Paintings

  • "Faunes et Flore d'Antibes" - Edition 46/175 - "Au Pont des Arts". Original album from 1960, containing 7 colour lithographs. Printed by Daniel Jacomet under the supervision of Picasso, Paris. Introduction by Jaime Sabartes, New York Graphic Society - Au Pont Des Arts, Paris, 1960. The Portfolio reproduces 7 paintings on paper by Pablo Picasso, from the series: "La joie de vivre", Antibes August/September 1946, plus the frontispiece that was specially designed by Picasso for this edition. Printed on paper marked Arches and preserved in the original linen folder. The prints are reproduced in the original format of the paintings, and the dimensions of the folder are: H 65 x W 50 cm. The linen folder and the prints are in very good condition. One hundred and seventy-five numbered copies, this being 46 of 175. Period: 1960 Measurements: H 65 x W 50 cm
  • Beautiful painting in mixed technique representing an abstract female figure by Piero Ruggeri (1930 - 2009).
    Period: 70s Measures: In frame H 70 x L 55.2 cm / Sheet H 47 x L 32 cm
  • "Flowers and Moon" Oil on canvas by Mario Carletti from the 60s / 70s. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 60s / 70s Measurements: H 100 x W 70 x D 2 cm
  • "Fontanazzo in Val di Fassa, Trentino" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12th, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He worked on figures, landscapes, flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only colorist effects and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a solo exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections in New York and in England. Period: early 1900s Measurements: H 28 X L 33 cm
  • Carlo Musso (1907 - 1968), gracious chalk on paper by the Turinese artist. Signed on the lower right, dating back to the 1940s.   Born on September 7th 1907 and dead on September 25th 1968 in Turin. He attended the Albertina Academy of Fine Arts along with the masters Luigi Onetti, Cesare Ferro and later on with Guido di Montezemolo. This last artist was his companion with whom he had learned to dig into the true soul of the Piedmontese landscapes, pictorically describing it with a deep sense of lyricism. He participated in the main Italian group exhibitions: Circolo degli Artisti, Arbarello prize with the work 'Ponte sulla Dora' (1946); CAI Award, silver medal with 'Preludio di tormenta' (1947); Black and White exhibition, medal of silver San Paolo with Strada del fortino (1952); City of Chieri competition, first prize with "the Duomo, evening" (1953); International Self-portrait Exhibition, silver medal (1956); Circolo degli Artisti of Turin, Follini prize with "Porto di Savonasotto la neve" (1958); Alessandria Commerce Award, first prize with "Casale Market" (1962); Pragelato Narcisi in fiore competition, first prize (1966); Exhibition of Floral compositions at Valentino, gold medal ( 1966); City of Cumiana painting exhibition, first prize and gold medal with "Autumn in Val di Susa" (1966) He has set up personal exhibitions in various Italian cities.   Measurements: W 35 x H 22,5
  • Large oil on canvas by Julien van de Veegaete (1886-1960), signed and dated lower left, depicting gallant scene. Period: 1947 Measurements: Framed H 123 x W 193 x D 4,5 / H 181 x W 111 cm
  • "Garibaldi" - Oil on canvas by Teofilo Patini (1840-1906) PATINI TEOFILO. Born in Castel di Sangro (L'Aquila) on May 5, 1840, died in Naples on November 16, 1906. He moved to Naples at a very young age, after graduating in Fine Arts; he enrolled at the Institute of Fine Arts, where Filippo Palizzi was teaching at the time. During the courses he easily won several prizes and finally obtained a pensioner to go to Rome, where he studied deeply the ancient masters and in particular those of the seventeenth century. He also was strongly influenced from Dutch paintings, but, above all, it was the Meissonnier who conquered him. He first dealt, for a short period of time, with the historical picture; then, with his sensitive and scornful soul, as an attentive observer of the events of human life, he gave himself to social painting, expressed with a strong and meticulous verism. His masterpiece is L'erede, which was exhibited in Milan in 1881 and is now found in the Gallery of Modern Art in Rome with Spade and Milk, exhibited in Turin in 1884. Other important paintings of his are: Il Parmigianino; The sack of Rome, of the Municipality of Naples; Art and freedom; Salvator Rosa's studio, exhibited in Turin in 1880 and in Vienna; Every good boot becomes a slipper; The first riding lesson, which is owned by the baritone Titta Ruffo; Pack animals, sent to Venice in 1887; Rocky landscape, in the M.O. collection of Milan; The riding lesson, in the Borgogna Museum of Vercelli; The country doctor; Belly and heart; The company of death: After defeat; The good ones; The notables of my country; The eagle; The caralluccio; Return to the sheepfold; The chain. Patini also tried, with less success, the sacred subject, and the paintings are remembered in this regard: Gloria del Sacramento; The temptations of Saint Anthony; Christ in the garden; The Redeemer; Christ raises the widow's son; The Annunziata; Il Purgatorio: The Crucifix; The Guardian Angel; Sant'Antonio di Padova; San Carlo Borromeo. There are also the sketches for the decorations of the Aula Magna of the University of Naples (work that, for the artist's death, remained unfinished), and the frescoes in the hall of the City Council of the same city. His students include M. Dragonetti Cappelli, E. Rubei, Vittor Scarselli.
