Prints and books

  • Color lithograph, copy 9 on a print run of 50, made in 2001 by Emilio Vedova (Venice, August 9, 1919 - Venice, October 25, 2006) was an Italian painter and engraver. "Now I will no longer worry about cutting clear profiles, exact angles of light and shadow, but light and shadow will come directly from my intimate, concerned only with transmitting the image without any a priori revisionism, which I had felt for many years." (Cit. Widow)
    Period: 2001 Measurements: In frame H 123 x L 92 cm / Paper H 97 x L 73 cm
  • Wonderful collection numbered 129 out of 150 copies, of images by great Italian artists including A. Pomodoro, E. Baj, A. Bueno and many others 43 plates with images of the fabric manufacturing over the centuries, enclosed in a leather folder in excellent condition.
    Period: 20th century Measurements: H 50 x L 35 cm
  • ON THE ANCIENT CONDITION OF THE VERCELLI AREA AND THE ANCIENT VILLAGE OF SANTIA'.
    DISSERTATION BY JACOPO DURANDI DEDICATED TO HIS ROYAL HIGHNESS BENEDETTO MARIA MAURIZIO DI SAVOJA DUKE OF CHABLAIS. IN TURIN, 1766.
    Rare first edition. Very well preserved.

    Period: 1766

    Measurements: H 25,5 x 19,5 x 2,5 cm

  • Group of 6 prints depicting the carnival in Rome by Bartolomeo Pinelli (Rome, 20 November 1781 - Rome, 1 April 1835). He was an Italian engraver, painter and ceramist. Extremely prolific graphic artist, it has recently been estimated that he produced about four thousand engravings and ten thousand drawings. In his prints he illustrated the customs of the Italian peoples, the great masterpieces of literature: Virgil, Dante, Tasso, Ariosto, Cervantes, Manzoni, and subjects of Roman, Greek, Napoleonic history etc. The most common theme in general is Rome, its inhabitants, its monuments, the ancient city and the one that is contemporary to him. The well-known portrait painter Giuseppe Tominz from Gorizia had among his students. In addition to its intrinsic artistic value, his illustrator work has significant documentary significance for the ethnography of Rome, Italy and Switzerland.
    Period: 1940s Measurements: In frame H 49 x L 60 / Prints H 40 x L 51 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1655 on the Algerian coast of North Africa. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer. Period: 1655 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Beautiful example of the engraved map of Nicolas Sanson d'Abbeville from 1650. Nicolas Sanson (1600-1667), sometimes called Nicolas Sanson d'Abbeville or Sanson d'Abbeville, was the most important French cartographer of the 17th century. Tooley called Sanson "the founder of the French school of cartography". He started making cards at the end of 1620, and in 1630 he worked with Melchior Tavernier. Subsequently, Sanson worked in concert with the publisher Pierre Mariette, with whom he published his great atlas: general maps of all parts of the world (1658). After Sanson's death in 1667, his son Guillaume ran the business in collaboration with Alexis Hubert Jaillot. Guillaume has established himself as a full-fledged very important French cartographer.
    Period: 1650 Measurements: In frame H 65 X L 79 / Paper H 44 X L 56 cm
  • Screen printing and collage on paper by Lucio Del Pezzo, limited edition of only 20 copies. In excellent condition. Lucio Del Pezzo (Naples 1933 - Milan 2020) was an Italian artist, painter and sculptor. He is one of the founders of “Gruppo 58”, which has always been very close to other avant-gardes, such as Enrico Baj's Nuclear Movement, the Spoor Movement of Monaco, Phases of Paris and Boa of Buenos Aires. His works from the period 1958-1960 featured assemblages of various objects, including fragments of popular prints and images. In 1960 he moved to Paris, then to Milan, where several monographic exhibitions have been dedicated to him. The first one dates back to 1974. Starting from 1962 Del Pezzo has created his typical repertoire of "paintings" or "sculptures", made of monochrome geometric panels, on which shelves or hollowed out concavities are inserted, which support regular geometric objects, sometimes very colorful. Lucio del Pezzo's production focuses on the use of common objects that, enriched with different materials, cross the boundary between painting and sculpture. His style is also characterized by a rapprochement with metaphysical atmospheres, while the playful sense and irony behind each work is inspired by the Dadaist movement. Period: 1970s Measurements: In frame H 73 x W 103 x D 3.5 / Serigraphy H 70 x W 100 cm
  • "The Lion" - Multiple print by Francesco Musante (Genoa, 17 February 1950), edition n. 3 out of 50. The work bears the inscription "The Lion carried by Trieste's ships around the world". Signature of the author on the lower center.
    Measurements: In frame H 73 x L 58 / Cardboard H 48 x L 34 cm
  • Multiple print by Umberto Mastroianni (1910-1998), signed in the lower right corner and numbered (n. 1) in the lower left corner.
    Period: 70s Measurements: In frame H 65,5 x W 84,5 / Paper H 46,5 x W 67,5 cm
  • Multiple print by Umberto Mastroianni (1910-1998), signed in the lower right corner and numbered (n. 1) on the lower left corner.
    Period: 70s Measurements: In frame H 65,5 x W 84,5 / Paper H 46,5 x W 67,5 cm
  • Etching by Ennio Morlotti (Lecco, 21 September 1910 - Milan, 15 December 1992), copy 4/10. Signed on the lower right corner.
    Period: 1981 Measurements: In frame H 54 x L 40 cm Slab H 23.2 x L 15.3 cm Sheet H 40 x L 30 cm
  • Lithograph by Carlo Bossoli representing the perspective view of the Palazzo di Città and the current via Milano (Turin) in which, in a blaze of cheering crowds, the Piedmontese cavalry leaving for the war parades on 17 April 1859. Signed by the author .
    Period: 1859 Measurements: H 22.5 x L 15.3 cmPeriod: 1859
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