Paintings

  • Refined panel painting depicting an elegant court lady by the Spanish painter Antonio Rivas (1845 - 1911). Painted from the late 19th century in excellent condition with gilded wood frame carved to simulate oak leaves. Period: End of the 19th century Measurements: In frame H 54,5 x W 43,5 x D 5 cm / Canvas H 33 x 23
  • Large oil on canvas from the mid-1900s depicting a sea landscape in Provence, France.
    Period: Mid 1900s Measurements: In frame 106 x 142.5 cm / Canvas on wood H 81 x L 117 cm
  • Signed painting on the lower right by Alberto Falchetti (1878 - 1951). In excellent condition. Period: Early 1900s Measurements: In frame H 57 x L 68 cm / Cardboard H 33 x L 43.5 cm
  • Portraits, pair of gouaches by Philippe Garel (Trébeurden 1945). The pair of gouaches, depicts two portraits: a woman in a blue dress and a woman in a sandy dress, both signed and dated 1984. Period: 1984 Measurements: Framed H 54 x W 44 x D 2 / Gouache H 33 x W 22 cm
  • Beautiful oil painting on cardboard by Giacinto Bo (1832-1912) depicting a sunset over the sea. Signature not coeval on the lower right.
    Period: Late 19th century Measurements: In frame H 52.5 x L 96.5 / Table H 35 x L 80 cm
  • Oil on canvas paiting dating back to the 18th century. The artwork shows some restoration works on the surface and the canvas itself.   Period: 18th century   Measurements: H 98 x L 74 cm
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • Pair of Neapolitan gouaches, signed L. Rossi, dating back to the second half of the 19th century, painted in excellent condition, the gilded frames need small retouches.
    Period: second half of the 19th century Measurements: In frame H 49 x W 69 x D 3 / Painting H 42 x W 62 cm
  • "Interior of a courtyard, Milan" Oil on canvas, early 20th century. In a splendid frame carved and gilded with gold leaf, Mascardini painter's stamp on the back. Period: early '900 Measurements: In frame H 62,5 x 96,5 x D 4 / Canvas H 39,5 x W 74,5 cm
  • Portrait of a woman in oil on canvas dating from the late 1800s, surrounded by a beautiful carved and gilded wooden frame.
    Period: Late 19th century Measurements: In frame H 98 x L 77.5 cm / Canvas H 63 x L 43 cm
  • Beautiful oil painting on canvas by a very young Francesco Tabusso (27 June 1930, Sesto San Giovanni - 29 January 2012, Turin), Dated 1951, signed by the author and titled "Delft" (Netherlands) On the lower left corner.
    Period: 1951 Measurements: In cornice H 63 x L 51,5 / Tela H 40 x L 30 cm
  • Oil painting on canvas depicting Umberto I of Savoy dating from the second half of the 1800s. In good condition. Period: Second half of the 19th century Measurements: In frame: H 56.5 x L 45.5 / Canvas H 35 x L 25
  • "Ponte dal Vigo, Canal Vena, Chioggia" - Oil on canvas by Angelo Brombo (1893-1962), dating back to the 1940s / 1950s. Signed on the lower right. BROMBO ANGELO. Born in Chioggia on January 5, 1893, he moved to Venice. He participated in the exhibitions in Venice Rome, Turin, Naples and other minor ones, from the Veneto region, with flattering success, and also in Rome in 1926 at the Mostra d'Arte Marinara, in Milan the following year, at the Primavera; in Bologna, Como, Rovigo; again in Rome; in Milan at the Mostra Peschereccia in 1939, where he obtained the gold medal of the Ministry of Agriculture. He has held solo shows in many Italian cities, receiving praise from the public and flattering judgments from critics for his personal, moving evidence in the marine theme. He has many works in private collections and among them: Polichromie chioggiotte (Conte Molini collection of Venice), Sails, Vita chioggiotta, La riva dei Rigattieri, Gray days, Shopping on board, Campo del Duomo (Pennasilico collection). Other works in public collections: The Mausoleum of Diocletian in Split (Capitoline Museum in Rome), Ruins of Nona (Collez. Comunale di Perugia), La Vela (Municipality of Cavarzere).
