Paintings

  • Delicate watercolor on paper in a coeval ebonized frame dating back to the end of the 19th century. The subject is eighteenth-century with nudes and cupids.
    Period: Late 19th century Measurements: In frame H 59 x W 49 cm / Paper H 40 x W 28 cm
  • Watercolour on paper by Giulio Falzoni, signed on the lower right. Giulio Falzoni (Marmirolo, June 1st 1900 - Milano, 1978). In his youth he studied music and painting, specifically dedicating his work and research towards mural painting. In 1915 he started studying drawing in Mantova and the following year he worked as decorator. From 1928 to 1943 he stayed in Florence, where he attended the Academy of Fine Arts and developped his artistic skills under the lead of Plinio Nomellini. He started to stand out from his contemporary colleagues thanks to his watercolour technique, mastering it in London at the Royal Watercolour Society in the end of the 1940s. His first solo exhibition was set up in 1939 in Mantova, then Florence, Padova, Prato, Neaples, Venice and Milan followed. Some of his exhibitions have taken place in the United States of America, United Kingdom, France and Switzerland. Several prestigious collections see his works as their part, as for instance the Galleria degli Uffizi and Musei Capitolini. Measurements: In frame H56 x W49,5 x D4,5 // H32 x W26 cm.
  • Portraits, pair of gouaches by Philippe Garel (Trébeurden 1945). The pair of gouaches, depicts two portraits: a woman in a blue dress and a woman in a sandy dress, both signed and dated 1984. Period: 1984 Measurements: Framed H 54 x W 44 x D 2 / Gouache H 33 x W 22 cm
  • Piedmontese doorway dating back to the mid-18th century. The painting is tempera on paper applied on canvas.
    Period: Mid 18th century Measurements: In frame H 90 X L 118 / Canvas H 87 X L 114 cm
  • Pair of Neapolitan gouaches, signed L. Rossi, dating back to the second half of the 19th century, painted in excellent condition, the gilded frames need small retouches.
    Period: second half of the 19th century Measurements: In frame H 49 x W 69 x D 3 / Painting H 42 x W 62 cm
  • Refined panel painting depicting an elegant court lady by the Spanish painter Antonio Rivas (1845 - 1911). Painted from the late 19th century in excellent condition with gilded wood frame carved to simulate oak leaves. Period: End of the 19th century Measurements: In frame H 54,5 x W 43,5 x D 5 cm / Canvas H 33 x 23
  • Oil on tablet, Luigi Locatelli. Painted tablet by Luigi Locatelli, depicting mother with child on a fence, signed lower right. No frame. Locatelli Luigi (known as Bigì) (Bergamo 1904-1983) after his first training with his father, he enrolled at the Carrara Academy. Before the age of twenty he starts working for the Milan gallery owner Zecchini. In the 1930s he moved to Paris where he became friends with the great Italian artists who lived in the French capital. After about ten years he returns to Italy settling in Bologna where he works as a restorer. Period: 1934 Measurements: H 41 x L 33 cm
  • Oil on canvas by Alberto Cecconi (Florence 1897 - 1971), Florentine painter. Large painting from the 1940s, signed at lower right. The scene is set in a wooded landscape and depicts a woman intent on spinning and sheep grazing. Period: 1940s Measurements: H 118 x W 168,5 x D 10,5 cm / Canvas H 95 x W 145 cm
  • Large portrait oil on canvas, attributed to the painter Paolo Ghiglia (1905-1979), signed on the lower left, 1940s / 1950s. Paulo Ghiglia (Florence, March 5, 1905 - Rome, November 19, 1979) was an Italian painter. He starts painting very young with his father and teacher Oscar; at the age of twenty he leaves his father's house and moves to La Verna, where he lives for about five years. He made his debut in Milan in 1929 at the Pesaro Gallery with his father Oscar and his brother Valentino, also a painter. In 1931 he was at the first Quadriennale in Rome: thanks to Petrolini, his close friend, he was introduced to the capital city life and society, where his portraits period began. He stays in Paris where he portrays Joséphine Baker. He goes back to Rome, city that together with Florence, Livorno and La Verna, will be and remain the places and sources of greatest inspiration. In the forties and fifties his production focuses on portraits of illustrious people. His works can be found in various museums around the world, from the Uffizi, with two self-portraits, kept at the Metropolitan Museum of Art. Measurements: In frame H 80 x W 100 x D 10 / Canvas H 68 x W 87 cm
