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  • Out of stock
    Large chest of drawers from the 19th century, in pine wood, made up of 8 large drawers. To be restored.
    Period: 19th century Measurements: H 110 x L 185 x P 71,5 cm
  • Out of stock
    1950s sideboard in chestnut veneer composed of 4 doors.
    Period: 1950s Measurements: H 88 x L 200.5 x P 48.5 cm
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    Group of 16 cherry chairs, dating back to the end of the 19th century, in excellent structural condition, need coloring of the lightened parts and finishing. A chair has a broken seat.
    Period: Late 19th century Measurements: H 86 x L 41.5 x P 37.5 / H seat 48 cm
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    "Woman' bronze sculpture by Titta Ratti. Titta Ratti, real name Battista Ratti (Milan 1896 - Malvaglia 1992). Period: mid 20th century Measurements: H 54 x W 18 x D 18 cm
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    "Woman with veil" oil on paper by Gino Parin. The painting is from the 20s / 30s of the twentieth century, has a beautiful coeval gilded wood frame. The picture and the frame need some cleaning. It comes from a private collection from Biella. Gino Parin was born in Trieste in 1876. His real name was Federico Gino Pollack. He began his artistic education in the studio of the Trieste painter Eugenio Scomparini and then continued at the Venetian Girolamo Navarra's one. At 19 he went to Munich to attend the Academy where he attended the courses of Karl Raupp and became acquainted with the painting of the Pre-Raphaelites, Lenbach, von Marées and von Stuck. Having become a member of the Münchener Künstler Genossenschaft, he often exhibited at the Glaspalast. He traveled extensively in Europe, visiting Switzerland, France and England. From 1910 he began to participate in the collective exhibitions of the Trieste Artistic Circle. Here he settled permanently at the outbreak of the First World War. He participated to the Biennials of 1921, 1924, 1928 and 1932. In 1923 he received the gold medal at the Turin Quadrennial. During this period his style, from the original German academic setting, evolved towards a personal reworking of the taste of the Deco years. His production, mainly focused on female portraits and interior painting, earned him the definition of "painter of beautiful women". Deported by the Germans in 1944, he died in the Bergen Belsen camp. Period: 1920s / 30s Measurements: In frame H 102 x W 82 x D 7.5 / Canvas H 79 x W 59 cm
  • Out of stock
    Dipinto olio su tavola di Cipriano Mannucci (Nizza 1882 - Firenze 1970). Compì gli studi a Firenze alla scuola d'Arte di S. Croce. Nel 1908 vinse un premio in una mostra alla Societa' Fiorentina di Belle Arti. Visse alcuni anni a Parigi, esponendovi più volte; partecipò a mostre in Italia e in America Meridionale, ottenendo numerosi riconoscimenti. Il dipinto è una veduta di Boccadasse (GE), è firmato dall'autore nell'angolo in alto a destra. Period: 1930/40 Measurements: In frame H 50 x L 60 cm / Table H 30 x L 40 cm
  • Out of stock
    Elegant oil painting on canvas by Alfio Paolo Graziani (Mantua 1900 - Gavirate 1981), Mantua by birth, after the last war he moved to Gavirate, where he died in 1981. He is one of the most qualified artists of the 1900s, he does not get involved by the easy enthusiasm of the time, thus he tried managing to maintain his freedom of expression and to create works of great quality. His still lifes, his landscapes and his portraits are restful and quiet carriers of inner peace. The work is signed by the author on the lower left corner. Period: 1940s Measurements: In frame H 82.5 x L 112.5 cm / Canvas H 70 x L 100 cm
  • Out of stock
    "Valle d'Aosta landscape with huts" - Oil on panel by Giuseppe Gheduzzi (1889-1957). Born in Crespellano (Bologna) on May 12, 1889, he lived in Turin where he died on May 21, 1957. He learned the basics of art from his father Ugo, then attended the Accademia Albertina, a pupil of Andrea Marchisio and Paolo Gaidano, for only three years, because he was forced to help his father in the scenography works. He was a skilled landscape painter. It began in Vignola in 1907 with an alpine landscape. He held several solo exhibitions and took part in many exhibitions. He participated in the events of the Promotrice alle Belle Arti in Turin for twenty consecutive years (awarded with a gold medal) and in the circle of artists in Turin. Solo exhibitions were held at the Bolzani Gallery in Milan; at the Galleria A. Garabello in Biella; at Galleri Fogliato and Lombardi Gallery in Turin.
