Paintings

  • English landscape, unsigned oil on canvas, late 19th century, with carved and gilded frame. Period: End of the 19th century Measurements: In frame H 45 x W 64.5 x D 6.5 / Canvas H 25.5 x W 45.5 cm
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    Expulsion of the Merchants from the Temple, oil on canvas from the first half of the 18th century. Splendid scenography, the painter was able to give "movement" to the many characters. Definitely an interesting work that deserves in-depth study. The conditions are excellent, it has not undergone to any loss of colour or restoration over time, just a light cleaning. Period: first half of the 18th century Measurements: Canvas H 73 x W 56 x 2 cm
  • Mixed media on rice paper. Large painting on rice paper, China for the European market, dating from the 19th century. Period: 19th century Measurements: H 183 x W 96 cm
  • Still life by Alfio Paolo GRAZIANI (1900-1981). Large oil on canvas from the 1940s, signed on the lower right, in excellent condition. The present frame is coeval. Period: 1940s Measurements: In frame H 95 x W 125 x D 5 Canvas H 70 x W 100 cm
  • Market scene, Orientalist, oil on panel by Giuseppe Gheduzzi, 1930s. The painting is signed at the bottom left and has a contemporary frame, 1930s. Period: 1930s Measurements: Framed H 40 x W 48 x D 3,5 / Tablet H 26,5 x W 34,5 cm
  • Work by Gianni Bertini (Pisa 1922 - Caen 2010). Italian artist active in the field of painting, graphics and visual poetry. He was the founder of Mec-Art. The work is a plastic fusion and is part of the Antologica collection. Dated 16 November 1966 and signed by the artist on the back. It also bears the inscription "1st status". In perfect condition. Period: November 16, 1966 Measurements: H 80.5 x L 53 cm
  • Artwork in mixed technique by Mario Carletti, dated 1962. Acrylic and collage on canvas. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and also works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 1962 Measurements: H 101 x W 81 x D 2 cm
  • Mixed technique, enamels on aluminum by Marco Mazzucconi, 1988. Born in Milan in 1963, Marco Mazzucconi has exhibited in prestigious galleries such as Studio Marconi in Milan (1987) and Massimo Minini in Brescia (1985). In 2000 he returns to perform at Massimo Minini with his personal "Safe Zero". In 2017 he took part in the collective "White Surfaces" at the "Primae Noctis" art gallery in Lugano. He currently lives and works in Milan. Period: 1988 Measurements: H 100 x W 100 x D 3 cm
  • Large portrait oil on canvas, attributed to the painter Paolo Ghiglia (1905-1979), signed on the lower left, 1940s / 1950s. Paulo Ghiglia (Florence, March 5, 1905 - Rome, November 19, 1979) was an Italian painter. He starts painting very young with his father and teacher Oscar; at the age of twenty he leaves his father's house and moves to La Verna, where he lives for about five years. He made his debut in Milan in 1929 at the Pesaro Gallery with his father Oscar and his brother Valentino, also a painter. In 1931 he was at the first Quadriennale in Rome: thanks to Petrolini, his close friend, he was introduced to the capital city life and society, where his portraits period began. He stays in Paris where he portrays Joséphine Baker. He goes back to Rome, city that together with Florence, Livorno and La Verna, will be and remain the places and sources of greatest inspiration. In the forties and fifties his production focuses on portraits of illustrious people. His works can be found in various museums around the world, from the Uffizi, with two self-portraits, kept at the Metropolitan Museum of Art. Measurements: In frame H 80 x W 100 x D 10 / Canvas H 68 x W 87 cm
  • Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
  • Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: H 48 x W 38,5 x D 4 cm / Table H 30 x W 20 cm
  • Oil on panel by Aldo Affortunati, dating from the 1940s. Aldo Affortunati (Castenuovo di Garfagnana 1906 - 1991), lived in Florence. He began to paint Tuscan landscapes, obtained according to the spirit and technique of the 'macchiaioli'. He abandoned the paintbrush and took up the mestichino (small spatula) with which, by throwing the colours in masses onto the canvas, without spreading them, he obtained greater brilliance. His works are included in collections in the United States, Brazil, Switzerland, France, Germany and Belgium. His exhibition in New York was very successful. He held personal exhibitions in Rome, Bologna, Biella, Florence, Milan, Turin, New York, etc. Period: 1940s Measurements: In frame H 38 x W 48 x D 4 cm / Table H 20 x W 29.5 cm
  • Oil on tablet, Luigi Locatelli. Painted tablet by Luigi Locatelli, depicting mother with child on a fence, signed lower right. No frame. Locatelli Luigi (known as Bigì) (Bergamo 1904-1983) after his first training with his father, he enrolled at the Carrara Academy. Before the age of twenty he starts working for the Milan gallery owner Zecchini. In the 1930s he moved to Paris where he became friends with the great Italian artists who lived in the French capital. After about ten years he returns to Italy settling in Bologna where he works as a restorer. Period: 1934 Measurements: H 41 x L 33 cm
  • Refined panel painting depicting an elegant court lady by the Spanish painter Antonio Rivas (1845 - 1911). Painted from the late 19th century in excellent condition with gilded wood frame carved to simulate oak leaves. Period: End of the 19th century Measurements: In frame H 54,5 x W 43,5 x D 5 cm / Canvas H 33 x 23
  • Pair of Neapolitan gouaches, signed L. Rossi, dating back to the second half of the 19th century, painted in excellent condition, the gilded frames need small retouches.