  • Artwork in mixed technique by Mario Carletti, dated 1962. Acrylic and collage on canvas. Carletti Mario (Turin 1912 - Cossato 1977), a Piedmontese painter and engraver, he painted views, landscapes, portraits and also works of sacred art. He exhibited at the Venice Biennale in 1942 and at the Rome Quadriennale in 1956. Period: 1962 Measurements: H 101 x W 81 x D 2 cm
  • Work by Gianni Bertini (Pisa 1922 - Caen 2010). Italian artist active in the field of painting, graphics and visual poetry. He was the founder of Mec-Art. The work is a plastic fusion and is part of the Antologica collection. Dated 16 November 1966 and signed by the artist on the back. It also bears the inscription "1st status". In perfect condition. Period: November 16, 1966 Measurements: H 80.5 x L 53 cm
  • Still life by Alfio Paolo GRAZIANI (1900-1981). Large oil on canvas from the 1940s, signed on the lower right, in excellent condition. The present frame is coeval. Period: 1940s Measurements: In frame H 95 x W 125 x D 5 Canvas H 70 x W 100 cm
  • English landscape, unsigned oil on canvas, late 19th century, with carved and gilded frame. Period: End of the 19th century Measurements: In frame H 45 x W 64.5 x D 6.5 / Canvas H 25.5 x W 45.5 cm
  • Work created by enamel on paper by Bruno Contenotte, stage name of Bruno Facchini (San Giorgio di Mantova, 29 April 1922; Milan 14 April 1992). He is the artist who most united art and science in an artistic journey that goes from the use of fluids in painting to quantum metaphysics. Multifaceted and eclectic, expert in the use of materials, light and many other technological applications to art, he has been able to tell a new universe where nothing is ever the same.
    Period: 1973 Measurements: Framed H 54,5 x L 74,5 cm / Paper H 50 x L 70 cm
  • Ancient Indian painting, in watercolour and tempera technique on thin canvas, depicting two life scenes with characters and cows. Period: mid 1900s Measurements: H179 x W114 x D2 cm
  • "Women in Piazza di Spagna, at the Fontana della Barcaccia, Rome" oil on canvas by the French painter François Maurice Roganeau. Work signed and dated F. M. Roganeau Rome 1908. Francis Maurice Roganeau (Bordeaux 1883 - Aix-en-Provence 1973) is a French painter, illustrator and sculptor. François-Maurice Roganeau was student of the renowned sculptors Gaston Veuvenot Leroux and Paul Quinsac at the School of Fine Arts in Bordeaux, then he went to study in Jean-Léon Gérôme's studio and later on with Gabriel Ferrier at the Beaux-Arts in Paris. He started with illustration and painting. As an illustrator, he mainly worked for the publisher Henri Laurens. In 1906 he won the first Grand Prix of Rome in painting and the second Grand Prix of sculpture. He exhibited at the 1912 Salon and received a medal for his he painting Le Soir, à la Rivière, inspired by one of André Chénier's Poésies antiques. In 1917 he was commissioned to repair the identical ceiling of the Grand Théâtre de Bordeaux, initially painted by Jean-Baptiste-Claude Robin. He also supplied colored glass boxes to the master glassmaker Gustave Pierre Dagrant, such as the one in the stained glass window of the church of Castillon-la-Bataille. He was director of the Bordeaux School of Fine Arts from 1929 to 1958. In 1932 he was made a Knight of the Legion of Honor. His latest works depict the Basque Country, its people and its landscapes. Period: 1908 Measurements: In frame h 54.5 x L 61.5 x D 6 / Canvas 28.5 x L 35.5 cm
  • "Village with bridge "- Oil on cardboard by Luigi Zago (1894-1952) dating back to the 1930s
    Period: 1930s Measurements: In frame H 61 x L 71 / Painting H 50 x L 61 cm
  • "Via delle Scalette in Orvieto" by Bruno Croatto (1875-1948), oil on cardboard signed on the lower right and titled on the back. Without frame. He was born in Trieste on April 12, 1875. In the years 1891-1892 he was a disciple of Gabriel Hackl at the Academy of Munich: but he studied the Impressionists outside school, and eventually the great masters of the fifteenth century. He dealt with the figure, the landscape, the flowers, but from 1908 he emerged in etching and aquatint, in which, neglecting the drawing, he sought only effects of color and chiaroscuro. He exhibited in Munich, Trieste, Paris, Venice, Rome, Milan, London, Prague, Vienna. In 1930 he held a personal exhibition at the Chamber of Artists in Rome, with many paintings and etchings. Some of his works are kept in the Uffizi Gallery; at the Revoltella Museum in Trieste; in public collections of New York and England. Period: 1930s / 40s Measurements: H 28 X L 33 cm  
  • Beautiful pair of watercolors depicting "Canale a Venezia" and "Rialto Bridge" by Gino Scalatelli (1870-1920). Signed, dated and titled on the bottom left.
