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  • Out of stock
    "Interior with sheperd and sheep". Oil on tablet by Giuseppe Gheduzzi (Crespellano (BO) May 1889 - Turin May 1957). Giuseppe Gheduzzi was born in Crespellano (BO) on 12 May 1889. Son of the painter Ugo, from whom he learned, like his brothers Cesare, Mario and Augusto, the first rudiments of art. He made his debut in Vignola in 1907 with the painting Alpine landscape. He refined his training in Turin at the Albertina Academy as a pupil of Andrea Marchisio and Paolo Gaidano. After leaving the Academy, he collaborates with his father for the realization of the sets for the Teatro Regio. Giuseppe is a skilled landscape painter: he paints Venetian glimpses and panoramas, views of the Piedmontese lakes and valleys and of the Ligurian Riviera. Unlike his brother Cesare, however, he also excels in interior paintings with figures and orientalist themes. Particularly appreciated by the public and critics are in fact his genre scenes and the paintings depicting interiors of workshops of artisans, antique dealers and stables. During his life Giuseppe participated in many reviews of the Promoter of Fine Arts in Turin and in the Circolo degli Artisti in Turin, and made several personal exhibitions. He died in Turin on May 21, 1957. Period: 1930s Measurements: In frame H 36 x W 28 x D 3 / Canvas H 20 x W 11,5 cm
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    Large Louis Philippe mirror in carved wood and gilded with gold leaf, dating back to 1880, original mirror, excellent condition Period: Second half of the 19th century Measurements: H 180 x W 97 x D 5 cm
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    "San Rocco" oil on canvas from the 19th century. Large painting of the saint with dog, angels and the Easter dove. The painting is in excellent condition. San Rocco is invoked as protector from the plague and from great disasters, earthquakes, epidemics and very serious diseases; and it was a great example of human solidarity and Christian charity. Period: 19th century Measurements: In frame H 163 x W 112 x D 5 / Canvas H 153 x W 102 cm
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    Holy Family, splendid high quality oil on canvas depicting the Madonna, Child and Saint Joseph, school painting between the 17th and 18th century. The condition is excellent, the pictorial surface does not require cleaning and has maintained its originality over time, coeval silver frame. Measurements: In frame H 70 x W 56 x P 6 / Canvas H 56 x W 41 cm
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    Double body in walnut, sacristy cabinet with four doors and a single central drawer, the doors are embellished with 4 ashlar panels and a wrought iron pendant in the center. The sides are also panelled. The cabinet has undergone to a small modification of the drawer and the band that rests on the ground, but overall it has been preserved as it was in its original form. Full period '600, Piedmont. Measurements: H 195 x W 160 x D 71.5 cm
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    Piedmontese baroque cabinet in walnut, from the first half of the 18th century. Rebated doors with three carved panels each, smooth sides, the left one built in chestnut. Excellent condition, the piece of furniture was born as a single body and was subsequently cut in the middle to be easier to transport, a classic feature of antique Piedmontese furniture. Measurements: H 177 x W 147 x D 57,5 / Internal D 50 cm
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    Directory chest of drawers with three drawers, Piedmontese origin, in walnut wood, late eighteenth century style. Threaded drawers in bois de rose and maple, truncated pyramidal legs. Invoice period about 1800. The chest of drawers is in excellent condition Period: late 18th century - early 19th century Measurements: H 91 X L 123 X P 55 cm
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    "Ed ecco un cavallo bianco (And finally a white horse)", a not numbered litograph, signed on the lower right by Giorgio De Chirico. This artwork is included in the "Apocalypse" volume, curated by R. Carrieri, Edizioni della Chimera, Milano. The founder of the metaphysical school, Giorgio de Chirico is mostly known for his metaphysical paintings, created from 1909 to 1919. These nostalgic representations have deeply influenced the Surrealist movement and its artists, among which André Breton, Salvador Dalì and René Magritte. De Chirico's artworks explore various themes, among which alientation; nostalgia and the myth. De Chirico refused, later in his career, his previous metaphysical style and focused his research on traditional painting techniques, preferring the neo-Classic and neo-Baroque style, influenced by Raffaello, Luca Signorelli and Peter Paul Rubens. The surrealists publicly criticised this further anti-moidernist development in De Chirico's work and for that the artist ceased his participation and belonging to the group. Measurements: In frame H53 x W45,5 x D1,5 cm / Litograph H32 x W25 cm.
