Paintings

  • "Mountain Stream "- Oil on canvas by George Blackie Sticks (1843-1938). Dated 1881 and signed on the lower left.
    Period: 1881 Measurements: In frame H 116 x L 92 X P 6 / Painting H 88 x L 65 cm
  • "Landscape with characters" - Large oil on canvas dating back to the 18th century, restored and reintelated.
    Period: 18th century Measures: In frame H 116 x L 114.5 x P 7 / Canvas H 100 x L 128 cm  
     
  • Frozen opera by Omar Ronda "American Frozen". Omar Ronda, born Omar Aprile Ronda (Portula, 11 September 1947 - Biella, 7 December 2017), was an Italian artist, painter, sculptor, art collector and publisher.
    Period: 2003 Measurements: H 100 x L 100 cm
  • Nativity, original oil on canvas painting, with coeval golden frame, dating back to the first half of the 18th century. Work already restored
    Period: First half of the 18th century Measurements: In frame H 92 x L 77 x P 4.5 / Canvas H 76 x L 63.5 cm
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    "Bacchanal" oil on canvas from the 17th century. In good condition, the painting has been cleaned and re-tinted in the 1990s, small colour fades The Bacchanal (Latin: Bacchanalia) was a Roman festival with a propitiatory background, of Greek origin. The name is of Roman origin and derives from rituals dedicated to Bacchus, but its origin is older; it probably dates back to Magna Graecia, where it was strongly rooted in the territories of Campania and Lucania as a cult of Dionysus, identified with Bacchus and Liber. Already in Roman times, but probably even earlier, it was an orgiastic feast that later became (or perhaps returned to its origins) a propitiatory feast for the gods on the occasion of the sowing and harvesting of the crops. Period: 17th century Measurements: Framed H 56.5 x W 68 x D 7 cm / Canvas H 37 x W 48.5 cm
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    Crucifixion oil on copper from the second half of the 17th century. The author is an Italo-Flemish painter active in Italy in the second half of the 17th century, a follower of Peter Paul Rubens (Siegen 1577 - Antwerp 1640). The work is in excellent condition. Period: Second half of the 17th century Measurements: Framed H 57 x W 49 x D 6 cm / Rummy H 30 x W 23 cm
  • Mario Sironi - Church and Figure - Tempera on paper signed lower right, 1944. Authentication 10/11/1982 confirmed by la Bussola gallery. Period: 1944 Measurements: Framed H 48 x W 60 x D 5 cm/ Tempera H 18.5 x W 29.5 cm
  • Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
  • "Composition" by Umberto Mastroianni (Fontana Liri 1910 - Marino 1998), mixed technique / cardboard signed on the lower right, work number 0019. Authentication of the artist on photo. Umberto Mastroianni was born in Fontana Liri, in the province of Frosinone, on 21 September 1910. After his studies at the Academy of San Marcello in Rome, he moved with his family to Turin, continuing his training under the guidance of the master Guerrisi. His first works have a futurist imprinting; in particular he will be influenced by the works of Boccioni which Mastroianni tinges with neo-Cubism. The artist will be the founder of the Turin Prize in 1947 and, during his life, will receive important awards such as the International Grand Prize for Sculpture (Venice Biennale 1958) and the Tokyo Imperial Prize (1989). World famous artist, Umberto Mastroianni died on February 25, 1998 in his house-museum in Marino (Rome), leaving many masterpieces to posterity. Measurements: In frame H 77.5 x W 93.5 cm x D 5.5 / Canvas H 48.5 x W 65.5 cm
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    "Landscape on the Via Cassia" oil on canvas by Mino Delle Site. The work is signed at the bottom right Delle Site, listed in the catalog of the IV exhibition of figurative arts of Rome and Lazio, 1963, Galleria SPQR. On the back it has the gallery label. Mino Delle Site (Lecce 1914 - Rome 1996) had first studied in his city and then graduated from the Academy of Fine Arts in Rome. He took part to the Futurist Movement, from which he later broke away in search of new aesthetic expressions. He participated in the First Biennial of Palermo, the Second and Third Quadiennials of Rome and the Venice Biennials of 1934, 1936, 1938. In 1956 he presented in Rome an anthological exhibition summarizing twenty-five years of artistic activity; in 1957 he set up another solo exhibition in Rome, at the Aliberti Gallery; and he also participates in the VI, VII and VIII Roman Quadrennial. In 1965 he exhibited in the USA, at the Rizzoli Gallery in New York with a personal anthological exhibition, works from 1932 to 1965. He won numerous competitions and prizes: in 1936 a prize for Mural Painting; in 1946 a prize for the Female Nude; in 1950 a "Attic" award. He has made decorations and mosaics for public and private entities. His works can be found in both Italian and foreigner public and private collections. Period: 1963 Measurements: H 55 x W 65 x D 1.5 cm
  • "The black and white cat" - Oil on tablet by Lorenzo Delleani dated 11.9.82 DELLEANI LORENZO. Born in Pollone (Biella) on January 17, 1840, died in Turin on November 13, 1908. He studied at the Accademia Albertina, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut at the Promoter of Fine Arts in 1855 and established itself there in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to historical re-enactment painting, to arrive at more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the Turin national exhibition in 1880 the Ministry of Grace and Justice bought him the vast canvas Caterina Grimani Dogaressa, while critics showed a preference for "In the garden". The following year, in Milan, alongside Sebastiano Veniero who presents the prisoners of Lepanto, he exhibited Quies, which earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for its genuineness and brightness. In addition to the large canvases destined for the numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things of Italian landscape 'age' (Lavagnino). Among his disciples we remember: Giuseppe Bozzalla, Sofia di Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the motifs that nature and the environment could suggest to him during his periodic stays in the Biellese, in Venice, in Rome, on the Riviera , in Monferrato.
    Period: 11 September 1882 Measurements: In frame H 44.5 x W 55 cm / Tablet H 26 x W 37 cm
  • "Toilet of Venus" Oil on canvas first half of the 19th century with a very beautiful contemporary frame, gilded with gold leaf and carved. In the painting Venus is represented with her maidservants and cupids while she is intent on mirroring herself. The frame bears the name plate of the Bolognese painter Francesco Albani (1578-1660), the painting could be inspired by one of his works. Period: First half of the 19th century Measurements: Framed H 68 x W 81,5 x D 6,5 / Canvas H 40 x W 53 cm / Oval H 37 x W 50 cm
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