    Period: Second half of the 19th century Measurements: In frame H 62 x L 48.5 / Paper H 48 x L 35 cm
  • Vase with golden wattles, oil on canvas attributed to Alfio Paolo Graziani (1900-1981)
    Period: 1950s Measurements: In frame H 70 x L 90 x P 6 / Canvas H 47 x L 68 cm
  • "Val d'Ayas" oil on canvas by Silvio Allason (1843-1912), signed and dated S.Allason 1909 lower left, in excellent condition. Silvio Allason (Turin 1845 - 1912), was first employed in the Ministry of War, but from around 1867 he devoted himself only to painting. After a stay in Florence, he was a pupil in Turin, at the Accademia Albertina, of E. Gamba and A. Gastaldi for the figure, studying however, at the same time, landscape with his cousin Ernesto and, upon his death, with E. Perotti . He began exhibiting at the Turin Promoter in 1869; in 1873 he had a notable success with the painting "In ambuato"; in 1876 he exhibited "The rescue". He made a specialty of the effects of moonshine with figures. He also exhibited in Milan, Naples, Paris (Salon of 1878), Nice, where one of his paintings "Among the rocks" was purchased for the Chéret Museum. Other works of his are in the Civic Museum of Turin. But an unknown title of Allison in landscape art is given by an infinity of studies from life, which he almost never showed, rich in superior elements, such as the wisdom and taste of composition, heroically patient drawing, simply effective technique and excellent color. Period: 1909 Measurements: In frame H 68 x W 128.5 x D 5.5 / Canvas H 52 x W 112.5 cm
  • Oil painting on canvas depicting Umberto I of Savoy dating from the second half of the 1800s. In good condition. Period: Second half of the 19th century Measurements: In frame: H 56.5 x L 45.5 / Canvas H 35 x L 25
  • Oil painting on wood by Giuseppe Gheduzzi (1889-1957) depicting two players surrounded by various farm animals.
    Period: 1930s / 1940s   Measurements: In frame H 57 x L 69 cm / Table H 33 x L 45 cm
  • Oil painting on canvas by Giovan Battista De Andreis entitled "The wave" of 1980. Signed on the lower right.
    Period: 1980 Measurements: H 66.5 x W 212 cm
  • "The water bearer" oil on canvas by Domenicone Dedo (1928 - 2002), a painter from Gattinara.
    Period: 70s Measurements: In frame H 102 x L 83 / Canvas H 100 x L 80 cm
  • Painting signed and dated on the lower right by the artist Edoardo De Lucia, born in Milan in 1938, who is a modern figurative. He paints the peasant world and the humble with great sensitivity, scenes of everyday life immersed in landscapes, the line is clear, the colors are soft on the backgrounds and bright for the figures. In excellent condition. With authentic. Period: 1990 Measurements: In frame H 86 x L 108 cm / Canvas H 68 x L 90 cm  
  • Painting signed lower right by Giuseppe Gheduzzi (Bologna 1889 - Turin 1957). In excellent condition. With frame. Period: First half of the 1900s Measurements: Frame L 61.5 x H 52 cm / Canvas L 41 x H 31 cm
  • Oil and vinavil painting on canvas entitled "Studio - Il folle" by Giancarlo Cori (Pesaro, 1933 - Biella, 1985). Signed and dated on the lower left by the author.
    Period: 1968 Measurements: In frame H 66 x L 56.5 / Canvas H 47 x L 37.5 cm
  • "The flagellation of Christ" Oil on canvas from the 17th century. The painting represents a sacred scene full of characters. The technique of pittutr is of excellent quality. The work is in an excellent state of preservation and has been slightly restored. Period: 17th century Measures: H 74 x W 62,5 x D 2 cm
  • "The challenge" - Oil on cardboard by Francesco Bosso (1864-1933) BOSSO FRANCESCO. Born in Vercelli on December 27, 1864, died in Turin in 1933. He studied at the Institute of Fine Arts in his city with Bonino and Costa. At the beginning of his artistic career he devoted himself to decoration and scenography, performing several works in palaces, churches and theaters of Italy, France and Switzerland. For the Colonial Exhibition in Genoa he composed a large Diorama of the Panama Canal, appreciated and praised. He especially dedicated himself to the paintings of flowers, fruit and still lifes, which brought him wide fame. In 1922 forty-seven of his paintings were exhibited at the Vercelli Art Exhibition, including: Sun from the glass windows; Rustic rooms in Tournier; Among the rocks; Autumn melancholy; Fontanesian landscape and still lives.