    Period: 19th century Measurements: H 50 x L 41 x P 4.5 / Canvas H 39 x L 31 cm
  • The most important work of Omar Aprile Ronda (Portula, 11 September 1947 - Biella, 7 December 2017), was an Italian artist, painter, sculptor, art collector and publisher. The work is published on the cover of the catalog "Genetic Fusions - Genetic Fusions" of 1991 of which a quote is reported below: "Genetic Fusions" are fascinating for their relation with the infinitely small, within which thousands of events  take place and where order seems to be the highest law we are not allowed to know yet, but that the artist makes us perceive through imagination and poetry" The work is dated and signed on the back by the author who guarantees its authenticity. Period: 1990 Measurements: H 135 x L 281 cm
  • "Golden Light on the Arno' oil on canvas by Cipriano Antonio Mannucci (1882-1970). The work is from the 1940s. View of Florence from Ponte Vecchio, in the painting there are the 16th century Santa Trinità bridge, and the famous Basilica di Santo Spirito or Cappella del Brunelleschi on the left, while on the right the view is of the famous Lungarno degli Acciaiuoli. Period: 1940s Measurements: Framed H 74.5 x W 95 x D 8.5 / Canvas H 49.5 x W 70, 5 cm
  • "Grey weather" oil on panel by Lorenzo Delleani. Original work by the artist from Biella, oil on panel 31 x 45 cm, with authentication by Bistolfi on the back and confirmation from the Archivio Pittori e Scultori Piemontesi. The painting depicts one of the frequent grey days of fog and rain around the Sanctuary of Oropa, more precisely in the meadow above the Sanctuary, where twenty years later the construction of the New Basilica of Oropa began. Period: 29/7/92 Measurements: In frame H 51,5 x W 65,5 x D 6,5 / Tablet H 31 x 45 cm
  • "Homage to Botero", flano and mixed technique of 1998, by Ezio Gribaudo (Turin, 1929)
    Period: 1998 Measurements: In frame H 117.5 X L 45 / Opera H 105 X L 33 cm
  • "I am Bonconte da Montefeltro ... So wounded at the top of the throat ..." Oil on canvas by Giancarlo Cori. Painted in 1984, the year in which he paints his last works. Confirmation of authenticity by his son Nicolò Cori. Period: 1984 Measurements: In frame H 84 x W 113.5 x D 3.5 / Canvas H 78 x 107.5 cm
  • "Interior of a courtyard, Milan" Oil on canvas, early 20th century. In a splendid frame carved and gilded with gold leaf, Mascardini painter's stamp on the back. Period: early '900 Measurements: In frame H 62,5 x 96,5 x D 4 / Canvas H 39,5 x W 74,5 cm
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    "Interior scene with characters" - Oil on canvas, signed on the lower right corner "Marchetti", dating back to the end of the 19th century, of beautiful quality and definition.
    Period: Late 19th century Measures: In frame H 74 x L 85 x P 9 / Canvas H 50 x L 60 cm
  • Jackson's chameleon, surrealist oil painting on canvas by Walter Jervolino (1944-2012), dating back to the 90s.
