded wooden chandelier with 8 light points, dating back to the early 1900s
    Period: Early 1900s Measurements: H 97 x Ø 78 cm
  • Out of stock
    Wicker coffee table dating back to the 1950s
    Period: 1950s Measurements: H 71 x L 79 x Ø 60 cm
  • Out of stock
    Pickled wooden mirror pickled in white in Louis XV style, dating back to the 1930s.
    Period: 1930s Measurements: Frame H 145 x L 103 / Mirror H 89 x L 64.5 cm
  • Enameled ceramic vase / jug dating back to the 1950s. West Germany manufacture (Cartens), W. Germany 64-33. Very good condition.
    Period: 1950s Measurements: H 37 X Ø 34 cm
  • Delicate watercolor on paper in a coeval ebonized frame dating back to the end of the 19th century. The subject is eighteenth-century with nudes and cupids.
    Period: Late 19th century Measurements: In frame H 59 x W 49 cm / Paper H 40 x W 28 cm
  • Watercolour on paper by Giulio Falzoni, signed on the lower right. Giulio Falzoni (Marmirolo, June 1st 1900 - Milano, 1978). In his youth he studied music and painting, specifically dedicating his work and research towards mural painting. In 1915 he started studying drawing in Mantova and the following year he worked as decorator. From 1928 to 1943 he stayed in Florence, where he attended the Academy of Fine Arts and developped his artistic skills under the lead of Plinio Nomellini. He started to stand out from his contemporary colleagues thanks to his watercolour technique, mastering it in London at the Royal Watercolour Society in the end of the 1940s. His first solo exhibition was set up in 1939 in Mantova, then Florence, Padova, Prato, Neaples, Venice and Milan followed. Some of his exhibitions have taken place in the United States of America, United Kingdom, France and Switzerland. Several prestigious collections see his works as their part, as for instance the Galleria degli Uffizi and Musei Capitolini. Measurements: In frame H56 x W49,5 x D4,5 // H32 x W26 cm.
  • Walnut wardrobe, dating back to the early 18th century. The interiors, the backrest and the feet were replaced during its restoration in the 1970s. Panels with rhombus shaped high relief.
    Epoca: Primi '700 Misure: H 210 x L 159 (L senza cappello 150) x P 53,5 x P interna 47 cm
  • 17th century Tuscan style walnut wardrobe, dating back to the early 1900s
    Period: Early 1900s Measurements: H 185 x L 133 x P 48 cm
  • Piedmontese rustic table in walnut and mixed woods, original in patina, dating back to the early 1800s. Never been restored
    Period: Early 19th century Measurements: H 77 x W 155.5 x D 100 cm
  • Piedmontese walnut sofa, restoration period, curly pilasters.
    Period: Early 19th century Measurements: H 91 x L 170 x P 75 cm
  • Piedmontese Fratino half-moon table in walnut, with lyre legs, dating back to the 19th century. It requires small restoration works.
    Period: 19th century Measurements: H 78 x L160 x D 66.5 cm
  • Out of stock
    Piedmontese walnut flap, built towards the end of the 18th and the beginning of the 19th century. The piece of furniture is composed of two large drawers and five smaller foldaway drawers. In very good condition. Period: End 700 Measurements: H 100 x W 102 x D 47 cm
  • Out of stock
    Piedmontese walnut flap in the direttorio style dating back to the early 1800s, with maple and mixed wood inlays. Composed of a chest of drawers and five small retractable drawers. Period: Early 19th century Measurements: H 99 x W 119.5 X D 55.5 cm
  • Chest of drawers in walnut composed of four drawers, interior in poplar. Very good condition Period: Second half of the 18th century Measurements: H 102 x L 121 x P 60 cm
  • Group of four restoration-style walnut chairs with upholstered seat.
    Period: around 1840 Measurements: H 87 x L 48 x P 44 cm
  • Vintage clothes hanger from the 70s, with 18 mirrors of various colors and shades applied.