    Period: about 1920 Measurements: In frame H 83 x L 102 x P 7 / Table H 61 x L 80.5 cm
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    "This Arno with slow waters" - Oil on panel by Galileo Chini, signed on the lower right, bears the dedication on the back to his friend Giuseppe Orsi and the date 14 September 1943. CHINI GALILEO. Born on December 2, 1873 in Florence, died on August 23, 1956, then blind. As a boy he was a simple painter; at twenty he decided to study the ancient and modern masters. In 1899 with some friends he created "The Art of Ceramics", managing to give this feat a new physiognomy to Italian majolica. He has participated in numerous and important exhibitions in Paris, Leningrad, Barcelona, ​​Saint-Louis, Brussels and in Italian exhibitions, including the Venice Biennials from IV to XVII. Among the various decoration works, those of the buildings of the Cassa di Risparmio of Pistoia, Arezzo and Florence, as well as those of the Throne Palace in Bangkok (Siam), and among the easel works: Quiete; The triumph; The Baptist; Icarus; The game and the fat tempera painting depicting The Last Supper, in which it reaffirms its qualities as a strong symbolist decorator of daring conceptions and a lovable coloring, which achieves remarkable effects with simplicity of means and with natural spontaneity. In 1932 he held a personal exhibition in Milan, at the Pesaro Gallery, with still life paintings, flowers, figures and Parisian landscapes or on the banks of the Arno. He was a teacher of decoration at the Academy of Florence.
    Period: September 14, 1943 Measurements: In frame H 52 x L 60 / Table H 33.5 x L 42 cm
  • Out of stock
    "The rhododendrons of Burcina" - Oil on canvas by Enzo Gazzone from Vercelli (San Germano Vercellese 1894 - Vercelli 1970), dating back to the 1940s. On the back, scrolls: Galleria Perazzone, Galleria Dante and Galleria Fogliato. ENZO GAZZONE Born in San Germano Vercellese on 23 March 1894. Having learned the first elements of painting from his father Luigi Gazzone, a good amateur, he studied at the Albertina Academy of Turin, a pupil first of Andrea Marchisio and then of Giacomo Grosso. In addition to portraiture and landscape, he dedicates himself to etching and several successful prints attest to this attitude. She made her debut at the Vercelli Exhibition in 1922 and later took part in the 1st Female Portrait Exhibition in Monza: at the Promoter and Amici dell'Arte in Turin; then in Novara, in Bolzano, in Domodossola. His main works: "Sul lago di Como" and "Decadenza", etchings that had good success at the Black and White Exhibition in Melbourne; "March snow"; "The portrait of the Archbishop of Vercelli Mons. Giovanni Gamberoni", preserved in the archbishopric itself; "Portrait of Mrs. Berlese". They remain from Vercelli, good for the resemblance and harmony of colors. "The rice sower", owned by the Vercelli Farmers' Federation ";" The wind ";" Melancholy ";" Riflessi ";" The castle of Fénis ".
    Period: 1940s Measurements: In frame H 76.5 x W 93.5 x D 6 cm / Canvas H 57.5 x W 75 cm
  • Out of stock
    "The prayer" - Félix Auguste Clément (20 May 1826, Donzère - 2 February 1888, Algiers), oil on canvas from the second half of the 19th century, signed on the lower left. The painter known for his orientalist scenes, dedicates this painting to the love of a mother for her sick child, the attention to detail is very clear, such as the light that gives three-dimensionality hitting the main subjects in great prominence on the dark background. His first studies were at the École nationale des beaux-arts de Lyon with Jean-Claude Bonnefond. In 1848 he entered the École des Beaux-Arts in Paris, where he studied with Michel Martin Drolling and François-Édouard Picot. He was awarded the Prix de Rome in 1856 for his painting of the return of the young Tobias. He remained in Rome for several years, followed by a visit to Egypt in 1862, where he painted scenes of princely activities, made decorative works for palaces and sketched monuments; some of them quite remote. Many works were made at the request of the Khedive. In 1868 he returned to France. Four years later, he was commissioned by the government to copy Andrea Mantegna's paintings in Padua, but was forced to return due to illness. He was a professor at the École Nationale in Lyon from 1874 to 1877, then he retired. He participated in the Second Annual International Exhibition in London (1872), the Expo Vienna 1873 and the Exposition Universelle (1878). It is reported that Henri Rousseau enlisted the help of Clément in obtaining permission to copy paintings in the Louvre; privilege reserved for students of recognized institutions. He died in Algiers, where he had spent the winter trying to recover.
    Period: Mid 19th century Measurements: In frame H 140 x W 115 x D 10 / Canvas H 118 x W 90 cm
  • Out of stock
    Watercolour on dustpaper applied on canvas, signed on the lower right by the artist Franco Rognoni (Milano, 1913 - Milano, 1999) with frame. In excellent condition.
    Period: 1962 Measurements: In frame L 65 x H 84 cm / Paper L 50 x H 70 cm
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