    Period: 90s Measurements: In frame H 122 x W 100 x D 5.5 / Painted H 101 x L 81 cm
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    Mario Sironi - Jockey on Horseback - Futurist work from 1914, pencil on canvas paper, signed lower right. On the back, date, title and signature by Willi Macchiati. Period: 1914 Measurements: Framed H 57.5 x W 73 x D 4.5 cm / Paper H 23 x W 32 cm
  • Painting, oil on cardboard by Corrado Cagli (Ancona, February 23th 1910 - Roma, March 28th 1976). Signed on the lower right. Registered in Cagli's archive, with authentication number n.00043.
    Period: 1939
    Measurements: H 41.5 x L 33.2 cm
    Oil painting on cardboard by Corrado Cagli (Ancona, 23 February 1910 - Rome, 28 March 1976), signed on the lower right by the artist. Registered in the Cagli archive with authentication No. 00043
    Period: 1939Measures: H 41.5 x L 33.2 cm
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    "La Tromba degli Ussari" Oil on canvas by Giovan Francesco Gonzaga (Milan 1921 - 2007). The work is dated 1980. It has documents of authenticity, photos and certificate of guarantee. Period: 1980 Measurements: Framed H 73.5 x W 63 x D 3 cm / Canvas H 50 x 40 cm
  • "Lake Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting the Fishermen's Island seen from a coast. Restored, with contemporary frames. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but always with success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter.
    Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm
  • "Lago Maggiore" - Large oil painting on canvas by Riccardo Pellegrini (1863-1934), depicting a landscape on the shores of Lake Maggiore. Restored, with coeval frame. PELLEGRINI RICCARDO. Born in Milan on 11 March 1863, died in Crescenzago (Mi) on 31 March 1934. He studied in his city, then in Rome, and in Naples with Domenico Morelli. He travelled to Spain, England and France to deepen his artistic knowledge. In 1912 he won the Muller house competition in London for the illustrations of the Gil Blas of Le Sage. Then the illustrations for "Don Quixote" were commissioned. The main magazines in Europe collaborated with him. He rarely exhibited in Italy, but when he did it had always success. His sketch Malta is located in the Berlin Art Museum; La ridda, in the Gofort Museum in Stuttgart; The kiss of sun, in the Goupil Gallery in Paris. The drawings made for the "Gil Blas" were collected in a room dedicated to the Pilgrims in the Glasgow Museum. The Bottega di Poesia exhibition held in Milan in 1926 featured: A carpet market in Spain; Winter quiet; Sun of July; One August morning in Toledo; Valencian Sea; The spouses. Other works: Spanish flower market, in the R.O. collection of Rome, one of his best works; Villereccia party, in the Rovelli collection of Milan; The antiquarian, in the Ruffini collection in Milan; In the market (Xeres); Sur la promenade des Anglais; Notes of Spain; Remembrance of Seville; I remember my country; El picador; El primer espada; View of Seville; Spanish types; A bullfighter.
    Period: 1896 Measurements: In frame H 87 x L 143 / Canvas H 65 x L 121 cm
  • Oil painting on cardboard depicting a landscape, by Vittore Antonio Cargnel (1872-1931). Signed lower left and dated 1930 Period: Mid 18th century Measurements: In frame H 90 X L 118 / Canvas H 87 X L 114 cm
     
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    "Landscape on the Via Cassia" oil on canvas by Mino Delle Site. The work is signed at the bottom right Delle Site, listed in the catalog of the IV exhibition of figurative arts of Rome and Lazio, 1963, Galleria SPQR. On the back it has the gallery label. Mino Delle Site (Lecce 1914 - Rome 1996) had first studied in his city and then graduated from the Academy of Fine Arts in Rome. He took part to the Futurist Movement, from which he later broke away in search of new aesthetic expressions. He participated in the First Biennial of Palermo, the Second and Third Quadiennials of Rome and the Venice Biennials of 1934, 1936, 1938. In 1956 he presented in Rome an anthological exhibition summarizing twenty-five years of artistic activity; in 1957 he set up another solo exhibition in Rome, at the Aliberti Gallery; and he also participates in the VI, VII and VIII Roman Quadrennial. In 1965 he exhibited in the USA, at the Rizzoli Gallery in New York with a personal anthological exhibition, works from 1932 to 1965. He won numerous competitions and prizes: in 1936 a prize for Mural Painting; in 1946 a prize for the Female Nude; in 1950 a "Attic" award. He has made decorations and mosaics for public and private entities. His works can be found in both Italian and foreigner public and private collections. Period: 1963 Measurements: H 55 x W 65 x D 1.5 cm
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
  • Pastel on paper from the early 1900s depicting a child in the middle of a wood.
