Paintings

  • Vase with golden wattles, oil on canvas attributed to Alfio Paolo Graziani (1900-1981)
    Period: 1950s Measurements: In frame H 70 x L 90 x P 6 / Canvas H 47 x L 68 cm
  • Beautiful pair of watercolors depicting "Canale a Venezia" and "Rialto Bridge" by Gino Scalatelli (1870-1920). Signed, dated and titled on the bottom left.
    Period: Second half of the 19th century Measurements: In frame H 62 x L 48.5 / Paper H 48 x L 35 cm
  • "Via delle Scalette in Orvieto" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He dealt with the figure, the landscape, the flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only effects of color and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a personal exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections of New York and England. Period: 1930s / 40s Measurements: H 28 X L 33 cm  
  • "Village with bridge "- Oil on cardboard by Luigi Zago (1894-1952) dating back to the 1930s
    Period: 1930s Measurements: In frame H 61 x L 71 / Painting H 50 x L 61 cm
  • "Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
  • Out of stock
    "Women on the Carpet", original pencil drawing by Carlo Carrà, 1920, in a beautiful eighteenth-century frame. The drawing was published in the catalogue of Carrà's drawings, edited by Franco Russoli and Massimo Carrà, 1977. Period: 1920 Measurements: Framed H 73 x W 60 x D 4 / Drawing H 36 x W 29,5 cm
  • Out of stock
    "Young Musician" pastel on paper by Pietro Gaudenzi (1880-1955). After an initial artistic training with the painter Felice Del Santo in La Spezia, he attended the Accademia lingustica of fine arts, where he was a pupil of Cesare Viazzi. In 1903, after winning the Duchessa di Galliera Artistic Pension, he went to Rome to complete his studies. In the capital he studied the masters of the Renaissance - above all Michelangelo and Raphael - while among the moderns he showed interest in G.A. Sartorio, A. Mancini, A. Spadini and F.P. Michetti. Some of the artists over-mentioned appear with him among the contributors to the magazine Novissima. He also frequented Felice Carena. The first work to lead him to fame was I priori (The Priors) bought by the Municipality of Rome in 1911 at the International Exhibition. Period: early 1900s Measurements: Framed H 77 x 63.5 x D 5.5 / Paper H 61.5 x L 48.5 cm
  • Out of stock
    Academic drawing copy of the work by Juste de Juste (Tours 1505 - 1559). Depicting a nude, muscular male figure standing with his head in profile and his left arm raised. Period around 1600? Period: 1600? Measurements: Framed H 39 x W 33,5 x D 2,5 cm / Drawing H 21,5 x W 15 cm
  • Ancient Indian painting, in watercolour and tempera technique on thin canvas, depicting two life scenes with characters and cows. Period: mid 1900s Measurements: H179 x W114 x D2 cm
  • "Bardonecchia" Oil on plywood by Ottorino Campagnari. The painting is from the 1950s and has a contemporary frame. It is signed at lower right. Campagnari Ottorino (Mestre, 1910 - Turin, 1987), a landscape artist in the late 19th-century style, was active from a very young age and favoured mountainous subjects and the swells of the Ligurian coast. He took part in numerous national exhibitions, including the Promotrice di belle arti di Torino in 1942. He held personal exhibitions both in Italy and abroad and numerous group exhibitions. Period: 1950s Measurements: Framed H 58 x W 68 x D 7 / Plywood H 40 x W 50 cm
  • Out of stock
    Crucifixion oil on copper from the second half of the 17th century. The author is an Italo-Flemish painter active in Italy in the second half of the 17th century, a follower of Peter Paul Rubens (Siegen 1577 - Antwerp 1640). The work is in excellent condition. Period: Second half of the 17th century Measurements: Framed H 57 x W 49 x D 6 cm / Rummy H 30 x W 23 cm
  • Work created by enamel on paper by Bruno Contenotte, stage name of Bruno Facchini (San Giorgio di Mantova, 29 April 1922; Milan 14 April 1992). He is the artist who most united art and science in an artistic journey that goes from the use of fluids in painting to quantum metaphysics. Multifaceted and eclectic, expert in the use of materials, light and many other technological applications to art, he has been able to tell a new universe where nothing is ever the same.
    Period: 1973 Measurements: Framed H 54,5 x L 74,5 cm / Paper H 50 x L 70 cm
Go to Top