Paintings

  • "Lake Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting the Fishermen's Island seen from a coast. Restored, with contemporary frames. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but always with success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter.
    Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm
  • "Lago Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting a landscape on the shores of Lake Maggiore. Restored, with coeval frame. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but when he did it had always success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter.
    Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm
  • Painting, oil on cardboard by Corrado Cagli (Ancona, February 23th 1910 - Roma, March 28th 1976). Signed on the lower right. Registered in Cagli's archive, with authentication number n.00043.
    Period: 1939
    Measurements: H 41.5 x L 33.2 cm
    Oil painting on cardboard by Corrado Cagli (Ancona, 23 February 1910 - Rome, 28 March 1976), signed on the lower right by the artist. Registered in the Cagli archive with authentication No. 00043
    Period: 1939Measures: H 41.5 x L 33.2 cm
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    Mario Sironi - Jockey on Horseback - Futurist work from 1914, pencil on canvas paper, signed lower right. On the back, date, title and signature by Willi Macchiati. Period: 1914 Measurements: Framed H 57.5 x W 73 x D 4.5 cm / Paper H 23 x W 32 cm
  • Jackson's chameleon, surrealist oil painting on canvas by Walter Jervolino (1944-2012), dating back to the 90s.
    Period: 90s Measurements: In frame H 122 x W 100 x D 5.5 / Painted H 101 x L 81 cm
  • Out of stock
    "Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
    Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm
  • "Interior of a courtyard, Milan" Oil on canvas, early 20th century. In a splendid frame carved and gilded with gold leaf, Mascardini painter's stamp on the back. Period: early '900 Measurements: In frame H 62,5 x 96,5 x D 4 / Canvas H 39,5 x W 74,5 cm
  • "I am Bonconte da Montefeltro ... So wounded at the top of the throat ..." Oil on canvas by Giancarlo Cori. Painted in 1984, the year in which he paints his last works. Confirmation of authenticity by his son Nicolò Cori. Period: 1984 Measurements: In frame H 84 x W 113.5 x D 3.5 / Canvas H 78 x 107.5 cm
  • "Homage to Botero", flano and mixed technique of 1998, by Ezio Gribaudo (Turin, 1929)
    Period: 1998 Measurements: In frame H 117.5 X L 45 / Opera H 105 X L 33 cm
  • The most important work of Omar Aprile Ronda (Portula, 11 September 1947 - Biella, 7 December 2017), was an Italian artist, painter, sculptor, art collector and publisher. The work is published on the cover of the catalog "Genetic Fusions - Genetic Fusions" of 1991 of which a quote is reported below: "Genetic Fusions" are fascinating for their relation with the infinitely small, within which thousands of events  take place and where order seems to be the highest law we are not allowed to know yet, but that the artist makes us perceive through imagination and poetry" The work is dated and signed on the back by the author who guarantees its authenticity. Period: 1990 Measurements: H 135 x L 281 cm
  • "Garibaldi" - Oil on canvas by Teofilo Patini (1840-1906) PATINI TEOFILO. Born in Castel di Sangro (L'Aquila) on May 5, 1840, died in Naples on November 16, 1906. He moved to Naples at a very young age, after graduating in Fine Arts; he enrolled at the Institute of Fine Arts, where Filippo Palizzi was teaching at the time. During the courses he easily won several prizes and finally obtained a pensioner to go to Rome, where he studied deeply the ancient masters and in particular those of the seventeenth century. He also was strongly influenced from Dutch paintings, but, above all, it was the Meissonnier who conquered him. He first dealt, for a short period of time, with the historical picture; then, with his sensitive and scornful soul, as an attentive observer of the events of human life, he gave himself to social painting, expressed with a strong and meticulous verism. His masterpiece is L'erede, which was exhibited in Milan in 1881 and is now found in the Gallery of Modern Art in Rome with Spade and Milk, exhibited in Turin in 1884. Other important paintings of his are: Il Parmigianino; The sack of Rome, of the Municipality of Naples; Art and freedom; Salvator Rosa's studio, exhibited in Turin in 1880 and in Vienna; Every good boot becomes a slipper; The first riding lesson, which is owned by the baritone Titta Ruffo; Pack animals, sent to Venice in 1887; Rocky landscape, in the M.O. collection of Milan; The riding lesson, in the Borgogna Museum of Vercelli; The country doctor; Belly and heart; The company of death: After defeat; The good ones; The notables of my country; The eagle; The caralluccio; Return to the sheepfold; The chain. Patini also tried, with less success, the sacred subject, and the paintings are remembered in this regard: Gloria del Sacramento; The temptations of Saint Anthony; Christ in the garden; The Redeemer; Christ raises the widow's son; The Annunziata; Il Purgatorio: The Crucifix; The Guardian Angel; Sant'Antonio di Padova; San Carlo Borromeo. There are also the sketches for the decorations of the Aula Magna of the University of Naples (work that, for the artist's death, remained unfinished), and the frescoes in the hall of the City Council of the same city. His students include M. Dragonetti Cappelli, E. Rubei, Vittor Scarselli.
    Period: 19th century Measurements: H 50 x L 41 x P 4.5 / Canvas H 39 x L 31 cm
  • Carlo Musso (1907 - 1968), gracious chalk on paper by the Turinese artist. Signed on the lower right, dating back to the 1940s.   Born on September 7th 1907 and dead on September 25th 1968 in Turin. He attended the Albertina Academy of Fine Arts along with the masters Luigi Onetti, Cesare Ferro and later on with Guido di Montezemolo. This last artist was his companion with whom he had learned to dig into the true soul of the Piedmontese landscapes, pictorically describing it with a deep sense of lyricism. He participated in the main Italian group exhibitions: Circolo degli Artisti, Arbarello prize with the work 'Ponte sulla Dora' (1946); CAI Award, silver medal with 'Preludio di tormenta' (1947); Black and White exhibition, medal of silver San Paolo with Strada del fortino (1952); City of Chieri competition, first prize with "the Duomo, evening" (1953); International Self-portrait Exhibition, silver medal (1956); Circolo degli Artisti of Turin, Follini prize with "Porto di Savonasotto la neve" (1958); Alessandria Commerce Award, first prize with "Casale Market" (1962); Pragelato Narcisi in fiore competition, first prize (1966); Exhibition of Floral compositions at Valentino, gold medal ( 1966); City of Cumiana painting exhibition, first prize and gold medal with "Autumn in Val di Susa" (1966) He has set up personal exhibitions in various Italian cities.   Measurements: W 35 x H 22,5
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