Paintings

  • Sacred wooden icon painted in oil depicting the Madonna Odigitria with the child. The Madonna Odigitria, Odighítria, or even Odegétria (from the Byzantine Greek Oδηγήτρια, the one who leads), otherwise also known as Madonna dell'Itria, is a type of Christian iconography widespread in particular in Byzantine and Russian art of the medieval period. The iconography consists of the Madonna holding the Child Jesus, seated in a blessing act, holding a rolled parchment in her hand and which the Virgin indicates with her right hand.
    Period: 19th century Measurements: In frame H 42 x L 33.5 / Icon H 29.5 x L 21 cm
  • "Madonna and Child with Angels" - Oil on tablet from the 1800s, in a coeval guilloché frame.
    Period: 19th century Measurements: In frame H 51 x L 54 / Tablet H 24.5 x L 28 cm
  • Pastel on paper representing abstract demon. Signed on the lower right by the author Filippo Auti, dated 1965.
    Period: 1965 Measurements: In frame H 59 x L 51 cm / Sheet H 48 x L 36.5 cm
     
  • Large oil on canvas by the painter Irene VALENTINI-SALA (1864-1934), depicting "Litter", painting signed on the lower right and dated 1923, it is in excellent condition as it has just been restored. Irene Valentini Sala (Milan 1864 - Milan 1934), participates in the Italian Exhibition "Italian Exhibition Earl's Court" in London in 1904, organized by the Italian Chamber of Commerce in London, exhibiting the paintings "Impression" and "Venetian woman". In 1924 she participated in the Annual Exhibition at the Society for Fine Arts and Permanent Exhibition in the Palazzo di Brera in Milan, presenting the pastel "Crepuscolo" Period: 1923 Measurements: In frame H 148 x W 108 x D 8 / Canvas H 120 x W 80 cm
  • "Laundry in the sun" - Oil on tablet by Vittorio Cavalleri (1860 - 1938), dating back to the early 1900s. The work is signed in the lower right corner by the author, a Piedmontese painter, son of a cloth merchant, was started by his father for the family's commercial activity. CAVALLERI VITTORIO. Born in Turin in 1860, died in Turin on May 22, 1938. He attended the Accademia Albertina, a pupil of Gamba, Gilardi and Gastaldi. Landscape painter and portraitist, with a robust color, with a strong personality. In 1885 he participated for the first time in the Turin Promoter Exhibition with "Abandoned Hoes" and then frequently exhibited at the Turin exhibitions and the main Italian exhibitions, including the Venice Internationals, until 1925. He also painted sacred subjects, and in the Sanctuary of Oropa found three of his great paintings representing Peace; War and the faithful. Other works: Sad winter; Tonio the gallant; The grandmother and Alpine Flora, preserved in the Civic Museum of Turin; Mountain hospitality in the Marangoni Museum in Udine; In spring; Cemetery flowers; Love story; Empiricism; Ave Maria; Summer in the hills; In the shadow; Baleful Aurora; At home forced; Tribolo; First treasures; Portrait of a man; Domus Aurea; The drowned; Portrait of the Duke of Aosta, in the Gallery of the Order of the Garter at the Court of King Edward of England; Portrait of the mother, in the artist's studio; the Self-portrait, owned by Botto of Milan; Supplizi in the Cartotti collection of Lessona; Ray of sunshine, with Mr. Vittorio Vacchieri; Assalita, Ferrino property; A sunbath, in the Vignolo di Torino collection and the Portrait of Mrs. Pelizzone. Many of his works exist in the Colongo collection in Biella and among them: The shadow; The washerwoman; In adoration; At the source; Theater interior; Sleeping girl. His pupils were: Giuseppe Moreno, Domenico Motta, E. Nicolello, Ans. Priest.
    Period: Early 1900s Measurements: In frame H 41 x L 53.5 / Tablet H 24.5 x L 36 cm
  • "Landscape" - Oil on tablet by Giorgio Kienerk (1869-1948). Signed on the lower right. The work was already sold in Martini auction in December 2011. KIENERK GIORGIO. He was born in Florence, in an ancient Tuscan family, on May 5, 1869. He studied with Adriano Cecioni, then, recommended by Telemaco Signorini, he dedicated himself not only to sculpture but also to painting. He formed, therefore, alongside Macchiaioli and made his debut very early, exhibiting six small landscapes at the Promotrice of Florence in 1888. He continued annually to present paintings and statues there. From 1891 to 1895 he followed the Divisionist school and painted, among other things, In riva all'Arno and Mattino sul mare. In 1897 he exhibited two large pastel female portraits at the Internationale of art and flowers in Florence and then oriented himself towards large figures, often with an allegorical meaning. In 1898 he appeared in Turin with Dolore. Then he participated in the Venetian Biennials with La vergognosa (1899), Il Silenza (1901), the Portrait of Irma Gramatica, pastel (1903), Sera, drawing (1905). He then came to the main Italian and foreign exhibitions in Brussels, Munich, Vienna, London, Saint Louis, Buenos Aires. With his scratched, borderless drawings, he has collaborated in magazines and newspapers (La Fiammetta, No-vissima, L'Italia ride, La Domenica dell'Avanti, La Liguria ligure, Numero, Gil Blas and Cocoricò dì Parigi). In 1905 he was appointed director of the civic painting school of Pavia. In the early period Pavia was particularly interested in sculpture, especially bronze plaques, a genre that he cultivated for a long time. After 1913, thanks to the experience acquired with the studies on Divisionism and mindful of the research of colors and light of the early years, he returned to deal with landscape and from then until his death the campaign was a continuous source of inspiration, especially after 1920 when he started working in Fauglia, on the Pisan hills (The washerwomen, Under the olive tree, In the shadow of the Carob tree, Dusty road). The portraits also belong to his last production (Portrait of the Marquis Quaratesi). In 1922 he exhibited in Florence at the Fiorentina Spring and until 1936 several times in Pavia. In 1936, finishing his teaching at the school of painting, many works were purchased by the Municipality of Pavia and are located in the museum of that city. From 1937 to 1943 he lived in Florence, exhibiting in various solo shows in Florence itself and also in Lucca and Livorno. In 1947 an exhibition of his works was opened at the Galleria Geri in Milan. Retiring to Fauglia with his family in 1943, he died in his villa in Poggio alla Farnia on February 15, 1948. His works can be found in the Modern Art Galleries of Venice, Florence, Lima (Peru) and in the Museum of Brussels. Many are in private collections in Pavia, Milan, where in the Turri Collection there is a Girl's Head, in Genoa, Florence. He engraved some drypoint plates.
    Period: 30s / 40s Measures: H 44 x L 55 x P 6 / Tablet H 26 x L 35 cm
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • Pastel on paper from the early 1900s depicting a child in the middle of a wood.
    Period: Early 1900s Measurements: In frame H 61 x L 78 cm / Drawing H 31.5 x L 48 cm
     