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    Small Piedmontese dresser in Luigi Filippo style. Two and a half drawers, turned foot, inlaid drawers in patina. In fair condition. Period: mid-19th century Measurements: H 84 x W 105 x D 54.5 cm
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    Pair of ceramics depicting the allegory of poetry and allegory of music, by Giuseppe CAPPÈ (1921-2008), ca. 1950s, in perfect condition. Giuseppè Cappè was born in Milan in 1921, he lived in Milan and later in Lomagna (Lecco) where in his studio, near the porcelain manufacturer, he created his works appreciated all over the world and which, especially in America, have conquered the market. Part of his works are now in many private collections and museums. Cappè was an artist who drew inspiration from the strands of the great Italian Baroque-Alexandrian folk tradition of which the stuccos of Serpotta (Palermo), the Capodimonte porcelain and the Neapolitan mangers are the most typical and well-known examples. Cappè was an artist who has been making sculptures since 1946 and his creations have been so successful that they have been imitated and plagiarized. He also worked as a chief sculptor at the IPA studio and later as a chief sculptor at King. Many of his models are still reproduced from these porcelain studies. He died in Lomagna on 7 May 2008. Measurements: (H 23 X L14 X P10), (H23 X L14 X P12)
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    "Rio a Venezia (River in Venice)", 1953, oil on canvas by G. Bertulli. Born on August 16th, 1903 in Bardi (Parma), he lives in Milan. He studied in Piacenza, a pupil of Francesco Ghittoni, and in Milan, at the Brera academy, he then moved and settled in Milan and since then he participated in important local and national exhibitions, obtaining awards and prizes. To his credit about thirty solo exhibitions, of which six are in Milan and the last one (1967) at the Sagittario gallery. He was a member of the Accademia Clementina and the Parma Academy of Fine Arts. Trade union manager and member of the Commission for the Monumental at the Municipality of Milan. Dimensions: In frame H 68 x W 78 x D 5.5 / H 50 x L 60 cm
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    "Interior with thread spinner and sheep". Oil on tablet by Giuseppe Gheduzzi . The artist was born in Crespellano (BO) on 12 May 1889. Son of the painter Ugo, from whom he learned, like his brothers Cesare, Mario and Augusto, the first rudiments of art. He made his debut in Vignola in 1907 with the painting Alpine landscape. He refined his training in Turin at the Albertina Academy as a pupil of Andrea Marchisio and Paolo Gaidano. After leaving the Academy, he collaborates with his father for the realization of the stage sets for the Teatro Regio. Giuseppe is a skilled landscape painter: he paints Venetian glimpses and panoramas, views of the Piedmontese lakes and valleys and of the Ligurian Riviera. Unlike his brother Cesare, however, he also excels in interior paintings with figures and orientalist themes. Particularly appreciated by the public and critics are in fact his genre scenes and the paintings depicting interiors of workshops of artisans, antique dealers and stables. During his life Giuseppe participated in many reviews of the Promoter of Fine Arts in Turin and in the Circolo degli Artisti in Turin, and made several personal exhibitions. He died in Turin on May 21, 1957. Period: 1930s Measurements: In frame H 36 x W 28 x D 3 / Canvas H 20 x W 11,5 cm
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    Ancient stoup in carved white marble, 17th century in good condition. Period: '600 Measurements: H 130 x D 64 cm
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    Mid-eighteenth-century Louis XV Piedmontese trumeau, in walnut with maple scrollwork inlays. Excellent condition, some inlays have been replaced with rice paste. Period: Half 700 Measurements: H 250 x W 131 x D 61.5 cm
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    Gio Ponti style sofa in the original crimson velvet. Backrest with shell shape, 6 truncated conical feet with brass ends. In good condition, also the pair of matching armchairs for sale. Period: 1950 Measurements: H 82 L 186 D 88 (H seat 50) cm
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    Pair of original crimson velvet armchairs. 1950s style by Gio Ponti. Backrest with shell shape, truncated conical feet with brass ends. In good condition, the matching sofa is also for sale. Period: 1950 Measurements: H 82 L 90 P 88 (H seat 50) cm
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    Rare mirror by Pier Luigi Colli for Marelli from the 1950s, in elm wood, antique mirror and brass finishes, original and in excellent condition. Period: 1950s Measurements: Ø 100 x D 5
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    Coffee table in slate and scagliola with plexiglass base. The top dates back to the 19th century, by a Florentine workshop, decorated with a map of the constellations of Guiljelmus BLAEU (1600-1699), on the edge the signs of the zodiac. In the 70s / 80s it was combined with the plexiglass base to form a coffee table with glass of rare beauty. Period: between the 18th and 19th centuries Measurements: H 43 x W 138 x D 54,5
