"Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
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Out of stock
Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm -
Epoca: Fine '800 Misure: In cornice H 38 x L 46 / Tavola H 16 x L 26,8 cm"The challenge" - Oil on cardboard by Francesco Bosso (1864-1933) BOSSO FRANCESCO. Born in Vercelli on December 27, 1864, died in Turin in 1933. He studied at the Institute of Fine Arts in his city with Bonino and Costa. At the beginning of his artistic career he devoted himself to decoration and scenography, performing several works in palaces, churches and theaters of Italy, France and Switzerland. For the Colonial Exhibition in Genoa he composed a large Diorama of the Panama Canal, appreciated and praised. He especially dedicated himself to the paintings of flowers, fruit and still lifes, which brought him wide fame. In 1922 forty-seven of his paintings were exhibited at the Vercelli Art Exhibition, including: Sun from the glass windows; Rustic rooms in Tournier; Among the rocks; Autumn melancholy; Fontanesian landscape and still lives. -
Period: 19th century Measurements: H 50 x L 41 x P 4.5 / Canvas H 39 x L 31 cm"Garibaldi" - Oil on canvas by Teofilo Patini (1840-1906) PATINI TEOFILO. Born in Castel di Sangro (L'Aquila) on May 5, 1840, died in Naples on November 16, 1906. He moved to Naples at a very young age, after graduating in Fine Arts; he enrolled at the Institute of Fine Arts, where Filippo Palizzi was teaching at the time. During the courses he easily won several prizes and finally obtained a pensioner to go to Rome, where he studied deeply the ancient masters and in particular those of the seventeenth century. He also was strongly influenced from Dutch paintings, but, above all, it was the Meissonnier who conquered him. He first dealt, for a short period of time, with the historical picture; then, with his sensitive and scornful soul, as an attentive observer of the events of human life, he gave himself to social painting, expressed with a strong and meticulous verism. His masterpiece is L'erede, which was exhibited in Milan in 1881 and is now found in the Gallery of Modern Art in Rome with Spade and Milk, exhibited in Turin in 1884. Other important paintings of his are: Il Parmigianino; The sack of Rome, of the Municipality of Naples; Art and freedom; Salvator Rosa's studio, exhibited in Turin in 1880 and in Vienna; Every good boot becomes a slipper; The first riding lesson, which is owned by the baritone Titta Ruffo; Pack animals, sent to Venice in 1887; Rocky landscape, in the M.O. collection of Milan; The riding lesson, in the Borgogna Museum of Vercelli; The country doctor; Belly and heart; The company of death: After defeat; The good ones; The notables of my country; The eagle; The caralluccio; Return to the sheepfold; The chain. Patini also tried, with less success, the sacred subject, and the paintings are remembered in this regard: Gloria del Sacramento; The temptations of Saint Anthony; Christ in the garden; The Redeemer; Christ raises the widow's son; The Annunziata; Il Purgatorio: The Crucifix; The Guardian Angel; Sant'Antonio di Padova; San Carlo Borromeo. There are also the sketches for the decorations of the Aula Magna of the University of Naples (work that, for the artist's death, remained unfinished), and the frescoes in the hall of the City Council of the same city. His students include M. Dragonetti Cappelli, E. Rubei, Vittor Scarselli. -
Period: 1940s / 50s Measurements: H 57 x L 67 x P 4 / Canvas H 41 x L 51.5 cm"Ponte dal Vigo, Canal Vena, Chioggia" - Oil on canvas by Angelo Brombo (1893-1962), dating back to the 1940s / 1950s. Signed on the lower right. BROMBO ANGELO. Born in Chioggia on January 5, 1893, he moved to Venice. He participated in the exhibitions in Venice Rome, Turin, Naples and other minor ones, from the Veneto region, with flattering success, and also in Rome in 1926 at the Mostra d'Arte Marinara, in Milan the following year, at the Primavera; in Bologna, Como, Rovigo; again in Rome; in Milan at the Mostra Peschereccia in 1939, where he obtained the gold medal of the Ministry of Agriculture. He has held solo shows in many Italian cities, receiving praise from the public and flattering judgments from critics for his personal, moving evidence in the marine theme. He has many works in private collections and among them: Polichromie chioggiotte (Conte Molini collection of Venice), Sails, Vita chioggiotta, La riva dei Rigattieri, Gray days, Shopping on board, Campo del Duomo (Pennasilico collection). Other works in public collections: The Mausoleum of Diocletian in Split (Capitoline Museum in Rome), Ruins of Nona (Collez. Comunale di Perugia), La Vela (Municipality of Cavarzere). -
Period: 12-10-1924 Measurements: In frame H 46 x L 36 x P 4 cm / Table H 33 x L 23 cm"Portrait of an old woman" - Oil on panel by Filippo Omegna (1881-1948). Signed and dated on the lower right corner. Born in Turin on 11 March 1881, died in Montaldo di Mondovì on 1 September 1948. He was among the best pupils of Giacomo Grosso, from whom he was appointed while very young as teacher of nude and costume history at the Academy Albertina of Turin. Full Professor of Figure, in the same Academy, from 1932 until his death. -
Period: 1971 Measurements: H 91 x L 147.5 cm"Child" - Oil on canvas by Kevin Whitney, signed and dated 1971 on the lower right corner -
Period: 1899 Measurements: In frame H 56 x W 81.5 x D 7.5 / Canvas H 44 x L 68.5 cm"Return from pasture" - Oil on canvas by Giuseppe Falchetti (1843-1918), signed and dated lower right G. Falchetti 1899 Born in Caluso (Aosta), June 18, 1843, died in Turin on November 6, 1918. He attended the study of the Camino for five years, simultaneously studying the Flemish works preserved at the Pinacoteca di Torino. He specialized in painting still lives, and was commissioned by the Italian government, for twenty-seven years in row, to reproduce the best products of national viticulture. Hundreds of copies of his works were made and spread all over the world. He also treated the gorgeous landscapes. He had exhibited a Still Life in Turin in 1898. -