    Period: Early 1900s Measurements: In frame H 61 x L 78 cm / Drawing H 31.5 x L 48 cm
     
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • Landscape, oil on cardboard by Giovan Battista Molinelli, Ligurian painter born in 1828, dating back to the mid-1800s.
    Period: Mid 19th century Measurements: In frame H 51 x L 59.5 x D 2.5 / Table H 45 x 53.3 cm
  • "Landscape" - Oil on tablet by Giorgio Kienerk (1869-1948). Signed on the lower right. The work was already sold in Martini auction in December 2011. KIENERK GIORGIO. He was born in Florence, in an ancient Tuscan family, on May 5, 1869. He studied with Adriano Cecioni, then, recommended by Telemaco Signorini, he dedicated himself not only to sculpture but also to painting. He formed, therefore, alongside Macchiaioli and made his debut very early, exhibiting six small landscapes at the Promotrice of Florence in 1888. He continued annually to present paintings and statues there. From 1891 to 1895 he followed the Divisionist school and painted, among other things, In riva all'Arno and Mattino sul mare. In 1897 he exhibited two large pastel female portraits at the Internationale of art and flowers in Florence and then oriented himself towards large figures, often with an allegorical meaning. In 1898 he appeared in Turin with Dolore. Then he participated in the Venetian Biennials with La vergognosa (1899), Il Silenza (1901), the Portrait of Irma Gramatica, pastel (1903), Sera, drawing (1905). He then came to the main Italian and foreign exhibitions in Brussels, Munich, Vienna, London, Saint Louis, Buenos Aires. With his scratched, borderless drawings, he has collaborated in magazines and newspapers (La Fiammetta, No-vissima, L'Italia ride, La Domenica dell'Avanti, La Liguria ligure, Numero, Gil Blas and Cocoricò dì Parigi). In 1905 he was appointed director of the civic painting school of Pavia. In the early period Pavia was particularly interested in sculpture, especially bronze plaques, a genre that he cultivated for a long time. After 1913, thanks to the experience acquired with the studies on Divisionism and mindful of the research of colors and light of the early years, he returned to deal with landscape and from then until his death the campaign was a continuous source of inspiration, especially after 1920 when he started working in Fauglia, on the Pisan hills (The washerwomen, Under the olive tree, In the shadow of the Carob tree, Dusty road). The portraits also belong to his last production (Portrait of the Marquis Quaratesi). In 1922 he exhibited in Florence at the Fiorentina Spring and until 1936 several times in Pavia. In 1936, finishing his teaching at the school of painting, many works were purchased by the Municipality of Pavia and are located in the museum of that city. From 1937 to 1943 he lived in Florence, exhibiting in various solo shows in Florence itself and also in Lucca and Livorno. In 1947 an exhibition of his works was opened at the Galleria Geri in Milan. Retiring to Fauglia with his family in 1943, he died in his villa in Poggio alla Farnia on February 15, 1948. His works can be found in the Modern Art Galleries of Venice, Florence, Lima (Peru) and in the Museum of Brussels. Many are in private collections in Pavia, Milan, where in the Turri Collection there is a Girl's Head, in Genoa, Florence. He engraved some drypoint plates.