    Epoca: Fine '800 Misure: In cornice H 38 x L 46 / Tavola H 16 x L 26,8 cm
  • "The black and white cat" - Oil on tablet by Lorenzo Delleani dated 11.9.82 DELLEANI LORENZO. Born in Pollone (Biella) on January 17, 1840, died in Turin on November 13, 1908. He studied at the Accademia Albertina, a pupil of Gamba for drawing, then of Carlo Arienti and Andrea Gastaldi, graduating in 1862 when he had already made his debut at the Promoter of Fine Arts in 1855 and established itself there in 1860 with an episode of the siege of Ancona. According to the romantic interests of his time, he initially dedicated himself to historical re-enactment painting, to arrive at more spontaneous research on the truth with interior studies, environment and views of Genoa, Venice and the surroundings of Turin, as well as Pollone and Paris. At the Turin national exhibition in 1880 the Ministry of Grace and Justice bought him the vast canvas Caterina Grimani Dogaressa, while critics showed a preference for "In the garden". The following year, in Milan, alongside Sebastiano Veniero who presents the prisoners of Lepanto, he exhibited Quies, which earned him numerous acclaim, such as to induce him to abandon historical subjects to devote himself to the landscape, establishing himself for its genuineness and brightness. In addition to the large canvases destined for the numerous national and international exhibitions, in which he participated in Italy and abroad, Delleani linked his name to a vast pictorial production made almost exclusively on small panels, "among the most convincing things of Italian landscape 'age' (Lavagnino). Among his disciples we remember: Giuseppe Bozzalla, Sofia di Bricherasio, Giuseppe Buscaglione, Luigi Cantò, Giuseppe A. Levis, Angela Meucci, Camilla Bergonzio, Emilia Ferrettini Rossotti, Enrico Reycend. Delleani was in Paris and Bern in 1878, in Holland in 1883, Switzerland in 1892, but for his paintings he aimed above all at the motifs that nature and the environment could suggest to him during his periodic stays in the Biellese, in Venice, in Rome, on the Riviera , in Monferrato.
    Period: 11 September 1882 Measurements: In frame H 44.5 x W 55 cm / Tablet H 26 x W 37 cm
  • "Pastorello", oil on plywood by Arnolfo Sella (1879-1970). The artist was a Piedmontese painter active during the nineteenth century. The painting is dated "2 October '61" and signed on the lower right by the author. Very good condition. Period: 02 October 1961 Measurements: In frame H 46.5 x L 56 cm / Tablet H 30 x L 40 cm
  • "Still life of flowers" oil on canvas from the 1950s by Ottorino Campagnari. Ottorino Campagnarini (Mestre 1910 - Turin 1987), studied painting at the art school in Mestre, under the professor Giuseppe Urbani. Settled in Turin in 1935, since 1940 he had exhibited regularly at the National Quadrennial of Art of the Promoter of Fine Arts in Turin, at the Gazzetta del Popolo cultural artist, at the Circolo degli Artisti in Turin. He also exhibited in group exhibitions: in Washington, Chicago, London, Turin, Naples, Milan, Rome etc. Personal exhibitions in Turin (Galleria Martina), Imperia, Milan (Galleria Bolzani), Valle d'Aosta, Gressoney-St. Jean (Palazzo Municipio) etc. He has had prizes in competitions and impromptu. Period: 1950s Measurements: In frame H 98 x W 77 x D 5.5 / Canvas H 80 x W 60 cm
  • Still life, oil on plywood signed L. Albertoni, dating back to the 1940s. The work is presented in a beautiful carved and gilded frame.
    Period: 1940s Measurements: In frame H 70 x L 90 / Table H 47 x L 67 cm
  • Still life, oil on plywood signed L. Albertoni, dating back to the 1940s. The work is presented in a beautiful carved and gilded frame.
    Period: 1940s Measurements: In frame H 70 x L 90 / Table H 47 x L 67 cm
Go to Top