    Period: 1940s / 50s Measurements: H 57 x L 67 x P 4 / Canvas H 41 x L 51.5 cm
  • Signed painting on the lower right by Alberto Falchetti (1878-1951). In excellent condition. Period: Early 1900s Measurements: Frame H 54 x W 64.5 cm / Cardboard H 36 x W 34.5 cm
  • "Child" - Oil on canvas by Kevin Whitney, signed and dated 1971 on the lower right corner
    Period: 1971 Measurements: H 91 x L 147.5 cm
  • "Mountain landscape" - Oil on tablet by Lidio Ajmone. Signed and dated 1939 in the lower left corner.

    LIDIO AJMONE Born in Coggiola (Biella on 10 April 1884, died in Andezzeno near Chieri on 29 September 1495. He attended the Albertina Academy in Turin and was later a pupil of Vittorio Cavalleri. He always exhibited at the promoter, at the Circolo Artisti e Amici dell ' Art of Turin and sometimes in Milan, Genoa, Casale and Novara. He took part in the great war as captain of the 3rd Alpini, was wounded and decorated. In 1925 he went to Somalia with Governor De Vecchi and carried out several works there Interesting. He portrayed the Sovereigns of Italy, Benito Mussolini and the Duke of Abruzzi. At the Civic Museum of Turin you can find his painting: Neve. He was a good colourist and always made himself admired as a sensitive landscape painter. it was organized at the Circolo degli Artisti in March 1946. There were about forty works among the most significant from the various periods of artistic activity, which left good African and Rhodes impressions.

    Period: 1939

    Measurements: In frame H 54 x L 64 cm / Tablet H 35.5 x L 45 cm

  • "Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
  • Out of stock
    "Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
    Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm
  • Painting signed lower right by Giuseppe Gheduzzi (Bologna 1889 - Turin 1957). In excellent condition. With frame. Period: First half of the 1900s Measurements: Frame L 61.5 x H 52 cm / Canvas L 41 x H 31 cm
  • "Circumcision of Jesus" - Oil painting on canvas from the first half of the 18th century, painting rich in characters, excellent quality, beautiful contrast of colors of the characters' clothes, it needs restoration.
    Period: first half of the 18th century Measurements: H 100 x W 75 x D 2 cm
  • "Val d'Ayas" oil on canvas by Silvio Allason (1843-1912), signed and dated S.Allason 1909 lower left, in excellent condition. Silvio Allason (Turin 1845 - 1912), was first employed in the Ministry of War, but from around 1867 he devoted himself only to painting. After a stay in Florence, he was a pupil in Turin, at the Accademia Albertina, of E. Gamba and A. Gastaldi for the figure, studying however, at the same time, landscape with his cousin Ernesto and, upon his death, with E. Perotti . He began exhibiting at the Turin Promoter in 1869; in 1873 he had a notable success with the painting "In ambuato"; in 1876 he exhibited "The rescue". He made a specialty of the effects of moonshine with figures. He also exhibited in Milan, Naples, Paris (Salon of 1878), Nice, where one of his paintings "Among the rocks" was purchased for the Chéret Museum. Other works of his are in the Civic Museum of Turin. But an unknown title of Allison in landscape art is given by an infinity of studies from life, which he almost never showed, rich in superior elements, such as the wisdom and taste of composition, heroically patient drawing, simply effective technique and excellent color. Period: 1909 Measurements: In frame H 68 x W 128.5 x D 5.5 / Canvas H 52 x W 112.5 cm
  • "Santuario d'Oropa" mixed media on canvas by Silvano Magliola Large painting, mixed technique on canvas, from the 1970s, depicting the Sanctuary of Oropa with its ancient Basilica. Silvano Magliola, painter from Biella in the second half of the 20th century. Period: 1970s Measurements: Framed H 114 x W 199,5 x D 4,5 cm / Canvas H 99 x W 184,5 cm
  • "Landscape" - Oil on tablet by Giorgio Kienerk (1869-1948). Signed on the lower right. The work was already sold in Martini auction in December 2011. KIENERK GIORGIO. He was born in Florence, in an ancient Tuscan family, on May 5, 1869. He studied with Adriano Cecioni, then, recommended by Telemaco Signorini, he dedicated himself not only to sculpture but also to painting. He formed, therefore, alongside Macchiaioli and made his debut very early, exhibiting six small landscapes at the Promotrice of Florence in 1888. He continued annually to present paintings and statues there. From 1891 to 1895 he followed the Divisionist school and painted, among other things, In riva all'Arno and Mattino sul mare. In 1897 he exhibited two large pastel female portraits at the Internationale of art and