    Period: second half of the 19th century Measurements: In frame H 49 x W 69 x D 3 / Painting H 42 x W 62 cm
  • Bartolomeo Castelli known as Bartolomeo Spadino the Younger, pair of still lifes, oil on canvas. The paintings are accompanied by the authentication of Dr. Gianluca Bocchi. "Still life with grapes, apple, plum and two peaches placed on the ground", oil on canvas cm H 35.5 x L 46. "Still life with grapes and apples placed on the ground", oil on canvas cm H 35.5 x W 46. Bartolomeo Castelli the Younger (Rome 1696 - 1738), also known as Spadino for having derived the pseudonym of his father Giovanni Paolo, is the youngest member of a family of Roman artists dedicated to the representation of still lifes of fruit. The pictorial imprint found in his works does not seem to seek the Baroque inspiration visible in his father's canvases, more based on chromatic strength and the search for decorativeness, preferring to resume and successfully update the models of the homonymous uncle, called Bartolomeo for this reason Castelli the Elder. In one of these two small canvases there is a trace on the original frame of an inscription in eighteenth-century characters which can be distinguished with the word "Spadino". The identity of the writing, found on paintings with different origins, but characterized by the same style and the same subjects, confirms the originality of the signature that the author loved to affix on the back of his compositions, vaulted on the canvases or on the frames. The pair of canvases certainly belonged to a larger series that was dispersed or perhaps split up in the course of hereditary transmissions. The author had a predilection for small dimensions, where he knew how to best express his qualities as a fine investigator of nature, revisiting Campidogliesque modules learned with the study of his uncle's compositions, probably through the drawings and cartoons left by Bartolomeo the Elder in family. Period: 1720s / 1730s Measurements: H 35.5 x W 46 x D 3,5 cm
  • Piedmontese doorway dating back to the mid-18th century. The painting is tempera on paper applied on canvas.
    Period: Mid 18th century Measurements: In frame H 90 X L 118 / Canvas H 87 X L 114 cm
  • Portraits, pair of gouaches by Philippe Garel (Trébeurden 1945). The pair of gouaches, depicts two portraits: a woman in a blue dress and a woman in a sandy dress, both signed and dated 1984. Period: 1984 Measurements: Framed H 54 x W 44 x D 2 / Gouache H 33 x W 22 cm
  • Valsesia surroundings of Carcoforo, Monte Rosa Oil on canvas by Lorenzo Delleani (Pollone 1840 – Torino 1908). Painting depicting the Valsesia near Carcoforo, dated 14 June 1901, with original Delleani frame. Stamp and authentication of Bistolfi on the back. Period: 14/06/1901 Measurements: In frame H 69.5 x W 57.5 x D 6.5 / Tablet H 44.5 x W 31.5 cm
  • Watercolour on paper by Giulio Falzoni, signed on the lower right. Giulio Falzoni (Marmirolo, June 1st 1900 - Milano, 1978). In his youth he studied music and painting, specifically dedicating his work and research towards mural painting. In 1915 he started studying drawing in Mantova and the following year he worked as decorator. From 1928 to 1943 he stayed in Florence, where he attended the Academy of Fine Arts and developped his artistic skills under the lead of Plinio Nomellini. He started to stand out from his contemporary colleagues thanks to his watercolour technique, mastering it in London at the Royal Watercolour Society in the end of the 1940s. His first solo exhibition was set up in 1939 in Mantova, then Florence, Padova, Prato, Neaples, Venice and Milan followed. Some of his exhibitions have taken place in the United States of America, United Kingdom, France and Switzerland. Several prestigious collections see his works as their part, as for instance the Galleria degli Uffizi and Musei Capitolini. Measurements: In frame H56 x W49,5 x D4,5 // H32 x W26 cm.
  • Delicate watercolor on paper in a coeval ebonized frame dating back to the end of the 19th century. The subject is eighteenth-century with nudes and cupids.
    Period: Late 19th century Measurements: In frame H 59 x W 49 cm / Paper H 40 x W 28 cm
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