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  • Out of stock
    Venetian style silvered mirror, dating back to the 1940s
    Period: 1940s approx Measurements: Frame H 115 x L 77 x P 5 / Mirror H 80 x L 60 cm
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    Chandelier with drops dating back to the 1950s, with volute structure in iron rod, and six light points

    Period: 1950s Measurements: H 120 x Ø 80 cm
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    LCP KARTELL is a chaise longue made in a single transparent methacrylate mold that folds spiral on itself to form a radically innovative model. Only exclusive technology has made it possible to achieve this flexibility while preserving the formal purity of the object. LCP is elastic, soft and resistant even if it returns an impalpable and evanescent image. It is an important and sophisticated seat, for the most keen design connoisseurs. Period: 1990-1999 Measurements: H 70 X L 48.5 X P 80 Seat height: 31 cm
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    Pair of ceramic majolica Albarelli dating back to the early 1800s. The marshmallow (Althaea officinalis) is a plant from the Malvaceae family. Useful in case of respiratory tract disorders, it also has emollient, soothing and protective properties. Il Populeo (poplar) The black poplar, Populus nigra, is a woody plant with an arboreal bearing belonging to the Salicaceae family that can reach considerable dimensions, even 25-30 meters in height, but not particularly long-living, since it lives up to 90-100 years. Native to the western Asian regions and central-southern Europe, also present in North Africa, the black poplar is widespread in Italy throughout the territory, from the plain up to 1200 meters above sea level. Period: Early 19th century Measurements: H 18 x L 13.5 x Ø 11.5 cm
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    Large Chinese ceramic vase with ebonized wooden base, dating back to around 1950.
    Period: around 1950 Measurements: H 90 x L 34 x Ø 31 / Pot holder H 23 x L 43 x Ø 34 cm
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    Mahogany desk with lift, tambour doors, tapered spiked legs, equipped with three drawers, dating back to the 1800s.
    Period: 19th century Measurements: H 108 x L 83 x P 48 / H desk 73.5 cm
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    Chest of drawers office furniture, with 24 drawers, dating back to the 1940s.
    Period: 1940s Measurements: H 210 x L 132 x P 46 cm
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    Round painted ceramic Della Robbia, depicting the Madonna with child and angels, dating back to the 1920s
    Period: 1920s Measurements: Ø 63 x P 6.5 cm
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    Pair of ointment containers, Savona, in good condition, dating back to the 18th century. In 1641 the Genoese Senate granted to the Grosso factory in Albisola the privilege of marking the ceramics with the symbol of the lighthouse of Genoa, the lantern. Between the end of the seventeenth and the beginning of the eighteenth century, again with the permission of the Genoese Senate, the lantern became the symbol of the Chiodo-Peirano, society of Savona. The Chiodos, after 1738, who remained the sole owners of the factory, continued to mark their ceramics with the lantern until 1782, the year of the transfer of the factory to the company Pittamiglio-Astengo-Carlevarino, which in turn gave up the business in 1786. Epoca: '700 Measurements: H 18 x Ø 12 cm
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    50s Japanese separè, one side decorated with painted applications and decorations.
    Period: 1950s Measurements: H 183 x L 182 P closed 12 / P open 3 cm (L door 46)
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    "This Arno with slow waters" - Oil on panel by Galileo Chini, signed on the lower right, bears the dedication on the back to his friend Giuseppe Orsi and the date 14 September 1943. CHINI GALILEO. Born on December 2, 1873 in Florence, died on August 23, 1956, then blind. As a boy he was a simple painter; at twenty he decided to study the ancient and modern masters. In 1899 with some friends he created "The Art of Ceramics", managing to give this feat a new physiognomy to Italian majolica. He has participated in numerous and important exhibitions in Paris, Leningrad, Barcelona, ​​Saint-Louis, Brussels and in Italian exhibitions, including the Venice Biennials from IV to XVII. Among the various decoration works, those of the buildings of the Cassa di Risparmio of Pistoia, Arezzo and Florence, as well as those of the Throne Palace in Bangkok (Siam), and among the easel works: Quiete; The triumph; The Baptist; Icarus; The game and the fat tempera painting depicting The Last Supper, in which it reaffirms its qualities as a strong symbolist decorator of daring conceptions and a lovable coloring, which achieves remarkable effects with simplicity of means and with natural spontaneity. In 1932 he held a personal exhibition in Milan, at the Pesaro Gallery, with still life paintings, flowers, figures and Parisian landscapes or on the banks of the Arno. He was a teacher of decoration at the Academy of Florence.
    Period: September 14, 1943 Measurements: In frame H 52 x L 60 / Table H 33.5 x L 42 cm
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    "Interior with stapler at the fireplace" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, as pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty  years in row (awarded with a gold medal) and in the circle of artists in Turin. Personal holds at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: 30s / 40s Measurements: In frame H 54 x L 66 / Paper H 32 x L 44.5 cm
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