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Out of stockExpulsion of the Merchants from the Temple, oil on canvas from the first half of the 18th century. Splendid scenography, the painter was able to give "movement" to the many characters. Definitely an interesting work that deserves in-depth study. The conditions are excellent, it has not undergone to any loss of colour or restoration over time, just a light cleaning. Period: first half of the 18th century Measurements: Canvas H 73 x W 56 x 2 cm
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Work by Gianni Bertini (Pisa 1922 - Caen 2010). Italian artist active in the field of painting, graphics and visual poetry. He was the founder of Mec-Art. The work is a plastic fusion and is part of the Antologica collection. Dated 16 November 1966 and signed by the artist on the back. It also bears the inscription "1st status". In perfect condition. Period: November 16, 1966 Measurements: H 80.5 x L 53 cm
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Artwork in mixed technique by Mario Carletti, dated 1962. Acrylic and collage on canvas. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and also works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 1962 Measurements: H 101 x W 81 x D 2 cm
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Mixed technique, enamels on aluminum by Marco Mazzucconi, 1988. Born in Milan in 1963, Marco Mazzucconi has exhibited in prestigious galleries such as Studio Marconi in Milan (1987) and Massimo Minini in Brescia (1985). In 2000 he returns to perform at Massimo Minini with his personal "Safe Zero". In 2017 he took part in the collective "White Surfaces" at the "Primae Noctis" art gallery in Lugano. He currently lives and works in Milan. Period: 1988 Measurements: H 100 x W 100 x D 3 cm
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Large portrait oil on canvas, attributed to the painter Paolo Ghiglia (1905-1979), signed on the lower left, 1940s / 1950s. Paulo Ghiglia (Florence, March 5, 1905 - Rome, November 19, 1979) was an Italian painter. He starts painting very young with his father and teacher Oscar; at the age of twenty he leaves his father's house and moves to La Verna, where he lives for about five years. He made his debut in Milan in 1929 at the Pesaro Gallery with his father Oscar and his brother Valentino, also a painter. In 1931 he was at the first Quadriennale in Rome: thanks to Petrolini, his close friend, he was introduced to the capital city life and society, where his portraits period began. He stays in Paris where he portrays Joséphine Baker. He goes back to Rome, city that together with Florence, Livorno and La Verna, will be and remain the places and sources of greatest inspiration. In the forties and fifties his production focuses on portraits of illustrious people. His works can be found in various museums around the world, from the Uffizi, with two self-portraits, kept at the Metropolitan Museum of Art. Measurements: In frame H 80 x W 100 x D 10 / Canvas H 68 x W 87 cm
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Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
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Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: H 48 x W 38,5 x D 4 cm / Table H 30 x W 20 cm
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Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: In frame H 38 x W 48 x D 4 cm / Table H 20 x W 29.5 cm
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Oil on tablet, Luigi Locatelli. Painted tablet by Luigi Locatelli, depicting mother with child on a fence, signed lower right. No frame. Locatelli Luigi (known as Bigì) (Bergamo 1904-1983) after his first training with his father, he enrolled at the Carrara Academy. Before the age of twenty he starts working for the Milan gallery owner Zecchini. In the 1930s he moved to Paris where he became friends with the great Italian artists who lived in the French capital. After about ten years he returns to Italy settling in Bologna where he works as a restorer. Period: 1934 Measurements: H 41 x L 33 cm
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Refined panel painting depicting an elegant court lady by the Spanish painter Antonio Rivas (1845 - 1911). Painted from the late 19th century in excellent condition with gilded wood frame carved to simulate oak leaves. Period: End of the 19th century Measurements: In frame H 54,5 x W 43,5 x D 5 cm / Canvas H 33 x 23