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  • Out of stock
    "Woman' bronze sculpture by Titta Ratti. Titta Ratti, real name Battista Ratti (Milan 1896 - Malvaglia 1992). Period: mid 20th century Measurements: H 54 x W 18 x D 18 cm
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    Murano glass chandelier with three light points, dating back to the 40s / 50s. Made up of two pieces, conical upright and cup
    Period: 1940s / 1950s Measurements: H 75 x Ø 47 cm
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    Brass chandelier, dating back to the end of the 19th century, with 5 light points. Beautiful workmanship with volutes and lion heads. Glass lampshades are missing
    Period: Late 1800s Measurements: H 116 x Ø 100 cm
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    1940s brass lamp, swivel wicker shade. In excellent condition, working electrical system.
    Period: 1940s Measurements: H 169 x L 44.5 x P 82 cm
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    Dionysus, old Bacchus in bronze, 19th century. Dionysus was the god of ecstasy, wine, intoxication and liberation of the senses. Period: '800 Measurements: With pedestal H 67,5 x W 25 x D 18 / Statue H 49,5 x W 17,5 x D 13,5 cm
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    Oil on cardboard by Luigi Steffani (1827-1898) depicting a landscape with a water stream, signed on the lower left and dated 1893
    Period: 1893 Measurements: In frame H 39 x L 59 / Table H 22 x L 42 cm
     
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    "Ed ecco un cavallo bianco (And finally a white horse)", a not numbered litograph, signed on the lower right by Giorgio De Chirico. This artwork is included in the "Apocalypse" volume, curated by R. Carrieri, Edizioni della Chimera, Milano. The founder of the metaphysical school, Giorgio de Chirico is mostly known for his metaphysical paintings, created from 1909 to 1919. These nostalgic representations have deeply influenced the Surrealist movement and its artists, among which André Breton, Salvador Dalì and René Magritte. De Chirico's artworks explore various themes, among which alientation; nostalgia and the myth. De Chirico refused, later in his career, his previous metaphysical style and focused his research on traditional painting techniques, preferring the neo-Classic and neo-Baroque style, influenced by Raffaello, Luca Signorelli and Peter Paul Rubens. The surrealists publicly criticised this further anti-moidernist development in De Chirico's work and for that the artist ceased his participation and belonging to the group. Measurements: In frame H53 x W45,5 x D1,5 cm / Litograph H32 x W25 cm.
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    "Vallata di Carnia" oil on panel by Carlo Wostry (Trieste 1865-1943), circa 1920s/'30s, in a beautiful gilded frame. Period: 1920s/'30s Measurements: Framed H 55.5 x W 47.5 x D 7 / Tablet H 34.5 x W 27 cm
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    50's hourglass floor lamp, in opaline
    Period: 1950s Measurements: H 121 x Ø 40 cm
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    Etching by Salvator Rosa (1615-1673) depicting Alexander in Apelle's studio. No. 80 of the Bozzolato catalog. Salvator Rosa, or Salvatore Rosa (Naples, 22 July 1615 - Rome, 15 March 1673), was an Italian painter, engraver and poet of the Baroque era. Born in Naples, active in Rome and Florence (as well as in his hometown), he was a heterodox and rebellious character with a lively life, with almost pre-romantic attitudes.
    Period: 17th century Measurements: In frame H 74 x L 47 cm / Sheet H 46 x L 27.2 cm
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    Oil painting on canvas depicting a military man
    Period: Late 19th century Measurements: H 54 x L 53.5 cm
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    Consolle with marble top, lacquered in cream tones, decorated in burgundy.
    Period: 1920s approx Measurements: H 88 x L 147 x D 38 cm
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    Walnut consolle in Louis Philippe style, slabbed front and top, dating back to the 1860 circa.
    Period: around 1870 Measurements: H 103 x L 77 x P 45 cm
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    Ancient etching by Giovanni Battista Piranesi (Venice 1720-1778) entitled "reliquiae substructionum et anteridum moenium". From the series the Campo Marzio of ancient Rome, 1762.