    Period: 70s Measurements: H 182 x L 158 cm
  • Out of stock
    Venini chandelier in chromed metal and Murano glass, dating back to the 60s / 70s
    Period: 1960s / 1970s Measurements: H 60 x Ø 40 cm
  • Out of stock
    Venetian sideboard, beech, three drawers and four doors, cantilever foot
    Period: Mid 19th century
    Measurements: H 100 x W 145 x D 47 cm
  • Various wooden veneer trumeau, from Austria / Trentino. Composed of various drawers, large at the bottom, small at the top, flap and retractable shelves.
    Period: Early 19th century Measurements: H 193 x L 112 x P 57 cm
  • Two-seater sofa, in Venetian style, Louis XVI, carved and painted in green and gold, dating back to the 1920s
    Period: 1920s Measurements: H 72 x L 112 x P 60 / H seat 38 cm
  • Exhibition dome containing triptych of golden plated crowns enclosed in a glass bell on a wooden pedestal, dating back to the 19th century.
    Epoca: '800
    Misure: H 48 x Ø 62,5 cm
  • Triptych of camphor wood trunks, completely carved, of Chinese origin. The trunks have three different sizes and date back to the mid-1900s
    Period: Mid 1900s Measurements: Large: H 59 x L 103 x P 51 cm Medium: H 48 x L 94 x P 46 cm Small: H 40 x L 78 x P 37 cm
  • Deco style triptych of dressing table and bedside tables dating back to the 1930s. Ebonized ball base and feet, walnut veneer.
    Period: 1930s Measurements: Bedside tables H 95.5 x L 48 x P 32 cm Mirror H 177 x L 88.5 x P 32 cm
  • Tray mirror dating back to the second half of the 19th century. The frame is in wood covered with gold leaf. The latter has small scratches on the wood due to the wear and tear of time, a guarantee of originality of the product, it requires small interventions.
    Period: Second half of the 19th century Measurements: H 84 x L 68 cm
  • Tray mirror of gilded wood, where the original mirror has been replaced,  dating back to mid of the 19th century
    Period: Mid 19th century Measurements: H 128 x L 102 cm
  • French tower clock, in pine wood, dating back to the end of the 19th century. Complete with working mechanism.
    Period: Late 19th century Measurements: H 238 x W 48 x D 24 cm
  • Precious dishes Toussi Court porcelain centerpieces of authentic manufacture, completely worked and finished by hand, marked on the base in red. In very good general condition.
    Period: Mid 1900s Measurements: Ø 47.5 x D 7 cm
  • Signa terracotta vase holder from the early 1900s. The vase has mosaic applications, the base has been repainted. Period: Early 1900s Measurements: H 127 x L 43 / Ø 136 cm
  • Beautiful liberty style terracotta sculpture depicting a girl's head, entitled "Jeune Bacchante". Dated 1914 and signed on the back by the author Claire Jeanne Robertine Colinet (1880-1950). The sculptress was born in Brussels in 1880 and studied sculpture with the artist Jef Lambeaux. His favorite subjects were exotic dancers, cabarets and circus performers. The female figures in Claire Colinet's sculptures are tiny, muscular and dramatic. Colinet held his first exhibition in 1913 at the Salon de Artistes Francois. Period: 1914 Measurements: H 41 x L 26,5 x P 24 cm
  • Terracotta sculpture by Carmelo Cappello (Ragusa, 21 May 1912 - Milan, 21 December 1996) signed and dated 1949. CARMELO CAPPELLO (Ragusa 1912 - Milan 1996) He attended the Comiso School of Art. Trained at a very young age in Ettore Colla's studio, he moved to Milan in the 30th. Thanks to a scholarship he follows the courses of Marino Marini at the Istituto Superiore di Monza. In 37 he made his debut as a sculptor and the following year he held his first solo show at the Bragaglia Gallery in Rome. In 41 he consolidated his friendship with Giò Ponti, which later became a close collaboration. He has participated numerous times in the Venice Biennale, the Rome Quadriennale and the Milan Triennale. In 59 he was invited to Documenta 2 in Kassel. After the first figurative phase, struck by Moore's modern European sculpture, he passes from Tatlin's Russian Constructivism to the discoveries of the filtering space of Pevsner, Brancusi and Gabo: these are the cultural matrices, in his artistic iter, of his original declination of pure linear rhythms and volumetric that constitute the fulcrum of his mature language. Constant components of its structures are the curve, linked in the circle or marked in the ellipsis, in a rigorous equilibrium of two-dimensional relationships. In Ragusa, in 94, the Civic Collection Cappello was inaugurated, the result of the donation of 15 sculptures and 20 graphic works that formed the starting point of the Museum dedicated to him in 55. Good production of multiples and graphics of his maturity.