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    "Interior studio", painting by Aldo Carpi de 'Resmini (Milan, 6 October 1886 - Milan, 27 March 1973), oil on canvas signed and dated 11 - 19 - 1960 on the lower right. Aldo Carpi, the famous Italian painter, has a very peculiar history, in fact he was deported to Gusen, a satellite camp in Mauthausen, Austria, where only 2 percent of the prisoners managed to survive. He was saved thanks to his talent and was the author - at the risk of his life - of the only real "live" diary inside an extermination camp. A vertical man, a Righteous who has known and suffered the most atrocious sufferings, but who has never bent to "recognize the active presence of" evil "in the hearts of his fellow men", as the famous art critic Mario De wrote Micheli. Period: 1960s Measurements: In frame H 89 x W 119 x D 5 Canvas H 60 x W 90 cm
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    Art Nouveau lamp in the Johann Loetz style (1880-1940), dichrome glass with slight gilding, brass base. Period: 1880/1910 Measurements: H 52 x D 101 cm
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    English ladder in beech, upright pillars in turned wood, 4 steps with green leather upholstery. Very good condition. Period: 1940 Measurements: H 172 x W 57 x D 57 cm
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    Original lithograph (III / XXX) by Joan Mirò (1893-1983). Edition of 30 copies, Roman numerals, this is 3rd out of 30. Signed on the lower right. Period: Twentieth century Measurements: Print H 38.5 x L 29.5 / Paper H 66 x L 50 cm
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    Antique original Poltrona Frau from the early 1900s, in good condition. Period: Early 20th century Measurements: H 90 x W 80 x D 105.5 cm
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    Writing desk, from the 1950s, desk in mahogany. In very good condition, small lack of veneer on one drawer. Period: 1950s Measurements: H 75 x W 117 x D 68 cm
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    "Scarabeo Ercole" etching by Luigi Bartolini. The sheet is H 235 x L 285 mm. The title is written in pencil at the bottom left. Edition in pencil at the lower center, it is 12 out of 50 copies. The signature in pencil is Luigi Bartolini on the lower right. It is displayed at the National Institute of Graphics, Prints and Drawings Department, in Rome. Luigi Bartolini (Cupramontana 1892 - Rome 1963), spent his youth among Rome, Siena and Florence, attending Academies of Fine Arts and staying for a long time in Galleries, Museums and Libraries. In 1914 he began to engrave in etching, in which he gained wide fame. Writer, painter and heated polemicist, poet, exuberant critic, he had conflicts that remained famous. In 1932 he won the highest prize shared with Morandi and Boccioni at the engraving exhibition in Florence. In 1935 he earned the Rome Quadrennial Award for the best etching artwork. In 1942 he obtained the prize at the Venice Biennale for his black and white technique. His paintings with large and sumptuous brushstrokes of color, of a lively immediacy, brought him to the fore among the most renowned artists. Period: 1934 Measurements: In frame H 53.5 x W 63 x D 1 / Plate H 23.5 x W 28.5 cm
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    Original antique 17th-century Piedmontese frame in ebonized wood and gold. Period: '600 Measurements: H 99.5 x W 123 x D 7 / Internal light H 74 x W 92.5 cm
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    Pier Luigi Colli (1895-1968), table from the 1950s. The table has elegant cylindrical carved legs, it was built in elm, briar and brass; the top is in green formica. The cabinet is in excellent condition. Period: 1950s Measurements: H 77 x W 180 x D 86.5 cm
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    Carpenter's bench from the end of the 19th century, in larch, with double vice. Period: End of the 19th century Measurements: Flat net L 209 x H 81 x P 70 / With clamps L 217 x H 81 x P 83 cm
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    One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15.5 x W 16.5 x D 4 cm
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    One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 15 x W 16.5 x D 4 cm
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    One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 16 x W 16 x D 4.5 cm
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    One of six antique ceramic saucers / backsplashes, China, from the early 1900s. Period: Early 1900s Measurements: H 19.5 x W 20 x D 4.5 cm
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    Piedmontese safe from the mid-19th century fully studded, with double lock. Inside there are two wooden drawers. In good condition. Period: Mid 19th century Measurements: H 76 x W 55.5 x D 32 cm
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    Group of 4 chairs by Antonio Ari Colombo in chromed iron and leather from the 1960s. The leather is in excellent condition, structures to be polished, two screws are missing. Period: 1960s Measurements: H 81 x W 44 x D 50 cm / H seat 46 cm
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    Chinese lacquered cabinet from the 20th century. Furniture made of carved and black lacquered wood, with 2 doors and a day compartment. In excellent condition. Period: 20th century Measurements: H 95.5 x W 88.5 x D 59 cm
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    Neoclassical painting, oil on original late 18th century panel, with carved and gilded frame. Period: End of the 18th century Measurements: In frame H 55 x W 84 x D 6 / Table H 39 x L 68 cm
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