flowers in Florence and then oriented himself towards large figures, often with an allegorical meaning. In 1898 he appeared in Turin with Dolore. Then he participated in the Venetian Biennials with La vergognosa (1899), Il Silenza (1901), the Portrait of Irma Gramatica, pastel (1903), Sera, drawing (1905). He then came to the main Italian and foreign exhibitions in Brussels, Munich, Vienna, London, Saint Louis, Buenos Aires. With his scratched, borderless drawings, he has collaborated in magazines and newspapers (La Fiammetta, No-vissima, L'Italia ride, La Domenica dell'Avanti, La Liguria ligure, Numero, Gil Blas and Cocoricò dì Parigi). In 1905 he was appointed director of the civic painting school of Pavia. In the early period Pavia was particularly interested in sculpture, especially bronze plaques, a genre that he cultivated for a long time. After 1913, thanks to the experience acquired with the studies on Divisionism and mindful of the research of colors and light of the early years, he returned to deal with landscape and from then until his death the campaign was a continuous source of inspiration, especially after 1920 when he started working in Fauglia, on the Pisan hills (The washerwomen, Under the olive tree, In the shadow of the Carob tree, Dusty road). The portraits also belong to his last production (Portrait of the Marquis Quaratesi). In 1922 he exhibited in Florence at the Fiorentina Spring and until 1936 several times in Pavia. In 1936, finishing his teaching at the school of painting, many works were purchased by the Municipality of Pavia and are located in the museum of that city. From 1937 to 1943 he lived in Florence, exhibiting in various solo shows in Florence itself and also in Lucca and Livorno. In 1947 an exhibition of his works was opened at the Galleria Geri in Milan. Retiring to Fauglia with his family in 1943, he died in his villa in Poggio alla Farnia on February 15, 1948. His works can be found in the Modern Art Galleries of Venice, Florence, Lima (Peru) and in the Museum of Brussels. Many are in private collections in Pavia, Milan, where in the Turri Collection there is a Girl's Head, in Genoa, Florence. He engraved some drypoint plates.
    Period: 30s / 40s Measures: H 44 x L 55 x P 6 / Tablet H 26 x L 35 cm
  • "Sacred scene" - Oil on canvas dating back to the first half of the 18th century depicting the Madonna with child and angels, San Domenico di Guzman and Santa Caterina da Siena.
    Period: First half of the 18th century
    Measurements: H 56.5 x L 69 cm
  • "San Grato Di Aosta with the head of the Baptist" oil on canvas from the first half of the 18th century. The work has been restored. An important legend flourished on the account of San Grato, now proven to be completely anachronistic, which goes by the name of Magna legenda Sancti Grati and is attributed to canon Jacques des Cours, who lived in the 13th century. The story of the discovery of the head of St. John the Baptist, a relic often associated with San Grato in popular iconography, dates back to this tradition. Beheaded by a whim of the beautiful Salome, the head of the Forerunner by order of King Herod Antipas was buried in a well separated from his body, for fear that he might miraculously rejoin it and John might rise again. Grato had a vision from the Lord, in which he was shown the secret location of the burial. He left Aosta in the company of his companion Giocondo, received the Pope's blessing in Rome and then embarked for the Holy Land. During the crossing, a great storm broke out, which threw terror among the sailors, but Grato, raised his arms to the sky, which instantly returned calm. When he arrived in Macheron, near the ruins of Herod's castle, an angel guided him, taking him by the hand and leading him to the well where the head of the Baptist had been for centuries. Immediately the relic rose to the surface and settled in Grato's outstretched palms. Period: First half of the 18th century Measurements: H 110.5 x W 97 x D 2 cm
  • "Marine with boats and characters" - Oil on canvas by Leonardo Roda dating back to the early 1900s, signed on the lower right. RODA LEONARDO. Born in Racconigi in 1868, died in Turin in 1933. A pupil of Marco Calderini, he participated in various exhibitions in Turin and Milan. He was a faithful, tireless reproducer of the Matterhorn. «In the last decade his brush stroke got tired and he also suffered morally. Six months before he died he managed to deliver eighteen commission paintings for a Roman house of art: but it was his last effort » (Dragone). Some of his works: Raggio di sole; Nomadic life; Quiet corner, purchased by the Society for Fine Arts of Turin in 1914.