    Period: 30s / 40s Measures: H 44 x L 55 x P 6 / Tablet H 26 x L 35 cm
  • "Landscape" oil on canvas by Ivan Rabuzin (Klujć 1921 - Varaždin 2008), 1973. The work is dated and signed in the lower right-hand corner and bears the stamp of the Galleria del Cortile in Novara on the back. Period: 1973 Measurements: Framed H 50.5 x W 60.5 x D 3 / Canvas H 30 x W 40 cm
  • "Laundry in the sun" - Oil on tablet by Vittorio Cavalleri (1860 - 1938), dating back to the early 1900s. The work is signed in the lower right corner by the author, a Piedmontese painter, son of a cloth merchant, was started by his father for the family's commercial activity. CAVALLERI VITTORIO. Born in Turin in 1860, died in Turin on May 22, 1938. He attended the Accademia Albertina, a pupil of Gamba, Gilardi and Gastaldi. Landscape painter and portraitist, with a robust color, with a strong personality. In 1885 he participated for the first time in the Turin Promoter Exhibition with "Abandoned Hoes" and then frequently exhibited at the Turin exhibitions and the main Italian exhibitions, including the Venice Internationals, until 1925. He also painted sacred subjects, and in the Sanctuary of Oropa found three of his great paintings representing Peace; War and the faithful. Other works: Sad winter; Tonio the gallant; The grandmother and Alpine Flora, preserved in the Civic Museum of Turin; Mountain hospitality in the Marangoni Museum in Udine; In spring; Cemetery flowers; Love story; Empiricism; Ave Maria; Summer in the hills; In the shadow; Baleful Aurora; At home forced; Tribolo; First treasures; Portrait of a man; Domus Aurea; The drowned; Portrait of the Duke of Aosta, in the Gallery of the Order of the Garter at the Court of King Edward of England; Portrait of the mother, in the artist's studio; the Self-portrait, owned by Botto of Milan; Supplizi in the Cartotti collection of Lessona; Ray of sunshine, with Mr. Vittorio Vacchieri; Assalita, Ferrino property; A sunbath, in the Vignolo di Torino collection and the Portrait of Mrs. Pelizzone. Many of his works exist in the Colongo collection in Biella and among them: The shadow; The washerwoman; In adoration; At the source; Theater interior; Sleeping girl. His pupils were: Giuseppe Moreno, Domenico Motta, E. Nicolello, Ans. Priest.
    Period: Early 1900s Measurements: In frame H 41 x L 53.5 / Tablet H 24.5 x L 36 cm
  • Large oil on canvas by the painter Irene VALENTINI-SALA (1864-1934), depicting "Litter", painting signed on the lower right and dated 1923, it is in excellent condition as it has just been restored. Irene Valentini Sala (Milan 1864 - Milan 1934), participates in the Italian Exhibition "Italian Exhibition Earl's Court" in London in 1904, organized by the Italian Chamber of Commerce in London, exhibiting the paintings "Impression" and "Venetian woman". In 1924 she participated in the Annual Exhibition at the Society for Fine Arts and Permanent Exhibition in the Palazzo di Brera in Milan, presenting the pastel "Crepuscolo" Period: 1923 Measurements: In frame H 148 x W 108 x D 8 / Canvas H 120 x W 80 cm
  • Pastel on paper representing abstract demon. Signed on the lower right by the author Filippo Auti, dated 1965.
    Period: 1965 Measurements: In frame H 59 x L 51 cm / Sheet H 48 x L 36.5 cm
     
  • "Madonna and Child with Angels" - Oil on tablet from the 1800s, in a coeval guilloché frame.
    Period: 19th century Measurements: In frame H 51 x L 54 / Tablet H 24.5 x L 28 cm
  • Sacred wooden icon painted in oil depicting the Madonna Odigitria with the child. The Madonna Odigitria, Odighítria, or even Odegétria (from the Byzantine Greek Oδηγήτρια, the one who leads), otherwise also known as Madonna dell'Itria, is a type of Christian iconography widespread in particular in Byzantine and Russian art of the medieval period. The iconography consists of the Madonna holding the Child Jesus, seated in a blessing act, holding a rolled parchment in her hand and which the Virgin indicates with her right hand.
    Period: 19th century Measurements: In frame H 42 x L 33.5 / Icon H 29.5 x L 21 cm
  • "Magdalene at Jesus' feet", oil on hardboard, by Michele Baretta (1916-1987), dating back to the 60s
    Period: 1960s Measurements: H 50 x L 40 cm
  • Large oil painting on canvas depicting Magdalene at the foot of the cross, with the ointment vase and the memento mori as depicted in the classic representations. Lombard school of the '600. The painting needs restoration.
    Period: 17th century Measurements: In frame H 168 x W 203 x D 4 / Canvas H 160 x W 199 cm
  • Beautiful oil painting on cardboard by Giacinto Bo (1832-1912) depicting a sunset over the sea. Signature not coeval on the lower right.
    Period: Late 19th century Measurements: In frame H 52.5 x L 96.5 / Table H 35 x L 80 cm
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