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  • Out of stock
    "Interior with thread spinner and sheep". Oil on tablet by Giuseppe Gheduzzi . The artist was born in Crespellano (BO) on 12 May 1889. Son of the painter Ugo, from whom he learned, like his brothers Cesare, Mario and Augusto, the first rudiments of art. He made his debut in Vignola in 1907 with the painting Alpine landscape. He refined his training in Turin at the Albertina Academy as a pupil of Andrea Marchisio and Paolo Gaidano. After leaving the Academy, he collaborates with his father for the realization of the stage sets for the Teatro Regio. Giuseppe is a skilled landscape painter: he paints Venetian glimpses and panoramas, views of the Piedmontese lakes and valleys and of the Ligurian Riviera. Unlike his brother Cesare, however, he also excels in interior paintings with figures and orientalist themes. Particularly appreciated by the public and critics are in fact his genre scenes and the paintings depicting interiors of workshops of artisans, antique dealers and stables. During his life Giuseppe participated in many reviews of the Promoter of Fine Arts in Turin and in the Circolo degli Artisti in Turin, and made several personal exhibitions. He died in Turin on May 21, 1957. Period: 1930s Measurements: In frame H 36 x W 28 x D 3 / Canvas H 20 x W 11,5 cm
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    "Rio a Venezia (River in Venice)", 1953, oil on canvas by G. Bertulli. Born on August 16th, 1903 in Bardi (Parma), he lives in Milan. He studied in Piacenza, a pupil of Francesco Ghittoni, and in Milan, at the Brera academy, he then moved and settled in Milan and since then he participated in important local and national exhibitions, obtaining awards and prizes. To his credit about thirty solo exhibitions, of which six are in Milan and the last one (1967) at the Sagittario gallery. He was a member of the Accademia Clementina and the Parma Academy of Fine Arts. Trade union manager and member of the Commission for the Monumental at the Municipality of Milan. Dimensions: In frame H 68 x W 78 x D 5.5 / H 50 x L 60 cm
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    Pair of ceramics depicting the allegory of poetry and allegory of music, by Giuseppe CAPPÈ (1921-2008), ca. 1950s, in perfect condition. Giuseppè Cappè was born in Milan in 1921, he lived in Milan and later in Lomagna (Lecco) where in his studio, near the porcelain manufacturer, he created his works appreciated all over the world and which, especially in America, have conquered the market. Part of his works are now in many private collections and museums. Cappè was an artist who drew inspiration from the strands of the great Italian Baroque-Alexandrian folk tradition of which the stuccos of Serpotta (Palermo), the Capodimonte porcelain and the Neapolitan mangers are the most typical and well-known examples. Cappè was an artist who has been making sculptures since 1946 and his creations have been so successful that they have been imitated and plagiarized. He also worked as a chief sculptor at the IPA studio and later as a chief sculptor at King. Many of his models are still reproduced from these porcelain studies. He died in Lomagna on 7 May 2008. Measurements: (H 23 X L14 X P10), (H23 X L14 X P12)
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    Small Piedmontese dresser in Luigi Filippo style. Two and a half drawers, turned foot, inlaid drawers in patina. In fair condition. Period: mid-19th century Measurements: H 84 x W 105 x D 54.5 cm
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    "Ed ecco un cavallo bianco (And finally a white horse)", a not numbered litograph, signed on the lower right by Giorgio De Chirico. This artwork is included in the "Apocalypse" volume, curated by R. Carrieri, Edizioni della Chimera, Milano. The founder of the metaphysical school, Giorgio de Chirico is mostly known for his metaphysical paintings, created from 1909 to 1919. These nostalgic representations have deeply influenced the Surrealist movement and its artists, among which André Breton, Salvador Dalì and René Magritte. De Chirico's artworks explore various themes, among which alientation; nostalgia and the myth. De Chirico refused, later in his career, his previous metaphysical style and focused his research on traditional painting techniques, preferring the neo-Classic and neo-Baroque style, influenced by Raffaello, Luca Signorelli and Peter Paul Rubens. The surrealists publicly criticised this further anti-moidernist development in De Chirico's work and for that the artist ceased his participation and belonging to the group. Measurements: In frame H53 x W45,5 x D1,5 cm / Litograph H32 x W25 cm.