    Period: Early 1900s Measures: In frame H 79.5 x L 109.5 x P 5 / Canvas H 70 x L 105.5 cm
  • Scene of a courtyard, oil on cardboard by Daniele Fissore, signed and dated on lower right, a very rare work as the artist usually depicts the landscape without figures. Daniele Fissore (Savigliano 1947 - Savigliano 2017) began his artistic career as self-taught artist. In 1975 he took part in the X Quadriennale in Rome and in 1976 in the "Biennale del disegno" in Milan. A constant evolution of the first pictorial themes (see the "Telephone booths", the "Oppositions", the "Reconnaissance", investigated with an in-depth analysis of strong photographic inspiration), led him to the human figure and the portrait. Period: 1980 Measurements: Framed H 69 x W 93 x D 4,5 / Cardboard H 60 x W 84 cm
  • "The flagellation of Christ" Oil on canvas from the 17th century. The painting represents a sacred scene full of characters. The technique of pittutr is of excellent quality. The work is in an excellent state of preservation and has been slightly restored. Period: 17th century Measures: H 74 x W 62,5 x D 2 cm
  • "Mountain Stream "- Oil on canvas by George Blackie Sticks (1843-1938). Dated 1881 and signed on the lower left.
    Period: 1881 Measurements: In frame H 116 x L 92 X P 6 / Painting H 88 x L 65 cm
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
  • Frozen opera by Omar Ronda "American Frozen". Omar Ronda, born Omar Aprile Ronda (Portula, 11 September 1947 - Biella, 7 December 2017), was an Italian artist, painter, sculptor, art collector and publisher.
    Period: 2003 Measurements: H 100 x L 100 cm
  • Nativity, original oil on canvas painting, with coeval golden frame, dating back to the first half of the 18th century. Work already restored
    Period: First half of the 18th century Measurements: In frame H 92 x L 77 x P 4.5 / Canvas H 76 x L 63.5 cm
  • Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
  • "Composition" by Umberto Mastroianni (Fontana Liri 1910 - Marino 1998), mixed technique / cardboard signed on the lower right, work number 0019. Authentication of the artist on photo. Umberto Mastroianni was born in Fontana Liri, in the province of Frosinone, on 21 September 1910. After his studies at the Academy of San Marcello in Rome, he moved with his family to Turin, continuing his training under the guidance of the master Guerrisi. His first works have a futurist imprinting; in particular he will be influenced by the works of Boccioni which Mastroianni tinges with neo-Cubism. The artist will be the founder of the Turin Prize in 1947 and, during his life, will receive important awards such as the International Grand Prize for Sculpture (Venice Biennale 1958) and the Tokyo Imperial Prize (1989). World famous artist, Umberto Mastroianni died on February 25, 1998 in his house-museum in Marino (Rome), leaving many masterpieces to posterity. Measurements: In frame H 77.5 x W 93.5 cm x D 5.5 / Canvas H 48.5 x W 65.5 cm
  • Out of stock
    "Landscape on the Via Cassia" oil on canvas by Mino Delle Site. The work is signed at the bottom right Delle Site, listed in the catalog of the IV exhibition of figurative arts of Rome and Lazio, 1963, Galleria SPQR. On the back it has the gallery label. Mino Delle Site (Lecce 1914 - Rome 1996) had first studied in his city and then graduated from the Academy of Fine Arts in Rome. He took part to the Futurist Movement, from which he later broke away in search of new aesthetic expressions. He participated in the First Biennial of Palermo, the Second and Third Quadiennials of Rome and the Venice Biennials of 1934, 1936, 1938. In 1956 he presented in Rome an anthological exhibition summarizing twenty-five years of artistic activity; in 1957 he set up another solo exhibition in Rome, at the Aliberti Gallery; and he also participates in the VI, VII and VIII Roman Quadrennial. In 1965 he exhibited in the USA, at the Rizzoli Gallery in New York with a personal anthological exhibition, works from 1932 to 1965. He won numerous competitions and prizes: in 1936 a prize for Mural Painting; in 1946 a prize for the Female Nude; in 1950 a "Attic" award. He has made decorations and mosaics for public and private entities. His works can be found in both Italian and foreigner public and private collections. Period: 1963 Measurements: H 55 x W 65 x D 1.5 cm
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