    Period: 1949 Measurements: H 35 x W 26 x D 20 cm
  • Terracotta panel depicting a classical scene. On the back the Manifattura di Signa brand. In excellent condition. The Manifattura di Signa is a historic terracotta pottery workshop. It was created in 1895 by the will of Camillo Bondi. "At the beginning of the twentieth century Signa was still one of the major industrial centers of straw. To that industry, which had made the name of the town known beyond national borders, was added another activity which, since the last five years of the nineteenth century and in a short space of years, it would have relaunched its name on the European and American markets: the artistic terracotta industry "Manifattura di Signa", founded in Signa (Florence), in 1895 by Camillo Bondi, on the premises of the factory " Fornaci di Signa "owned by his brother Angelo. At that time, the taste for antique fakes continued to seduce with all its charm, and in ceramics the interest in tradition had prompted the most important Italian manufacturers to revisit shapes and decorations Renaissance, reaching the ancient virtuosity of the historiated and grotesques with a high craftsmanship. If those productions interpreted the ancient with typical nineteenth-century eclecticism, the Manifattura di Signa on the other hand, it generated the perfect resemblance of the truth, both through the forms used when possible on the original, and by means of patinas simulating those of marbles and bronzes and even the faults of time, in order to obtain the appearance of the authentic piece, and visually as well as tactile and, in some bronzes, also sound. With this spirit, reproductions of sculptural and decorative masterpieces of all times will take shape from the Arno mud: from Etruscan to Greek statuary, from Roman to Renaissance, from Moorish vases to contemporary Art Nouveau creations. The success that ensued is witnessed by numerous exhibition awards such as the medal at the Universal Expo in Paris in 1900, where he exhibited numerous plastic terracotta, suitable for decorating the exteriors, with a particular patination that made it look better and more resistant to agents. atmospheric, soon expanded the number of occupations and the specialization of young artists assisted by the experience of sculptors of excellent fame, called to Signa for new ideas by the Bondi brothers, the brilliant founders and conductors of the Manufacture, coming from a family of Leghorn Jewish high bourgeoisie and close to the intellectual and anti-positivist environment of the Florentine magazine of “Il Marzocco”. With the new industry an informal school of young workers was thus generated in the Signe who, despite lacking regular education, growing under the experience of sculptors and in contact with the most sublime models of universal classicism, a real concentrate of museums in the world , were naturally stimulated and educated in the beauty and proportions of forms, so much so that they became refined craftsmen, plasticizers, sculptors, able to give life to other similar manufactories. " There are many artists who have collaborated with the Signa Manufacture: Oreste Calzolari, Giovanni Prini, Giulio Cantalamessa, Adolf von Hildebrand, Raffaello Romanelli, Giuseppe Santelli, Renato Bertelli, Giovan Battista Casanova, Bruno Catarzi, Italo Griselli
    Period: Early 1900s Measurements: H 58 x W 157 x D 10 cm
  • Armchairs in terracotta, Manifattura di Signa logo, dating back to the early 1900s. They adapt well to both external and internal environments.
    Period: Early 1900s Measurements: H 74 x W 90 x D 80 cm
  • Directional style tambourine walnut bedside table, Piedmontese origin, with tray top, drawer and spiked legs. Good condition, some small renovations necessary.
    Period: Late 18th / early 19th century Measurements: H 80 x L 42 x P 38.5 cm
  • Out of stock
    Table, Fratino desk in walnut, built in the twentieth century, original materials, top 35 mm thick in a single piece, equipped with front drawer.
    Period: 20th century Measures: H 78 x L 135 x P 58.5 cm
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