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    Directory chest of drawers with three drawers, Piedmontese origin, in walnut wood, late eighteenth century style. Threaded drawers in bois de rose and maple, truncated pyramidal legs. Invoice period about 1800. The chest of drawers is in excellent condition Period: late 18th century - early 19th century Measurements: H 91 X L 123 X P 55 cm
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    Piedmontese baroque cabinet in walnut, from the first half of the 18th century. Rebated doors with three carved panels each, smooth sides, the left one built in chestnut. Excellent condition, the piece of furniture was born as a single body and was subsequently cut in the middle to be easier to transport, a classic feature of antique Piedmontese furniture. Measurements: H 177 x W 147 x D 57,5 / Internal D 50 cm
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    Double body in walnut, sacristy cabinet with four doors and a single central drawer, the doors are embellished with 4 ashlar panels and a wrought iron pendant in the center. The sides are also panelled. The cabinet has undergone to a small modification of the drawer and the band that rests on the ground, but overall it has been preserved as it was in its original form. Full period '600, Piedmont. Measurements: H 195 x W 160 x D 71.5 cm
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    Holy Family, splendid high quality oil on canvas depicting the Madonna, Child and Saint Joseph, school painting between the 17th and 18th century. The condition is excellent, the pictorial surface does not require cleaning and has maintained its originality over time, coeval silver frame. Measurements: In frame H 70 x W 56 x P 6 / Canvas H 56 x W 41 cm
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    "San Rocco" oil on canvas from the 19th century. Large painting of the saint with dog, angels and the Easter dove. The painting is in excellent condition. San Rocco is invoked as protector from the plague and from great disasters, earthquakes, epidemics and very serious diseases; and it was a great example of human solidarity and Christian charity. Period: 19th century Measurements: In frame H 163 x W 112 x D 5 / Canvas H 153 x W 102 cm
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    Large Louis Philippe mirror in carved wood and gilded with gold leaf, dating back to 1880, original mirror, excellent condition Period: Second half of the 19th century Measurements: H 180 x W 97 x D 5 cm
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    "Interior with sheperd and sheep". Oil on tablet by Giuseppe Gheduzzi (Crespellano (BO) May 1889 - Turin May 1957). Giuseppe Gheduzzi was born in Crespellano (BO) on 12 May 1889. Son of the painter Ugo, from whom he learned, like his brothers Cesare, Mario and Augusto, the first rudiments of art. He made his debut in Vignola in 1907 with the painting Alpine landscape. He refined his training in Turin at the Albertina Academy as a pupil of Andrea Marchisio and Paolo Gaidano. After leaving the Academy, he collaborates with his father for the realization of the sets for the Teatro Regio. Giuseppe is a skilled landscape painter: he paints Venetian glimpses and panoramas, views of the Piedmontese lakes and valleys and of the Ligurian Riviera. Unlike his brother Cesare, however, he also excels in interior paintings with figures and orientalist themes. Particularly appreciated by the public and critics are in fact his genre scenes and the paintings depicting interiors of workshops of artisans, antique dealers and stables. During his life Giuseppe participated in many reviews of the Promoter of Fine Arts in Turin and in the Circolo degli Artisti in Turin, and made several personal exhibitions. He died in Turin on May 21, 1957. Period: 1930s Measurements: In frame H 36 x W 28 x D 3 / Canvas H 20 x W 11,5 cm
  • Out of stock