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
  • Out of stock
    "Landscape on the Via Cassia" oil on canvas by Mino Delle Site. The work is signed at the bottom right Delle Site, listed in the catalog of the IV exhibition of figurative arts of Rome and Lazio, 1963, Galleria SPQR. On the back it has the gallery label. Mino Delle Site (Lecce 1914 - Rome 1996) had first studied in his city and then graduated from the Academy of Fine Arts in Rome. He took part to the Futurist Movement, from which he later broke away in search of new aesthetic expressions. He participated in the First Biennial of Palermo, the Second and Third Quadiennials of Rome and the Venice Biennials of 1934, 1936, 1938. In 1956 he presented in Rome an anthological exhibition summarizing twenty-five years of artistic activity; in 1957 he set up another solo exhibition in Rome, at the Aliberti Gallery; and he also participates in the VI, VII and VIII Roman Quadrennial. In 1965 he exhibited in the USA, at the Rizzoli Gallery in New York with a personal anthological exhibition, works from 1932 to 1965. He won numerous competitions and prizes: in 1936 a prize for Mural Painting; in 1946 a prize for the Female Nude; in 1950 a "Attic" award. He has made decorations and mosaics for public and private entities. His works can be found in both Italian and foreigner public and private collections. Period: 1963 Measurements: H 55 x W 65 x D 1.5 cm
  • Oil painting on cardboard depicting a landscape, by Vittore Antonio Cargnel (1872-1931). Signed lower left and dated 1930 Period: Mid 18th century Measurements: In frame H 90 X L 118 / Canvas H 87 X L 114 cm
     
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