Period: 1881 Measurements: In frame H 116 x L 92 X P 6 / Painting H 88 x L 65 cm"Mountain Stream "- Oil on canvas by George Blackie Sticks (1843-1938). Dated 1881 and signed on the lower left. -
Period: 1975 Measurements: In frame H 100 x L 124 / Table H 85 x L 109 cmOropa under the snow, oil on wood by Francesco Monzeglio, a Biellese painter, signed on the lower right, titled and dated 1975 on the back. -
"Sacred scene" - Oil on canvas dating back to the first half of the 18th century depicting the Madonna with child and angels, San Domenico di Guzman and Santa Caterina da Siena.Period: First half of the 18th centuryMeasurements: H 56.5 x L 69 cm -
Period: 90s Measurements: In frame H 122 x W 100 x D 5.5 / Painted H 101 x L 81 cmJackson's chameleon, surrealist oil painting on canvas by Walter Jervolino (1944-2012), dating back to the 90s. -
Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm -
Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm -
Architect Carlo Larghi benefactor, oil on canvas dating back to the first half of the 19th century.Period: First half of the 19th century Measurements: H 89 x L 72 cm -
Nativity, original oil on canvas painting, with coeval golden frame, dating back to the first half of the 18th century. Work already restoredPeriod: First half of the 18th century Measurements: In frame H 92 x L 77 x P 4.5 / Canvas H 76 x L 63.5 cm -
Vase with golden wattles, oil on canvas attributed to Alfio Paolo Graziani (1900-1981)Period: 1950s Measurements: In frame H 70 x L 90 x P 6 / Canvas H 47 x L 68 cm -
Still life, oil on plywood signed L. Albertoni, dating back to the 1940s. The work is presented in a beautiful carved and gilded frame.Period: 1940s Measurements: In frame H 70 x L 90 / Table H 47 x L 67 cm -
Still life, oil on plywood signed L. Albertoni, dating back to the 1940s. The work is presented in a beautiful carved and gilded frame.Period: 1940s Measurements: In frame H 70 x L 90 / Table H 47 x L 67 cm -
Watercolor drawing by Quinto Cenni (1845-1917) dating back to the end of the 19th century. Born in Imola on 20 March 1845, from an early age he developed an innate passion for drawing which he developed by portraying military figurines observed on the dusty roads of the country, then traveled by pontifical and Austrian soldiers, then by Piedmontese. His spirit of observation captured every distinctive element of the uniform and when he didn't see them personally, he made them describe them and then draw them. The untimely death of his father seemed to interrupt his school career at the Academy of Fine Arts in Bologna. A municipal subsidy first came to his aid then nothing more until 1867. After the death of his mother, who had remained his only supporter, he then decided to move to Milan. Here he obtained various positions as illustrator of magazines, continuing in the portraiture of events and men. From 1887 he became director of the "Italian Military Illustration" collecting great affirmations in Italy and abroad. His son Italo followed in his footsteps but with less success. Quinto Cenni died in 1917 in Carate Brianza. The artistic production of Quinto Cenni is today preserved in part by public institutions and in part by numerous private collectors scattered all over the world. 288 watercolors are conserved in the National Museum of Castél S. Angelo in Rome, of which 238 were donated by the Prime Minister Mussolini and 50 by the heirs of Cenni. At the Museo del Risorgimento in Milan 133 watercolors are preserved on the volunteers of the Risorgimento. Other smaller groups are located in the Pinacoteca civica di Imola. In addition to the artist's private archive, the Historical Office of the Army General Staff has (300 plates of his code) a collection of 2,500 sheets divided into various volumes, where Quinto and his son Italo after him collected notes and designs on uniforms, weapons and armies from all over the world and all eras. Recently, 50 watercolors by Quinto Cenni on the Duchy of Parma at the time of Maria Luigia, of which the existence was unknown, appeared on display in the Museum of New York. Period: Late 19th century Measurements: In frame H 36 x L 42 x P 6 / Paper H 18 x L 23 cm -
"Village with bridge "- Oil on cardboard by Luigi Zago (1894-1952) dating back to the 1930sPeriod: 1930s Measurements: In frame H 61 x L 71 / Painting H 50 x L 61 cm -
"Pastorello", oil on plywood by Arnolfo Sella (1879-1970). The artist was a Piedmontese painter active during the nineteenth century. The painting is dated "2 October '61" and signed on the lower right by the author. Very good condition. Period: 02 October 1961 Measurements: In frame H 46.5 x L 56 cm / Tablet H 30 x L 40 cm -
Beautiful pastel on plywood in gilded frame from 1950 signed Roberto Carignani (Naples 1894 - 1975). Italian Painter. Signed and dated by the author in the lower left corner, it represents a scene in a Cashba - Orientalist subject. Very good condition. Period: 1950 Measurements: In frame H 52 x W 72.5 cm / Canvas H 32 x W 52 cm -
Painting signed lower right by Giuseppe Gheduzzi (Bologna 1889 - Turin 1957). In excellent condition. With frame. Period: First half of the 1900s Measurements: Frame L 61.5 x H 52 cm / Canvas L 41 x H 31 cm -
Splendid acrylic / wood painting by Ugo Nespolo (Mosso 29/08/1941), entitled "Matisse al Museo" of 1984. Signed by the author at the top right. With authentic. Very good condition Period: 1984 Measurements: H 70 x L 100 cm