    Antique Persian tabriz carpet, with landscape and animals depicted. Dating back to the early 1900s. The carpet needs restoration.

    Period: Early 1900s

    Measurements: H 270 x W 185 cm

  • Out of stock
    "Madonna with Child and Saints", oval painted on canvas with coeval frame between '600 and' 700, beautiful quality, painted in excellent condition, during  its first ancient restoration the canvas was applied to a wooden panel.
    Period: 1600s/1700s Measurements: In frame H 102 x W 79 x D 6 / Painting H 85 x W 62 cm
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    "Jesus and the Samaritan woman at the well" - 17th century oil painting on canvas, northern Italy, the work is in excellent condition, the pictorial surface is 99% original, coeval frame.
    Period: 17th century Measurements: In frame H 142 x W 119 x D 9 / Canvas H 124 x W 100 cm
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    Screen printing on mirror in polished stainless steel, edition 80/80. MICHELANGELO PISTOLETTO was born in Biella in 1933. He began exhibiting in 1955 and in 1960 he held his first solo show at the Galatea Gallery in Turin. His first pictorial production is characterized by a research on self-portrait, experimenting different techniques recalling Fontana, Jean du Buffet and Pollock. Through this research he accomplishes two works on black emaled canvas, which later lead him to his mirror paintings in 1961. In the two-year period 1961-1962 he arrives at the creation of mirror paintings, which directly include the presence of the viewer, the real dimension of time in the work and also reopen the perspective, overturning the Renaissance one closed by the avant-garde of the twentieth century. With these works Pistoletto quickly achieved international recognition and success, which led him to carry out, already during the 1960s, personal exhibitions in prestigious galleries and museums in Europe and the United States. The mirror paintings will form the basis of his subsequent artistic production and theoretical reflection. Between 1965 and 1966 he produced a set of works entitled Minus Objects, considered fundamental for the birth of Arte Povera, an artistic movement of which Pistoletto is the animator and protagonist. Starting from 1967 he carried out, outside the traditional exhibition spaces, actions that represent the first manifestations of that “creative collaboration” that Pistoletto will develop over the following decades, bringing together artists from different disciplines and increasingly wider sectors of society. Between 1975 and 1976 he created a cycle of twelve consecutive exhibitions, Le Stanze, at the Stein Gallery in Turin, the first of a series of complex works organized over a year, called "continents of time", as White Year (1989 ) and Happy Turtle (1992). In 1978 he held an exhibition during which he presented two fundamental directions of his future research and artistic production: Division and multiplication of the mirror and Art dives in religion. At the beginning of the eighties he created a series of sculptures in rigid polyurethane, translated into marble for the personal exhibition of 1984 at the Forte di Belvedere in Florence. From 1985 to 1989 he created the series of “dark” volumes called Arte dello squallore (Art of Squalor). During the nineties, with Progetto Arte and with the creation in Biella of Cittadellarte-Fondazione Pistoletto and the University of Ideas, he puts art in an active relationship with the different areas of the social context in order to inspire and produce a responsible transformation of society. In 2003 he was awarded the Golden Lion for Lifetime Achievement at the Venice Biennale. In 2004 the University of Turin awarded him an honorary degree in Political Science. On this occasion the artist announces what constitutes the most recent phase of his work, called Terzo Paradiso. In 2007 he received the Wolf Foundation Prize in Arts in Jerusalem, "for his constantly creative career as an artist, educator and activator, whose tireless intelligence has given rise to premonitory art forms that contribute to a new understanding of the world". In 2010 he is the author of the essay Il Terzo Paradiso, published in Italian, English, French and German. In 2012 he promoted the Rebirth-day, the first universal day of rebirth, celebrated every year on 21th December with initiatives carried out in different places around the world. In 2013 the Louvre Museum in Paris hosts his solo exhibition Michelangelo Pistoletto, année un - le paradis sur terre. In the same year he received the Praemium Imperiale for painting in Tokyo. In May 2015, the Universidad de las Artes de Havana awarded him an honorary degree. In the same year he created a large-scale work, entitled Rebirth, located in the park of the Palace of Nations in Geneva, headquarters of the United Nations Organization. In 2017 his text Hominitism and Demopraxia was published. Manifesto for a regeneration of society. Between 2018 and 2020 the activity of the Third Paradise is further intensified, in particular through the development of an international network of Embassies and Forums. In these same years he is also particularly active in various countries of Latin America with personal exhibitions and various initiatives related to the Third Paradise.
    Period: 2014 Measurements: L 100 x H 80 cm
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    "The prayer" - Félix Auguste Clément (20 May 1826, Donzère - 2 February 1888, Algiers), oil on canvas from the second half of the 19th century, signed on the lower left. The painter known for his orientalist scenes, dedicates this painting to the love of a mother for her sick child, the attention to detail is very clear, such as the light that gives three-dimensionality hitting the main subjects in great prominence on the dark background. His first studies were at the École nationale des beaux-arts de Lyon with Jean-Claude Bonnefond. In 1848 he entered the École des Beaux-Arts in Paris, where he studied with Michel Martin Drolling and François-Édouard Picot. He was awarded the Prix de Rome in 1856 for his painting of the return of the young Tobias. He remained in Rome for several years, followed by a visit to Egypt in 1862, where he painted scenes of princely activities, made decorative works for palaces and sketched monuments; some of them quite remote. Many works were made at the request of the Khedive. In 1868 he returned to France. Four years later, he was commissioned by the government to copy Andrea Mantegna's paintings in Padua, but was forced to return due to illness. He was a professor at the École Nationale in Lyon from 1874 to 1877, then he retired. He participated in the Second Annual International Exhibition in London (1872), the Expo Vienna 1873 and the Exposition Universelle (1878). It is reported that Henri Rousseau enlisted the help of Clément in obtaining permission to copy paintings in the Louvre; privilege reserved for students of recognized institutions. He died in Algiers, where he had spent the winter trying to recover.
    Period: Mid 19th century Measurements: In frame H 140 x W 115 x D 10 / Canvas H 118 x W 90 cm
  • Out of stock
    Beautiful display cabinet in deco style, veneered in holm oak wood, shaped base, metal inserts, inside two glass shelves and mirrored back. Construction period second half of the 20th century. Good conditions.
    Period: mid-1900s Measurements: H 173 x W 75.5 x D 46 cm
  • Out of stock