    Period: 1762 Measurements: In frame H 47 x L 64 cm / Paper H 20 x L 40 cm
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    Napoleon III style bedside table veneered in rosewood, walnut and maple, white marble top. In good condition. Only one flap compartment, no drawers.
    Period: Early 1900s Measurements: H 73 x L 47 x P 38 cm
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    Oil on plywood depicting a sea landscape by Ercole Magrotti (Milan, 1890 - Rome, 1967)
    Period: 1940s Measurements: In frame H 54.5 x W 64.5 / Table H 40 x W 50 cm
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    Thonet style konig two-seater bench dating back to the end of the 19th century, in curved beech.
    Period: Late 19th century Measurements: H 95 x L 111 x P 47 cm
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    Beautiful oil painting on wood by Emilia Ferrettini Rossotti (1866-1951) depicting a landscape with a canal. In excellent condition with frame. The author had a self-taught training, although comforted by the attendance of L. Delleani. He painted still lifes with subdued color ranges, flowers and landscapes (Mattino grigio, Tramonto sul Po, sent in 1900 to the I International Women's Exhibition in Turin). He exhibited in Genoa in 1902, in Rome in 1904 (White Note), at the Paris Salon in 1911 (Autumn).
    Period: Early 1900s Measurements: In frame H 60 x L 47.5 cm / Table H 44 x L 34 cm
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    Beautiful oil painting on paper dating back to the early 1900s depicting some masks in the night scene. The painting is in excellent condition, with frame, and bears the author's signature and the title of the painting on the back. The author is Vittorio Petrella from Bologna (1886-1951). In Turin, during his first exhibition, one of his oil is purchased by Vittorio Emanuele III and two of his large floral panels go to the Civic Museum of Turin. He immediately obtained awards and prizes in Bologna (Mostra del Paesaggio), in Florence (Palazzo Pitti). He took part in the Venice biennials from 1926 to 1948. He is particularly sought after for his preference for nocturnal landscapes. Also active in drawing and lithography. Period: Early 1900s Measurements: In frame H 49 x L 40 cm / Painting H 30 x L 21.5 cm
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    Large Chinese ceramic vase with ebonized wooden base, dating back to around 1950.
    Period: around 1950 Measurements: H 90 x L 34 x Ø 31 / Pot holder H 23 x L 43 x Ø 34 cm
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    "Still life "- Oil on tablet by Francesco Bosso, signed on the lower left. Dated 1932 on the back. BOSSO FRANCESCO Born in Vercelli on December 27, 1864, died in Turin in 1933. He studied at the Institute of Fine Arts of his city with Bonino and Costa. At the beginning of his artistic career he devoted himself to decoration and scenography, performing several works in palaces, churches and theaters in Italy, France and Switzerland. For the colonial exhibition in Genoa he composed a large Diorama of the Panama Canal, vastly appreciated and praised. He devoted himself especially to the paintings of flowers, fruit and still lifes, which have earned him great notoriety. In 1922 at the Vercelli Exposition there were forty-seven of his paintings, among which: Sun from the windows; Rustic rooms in Tournier; Among the rocks; Autumn melancholy; Fontanesian landscape and still lifes.  
    Period: 1932 Measurements: In frame H 34 x W 40 x D 5 cm / Table H 21 x W 27 cm
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    Traditional Chinese blue and white Qinghua porcelain vase, from the early 1900s. Flowers and animals are depicted on the vase. In excellent condition. Period: Early '900 Measurements: H 58 x D 20,5 cm
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    Table, Fratino desk in walnut, built in the twentieth century, original materials, top 35 mm thick in a single piece, equipped with front drawer.
    Period: 20th century Measures: H 78 x L 135 x P 58.5 cm
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    "Man of arms, portrait" - Painting on canvas signed by the painter Enrico Clara, born around 1850, often present at the exhibition of the promoter of Turin in the 1970s
    Period: around 1870 Measurements: H 80 x L 60 / Canvas H 53 x L 62 cm
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