    English "marine" style bookcase, in mahogany with brass inlays and inserts and matching ladder. At the base 4 doors and three drawers, open shelf with two porthole-shaped doors. Dating back to around the 1980s

    Period: 1980s

    Measurements: H 263 x W 253 x D 51 cm

  • Out of stock
    Rare Biella chest in walnut, dated 1681 on the front, lion-footed feet. Restored. Also for sale is an identical chest carved in the 1900s.
    Period: 1681 Measurements: H 61 x W 150 x D 56 cm
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    "Still life "- Oil on tablet by Francesco Bosso, signed on the lower left. Dated 1932 on the back. BOSSO FRANCESCO Born in Vercelli on December 27, 1864, died in Turin in 1933. He studied at the Institute of Fine Arts of his city with Bonino and Costa. At the beginning of his artistic career he devoted himself to decoration and scenography, performing several works in palaces, churches and theaters in Italy, France and Switzerland. For the colonial exhibition in Genoa he composed a large Diorama of the Panama Canal, vastly appreciated and praised. He devoted himself especially to the paintings of flowers, fruit and still lifes, which have earned him great notoriety. In 1922 at the Vercelli Exposition there were forty-seven of his paintings, among which: Sun from the windows; Rustic rooms in Tournier; Among the rocks; Autumn melancholy; Fontanesian landscape and still lifes.  
    Period: 1932 Measurements: In frame H 34 x W 40 x D 5 cm / Table H 21 x W 27 cm
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    Porcelain vase depicting the Rosa family on a white background with scenes of common life, the handles are in the shape of Pho's dog. The vase is of Chinese origin, Qing Dynasty, from the Guangxu era (1875-1908).
    Period: 19th century
    Measurements: H 69 x C 76.5 cm
  • Out of stock
    Consolle in carved and gilded wood in Louis XV style dating back to the mid-18th century. Original wooden top. In good condition. Period: Mid '700 Measurements: H 95 x W 94 x D 45 cm
  • Out of stock
    Pair of Louis XVI style mirrors in carved and gilded lego with original glass.
    Period: End of the 18th century Measurements: H 72,5 x W 49,5 cm
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